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Henry Hotard was on the verge of fame, gaining a following and traction with his eerie ghost-hunting videos. Then his dreams came to a screeching halt. Now, he's learning to navigate a new life in a wheelchair, back on the reservation where he grew up, relying on his grandparents’ care while he recovers. And he’s being haunted.

Reclaiming Two-Spirits decolonizes the history of gender and sexuality in Native North America. It honors the generations of Indigenous people who had the foresight to take essential aspects of their cultural life and spiritual beliefs underground in order to save them.

Nina is a Lipan girl in our world. She's always felt there was something more out there. She still believes in the old stories. Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he's been cast from home. He's found a new one on the banks of the bottomless lake. Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli's best friend, will drive their worlds together in ways they haven't been in centuries.

Look outward beyond the stars with six stories from bestselling visionary authors. An AI awakens to its purpose. A researcher seeds a thousand new worlds for one more chance at love. A murder rocks the crew of an interstellar ship. With a sweeping sense of wonder, these stories explore the galaxy . . . and the horizons of humanity’s potential.

One thousand years in the future, the zyme, a thick blanket of luminous green slime, covers the oceans. Glaciers three-miles-high rise over the continents. The old stories say that when the Jemen, godlike beings from the past, realized their efforts to halt global warming had gone terribly wrong, they made a desperate gamble to save life on earth and recreated species that had survived the worst of the earth's Ice Ages. Sixteen-summers-old Lynx and his best friend Quiller are members of the Sealion People - archaic humans known as Denisovans.

Little Moon There Are No Stars Tonight was four years old when armed federal agents showed up at her home and took her from her family. Under the authority of the government, she was sent away to a boarding school specifically created to strip her of her Ponca culture and teach her the ways of white society. Little Moon was one of thousands of Indigenous children forced to attend these schools across America and give up everything they'd ever known: family, friends, toys, clothing, food, customs, even their language.

Perennially single, socially awkward, and drowning in debt, Michael Lincoln finds his life has turned out nothing like the intergalactic lives of the pulp heroes of his youth. But these are pedestrian concerns—he has a higher calling, and that is to preserve for all posterity the greatest series in the history of the written word: The Star Rot Chronicles.

In late 1997, a runaway teenager and her small yellow toy robot travel west through a strange American landscape where the ruins of gigantic battle drones litter the countryside, along with the discarded trash of a high-tech consumerist society addicted to a virtual-reality system. As they approach the edge of the continent, the world outside the car window seems to unravel at an ever faster pace, as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.

Sebastian Pana is a sin-eater, a shaman-like figure who can absolve the dead of their transgressions before they move on to the afterlife. But when a tear in the fabric of reality allows hideous beasts to invade the small arctic town he calls home, Sebastian must wage battle with them the only way he knows how: by unleashing the power of sin itself. Thus, the stage is set for an epic confrontation between the forces of good and evil, in which a mother monster strives to save the dying land around her.

Overachievement isn’t a bad word—for Berlin, it’s the goal. She’s securing excellent grades, planning her future, and working a part-time job at Pink Mountain Pizza, a legendary local business. Who says she needs a best friend by her side? Dropping out of high school wasn’t smart—but it was necessary for Cameron. Since his cousin Kiki’s disappearance, it’s hard enough to find the funny side of life, especially when the whole town has forgotten Kiki. To them, she’s just another missing Native girl.

Thirsty for fresh blood? Sink your teeth into vampire stories from young adult fiction's leading voices. In this delicious new collection edited by Zoraida Córdova and Natalie C. Parker, you’ll find stories about the lurking vampires of social media, the rebellious vampires hungry for more than just blood, the eager vampires coming out - and going out for their first kill - and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night.

Perpetually cheerful and eager to please, Gracie Cooper strives to make the best out of every situation. So when her father dies just months after a lung cancer diagnosis, she sets aside her dreams of pursuing her passion for art to take over his Midtown Manhattan champagne shop. She soon finds out that the store’s profit margins are being squeezed perilously tight, and complicating matters further, a giant corporation headed by the impossibly handsome, but irritatingly arrogant Sebastian Andrews is proposing a buyout.

An innovative work of research and reportage, We Are the Middle of Forever places Indigenous voices at the center of conversations about today’s environmental crisis. The book draws on interviews with people from different North American Indigenous cultures and communities, generations, and geographic regions who share their knowledge and experience, their questions, their observations, and their dreams of maintaining the best relationship possible to all of life.

Why I Love Horror is a captivating anthology and heartfelt tribute to the horror genre featuring essays from several of the most celebrated contemporary horror writers including, Grady Hendrix, Paul Tremblay, Stephen Graham Jones, Josh Malerman, Victor LaValle, Tananarive Due, and Rachel Harrison.

Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger. While she knows the accident wasn’t Tray’s fault, she will never forgive him for being there and failing to stop the damage. But she can’t forgive herself for not being there either. Determined to go on the trio’s post-graduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck.

The freeway is coming. It will cut the neighborhood in two. Construction has already started, pushing toward this corridor of condemned houses and cracked concrete with the momentum of the inevitable. Yet there you are, in the fifth house on the left, fighting for your life. Ramey, I. The victim of the bet between two manufactured gods: the seductive and lethal Roxy (Oxycontin), who is at the top of her game, and the smart, high-achieving Addison (Adderall), who is tired of being the helpful one, and longs for a more dangerous, less wholesome image.

Twelve-year-old Okwaho’s life has suddenly changed. While out hunting with his best friend, his friend is kidnapped by marauders from a neighboring tribe. Okwaho barely escapes back to his village where everyone lives in fear of raids and killings: The five tribes of the Iroquois have been at war with each other for far too long, and no one can even remember what it was like to live in peace. Okwaho seeks only revenge, which will just perpetuate the violence. But before he can retaliate, a visitor with a message of peace comes to him in the woods.

Walking through his own house at night, a young boy thinks he sees another person stepping through a doorway. The figure reminds him of his long-dead father, who drowned mysteriously before his family left the reservation. When he follows, it he discovers his house is bigger and deeper than he ever knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have.

When six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.

The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent