Résultats lu par "Tracy Smith" dans Toutes les catégories

In Hangtree, Texas, any day could be your last. For on the heels of the Civil War, Hangtree is drawing gamblers, fast women and faster gunmen. Amidst the brawls and shooting, the land-grabbing and card-sharking, two men barely hold the boomtown together: Yankee Sam Heller and Texan Johnny Cross. Heller and Cross can’t stand the sight of each other. And Hangtree needs them more than ever. A Comanche named Red Hand leads a horde of warriors on a horrific path of bloodshed and destruction, with Hangtree sitting right in Red Hand’s path.

Cuno Massey may be a federal fugitive, but he’s Deputy US Marshal Spurr Morgan’s best chance to run down a gang of gunrunners. A wagon train of rifles, ammunition, Gatling guns, and dynamite was stolen by US Cavalry deserters who intend to sell the weapons to a Mexican general waging war against Yaqui Indians. To even the odds against them, Cuno and Spurr form an alliance with Ojos de Fuega — “Fire Eyes” — a Yaqui queen as savage as she is beautiful, and her band of renegades.

Cuno Massey killed those deputy US marshals all right, but only because they were about to rape the women he was escorting to safety. Thrown into a federal penitentiary, he faces a death sentence - until the beautiful Camilla and her cutthroat gang bust him out and head for the Mexican border. Pursued by lawmen as brutal as the desperadoes he travels with, Cuno rides a bloody trail, unsure where his allegiances lie, and wondering if he was better off waiting for the gallows....

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

A TIME AND WASHINGTON POST BEST BOOK OF THE YEAR The New York Times Book Review Editors' Choice A stunning personal manifesto on memory, family, and history that explores how we in America might—together—come to a new view of our shared past “A vulnerable, honest look at a life...

As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

The Subway Stairs was written to be a thought provoking story about personal safety on the fringes of life. It's meant to bring to light the problems encountered when innocent law abiding citizens are put in extreme life threatening situations with no immediate protection from a government entity (the police). Being a country governed by laws we have very few rights left for self defense. In many cases our right to self defense is governed by a state that has little or no regard for your personal safety.

Lerris has settled into being a woodworker and building a life with Krystal. But this newfound peace is endangered when both Candar and Recluce come under the threat of invasion from the Empire of Hamor. Despite the imminent possibility of destruction, the lands of Candar will not unite and Recluce will not heed the peril. Lerris is faced with the challenge of becoming the greatest wizard of all time-or seeing his whole world destroyed.

Earth remains the volatile prize of aeons of war and domination by two panterrestrial races. Returning the fight to these inhuman overlords, the Cerberus rebels are the champions of the planet's postapocalyptic dark ages. They spark a uniquely human resilience and courage to stand down the forces of infinitely powerful, perhaps unstoppable entities in the ongoing war to retake Earth for humanity.

Flintlock takes no pleasure in killing. But when his pal O’Hara gets bullwhipped by a trio of lowdown prairie rats, Flintlock finds sanctuary for his wounded friend at the cabin of a kindly miner and his lovely daughter. Flintlock heads out to hunt down some food. But there’s more than just deer lurking in these woods. A bloodthirsty band of eight savage raiders — led by a half-mad gunslinger called The Old Man of the Mountain — wage a full-scale attack on the miner’s cabin.

After crossing the dry Arizona desert — and missing six meals in a row — Sam Flintlock is flat-out desperate. For food. For work. For lodgings. Luckily, he finds all three in the high timber country east of the Mogollon River. A very young and pretty heiress, Lucy Cullen, has an unusual proposition for the bounty hunter. She will pay him cold, hard cash to spend one full week in the gothic mansion of her murdered uncle. What’s the catch? The place is haunted....

Rather than accepting a marriage arranged by his mother, the powerful military matriarch of Westwind, Creslin chooses exile, setting out to find his own identity and developing his magical talents through conflict with the enigmatic white wizards of Candar. What Creslin doesn't know is he stands in the way of their plot to subjugate the world.