Résultats lu par "Sarah Durham" dans Toutes les catégories

Your daughter isn't answering your calls. She's not replying to your messages. You rush to her house. She's slumped in the basement, dying and alone. You desperately call for help. She whispers a single word. Someone is keeping secrets. And it must be someone you know.

Four women, all from very different lives, all with reason to step into the water and wash away their past. But will the friendship they build be enough to keep them afloat when they each must face their fears?

Alison is a marriage mender. Her job is to help couples who fear they have reached the end of the road. So when her husband's ex, Lydia, arrives on the doorstep demanding to see her son, Alison thinks she can handle it. But what Alison doesn't realise is that Lydia is the one person who has the ability to destroy their happy family. And sometimes the cracks run too deep to ever be repaired.

Freya loves her new home on a quiet suburban street. And her beautiful neighbor, Emily, is everything she’s ever wanted in a best friend. Finally, she has somebody to share her secrets with over a glass of wine. But as Freya watches her new friend setting the table for dinner one evening, she sees something shocking that makes her think that Emily’s life might not be as perfect as it seems. Days later, Emily and her daughter vanish.

Ever since the Nazis came to power, violence has spread through the city Esther Spielmann once called home. Each night she prays her family will be spared. But when her husband and father are murdered alongside fellow Jews during Kristallnacht, she has no choice but to send her beloved son, Sascha, to safety. Esther’s heart breaks as she watches his thin legs trembling in the cold as he is ushered with the other crying children towards the Kindertransport.

Ethan gently squeezes my hand as he slides the golden ring onto my finger. But I know we aren’t worthy of happiness. As I look down at my wedding ring, in a blistering flash, I suddenly remember another piece of that pitch-black, rainy night… but I try to focus on Ethan’s gorgeous blue eyes. I know exactly what he’s thinking. We can never tell. All our family, friends and loved ones smile as they watch Ethan and I promise to be together until death us do part. But only we know what that really means…Because we have already killed someone.

‘I’m sorry, Sam’s not available,’ says the woman who answers my husband’s phone. I can’t place her voice, so I politely ask who she is. Her answer sends my world spinning out of control: ‘I’m his wife.’

You trust them with your child. You shouldn’t. Each Monday after school, I look after my daughter Coralie and four other kids from her class. We go to the park when it’s sunny, snuggle on the sofa reading books when it rains. Tuesdays to Fridays, the other parents take them. It’s perfect–a circle of free childcare, of fun and friendship for our children. But this morning, we all received an anonymous note. And now I’m terrified.

When Anna Graham finds diamond earrings in her husband’s drawer the day before Valentine’s Day, she knows they’re not for her—her ears aren’t even pierced. Gray is having an affair—but before she can confront him about his betrayal, he receives a terminal cancer diagnosis that shatters their family. As Gray lies dying in their Damask Square home, Anna meets Laurel—the nurse who stole her husband’s heart. Despite her rage, Anna finds herself sharing Gray’s final days with this other woman, both desperate to ease his suffering while drowning in their own grief.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

Two weeks before her wedding, a stranger stops Amy in the street and warns her she’s in danger. Then that night, Matt, her fiancé, doesn’t come home. Desperate, Amy calls the police - but when Matt fails to emerge, she’s forced to call off her wedding day. Then another man is reported missing, by a woman called Fiona - a man meeting Matt’s description, who was about to leave his fiancée for her. He was supposed to be moving in with her - but instead, he’s vanished.

The invitation is anonymous. It doesn’t say whose funeral I must attend, only that I can’t afford to miss it. I’m sure it’s a mistake, but when I arrive, I know immediately it isn’t. The name on the gravestone stops me in my tracks: Alice Anderson. That’s my name. Or at least it was. I want to run from this crowd of slick designer clothes and sunglasses hiding prying eyes. But I can’t show my fear. I have no choice other than to stay and find out who sent the invitation. Someone here knows the secret I’d kill to keep.

Heather Harris is a piano teacher and professional musician, whose quiet life revolves around music, whose memories centre on a single song that haunts her. A song she longs to perform again. A song she wrote as a child, to drown out the violence in their home. A song she played with her little sister, Harriet. But Harriet is gone...she disappeared when their parents died, and Heather never saw her again. When Heather is offered an opportunity to play piano on a cruise ship, she leaps at the chance.

I sit little Mila down at my kitchen table with a glass of milk and a plate of cookies. She smiles shyly at me and I reach out to ruffle her hair. Leaving her alone for a moment, I dash upstairs, closing my eyes as I take a deep breath. What have I done? Mila isn’t my child. I should never have taken her home. But what choice did I have? Painting a smile on my face, I head back down to the kitchen.

Rhiannon Garth-Jones explores Rome's enduring legacy through three core themes: religion, empire, and culture. Each chapter examines how Rome’s history, governance, and mythology have been reimagined throughout centuries, and how these interpretations continue to shape our modern world.

Your son has gone missing. And then the police arrest the prime suspect. You. You know you're innocent. That someone else took your son. But the truth is never simple. Especially if you're forced to say nothing...

I can’t believe it when I learn my donor’s identity. The attack on Flora was all over the news. From my hospital bed I read every article, obsess over every word and soon I feel like I know her: the beautiful girl with flame-colored hair, adored by everyone around her. Why would anyone hurt someone so perfect? When Flora’s family reach out to me, I’m unsure. My hands are shaking as I arrive at their grand mansion with its golden stone and sprawling gardens, but they’re warm and welcoming, tears shining in her mother’s eyes as she smiles at me.

Seven-year-old Jake's heart is failing, and he doesn't want to leave his dad, Simon, alone. So he makes a decision: to find Simon someone to love before he goes. Beth is determined to forget the past. But even when she leaves New York to start afresh in a Lake District village, she can't shake the secrets that haunt her. Single dad Simon still holds a candle for the woman who left him years ago. Every day is a struggle to earn a living while caring for his beloved son. He has no time for finding someone new.

When headteacher Kirsty's local MP resigns after a sex scandal, she's set on running in the by-election to replace him. When he fails to dissuade her from standing, Rick sets out to influence Kirsty's campaign to his own advantage. Kirsty battles on in the spotlight as the domestic and the political start to collide – until a revelation from the past threatens to derail the whole operation.

No Such Thing as Normal is a deeply researched, timely, essential book that will shine a light on the psychiatric industry: its genesis, its obsession with often ineffective, over-medicalised treatments, and its relationship with a pharmaceutical industry driven by profitability rather than meaningful social welfare and change.