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Ella Fitzgerald's career began at various amateur nights around New York City, most famously at the Apollo Theater in 1934. From those early days, Fitzgerald grew to be an iconic jazz singer and the First Lady of Song. In the spring of 1983, Fitzgerald sat down for a conversation with Wink Martindale. She discusses how her career began and some of her first hits.

Though his work was often classified as just "arrangements", Percy Faith's work went well beyond that and could be more accurately described as "recompositions". He got his start as a child studying piano and eventually made his mark as an instrumental stylist, importing elements of jazz and rock into mood music. In a conversation with host Wink Martindale, Faith discusses the work it takes to find and keep fans, his lengthy music career, and his focus on creating music that makes him happy versus music that might sell well.

Herb Alpert's career began under the name Dore Alpert. When his first few releases with RCA Records failed to gain traction, he was dropped from the label. That's when Alpert joined forces with his friend Jerry Moss to form an independent label. Herb Alpert and the Tijuana Brass grew to great success by the mid-60s, with pre-orders for their album numbering in the millions. Host Wink Martindale sat down with Alpert and takes listeners on an exciting journey from those earliest days to the heights of Alpert's career.

Harry Belafonte didn't start out with a dream of being a singer. He wanted to be an actor and studied theater for five years in New York. Unable to find work as an actor, he had to choose between abandoning dreams of being a performer entirely and finding a new area of entertainment to pursue. Opportunity struck when he was offered a chance to be an intermission singer at a local jazz club, and his singing talent began to catch on.

In 1973, Captain & Tennille wrote and cut a record completely at their own expense. The product of that recording session, "The Way I Want to Touch You", proved to be a regional hit and was the first step in their fascinating journey to major label success. The couple sat down with host Wink Martindale just as their first hit was climbing the charts. In this captivating interview, they discuss how they got started in music, the creation of their first album, and their love of performing.

Richard Rodgers and Oscar Hammerstein II joined forces to create the most consistently successful partnership in the American theater. Included among the seemingly endless list of their work are legendary works such as Oklahoma!, South Pacific, The King & I, The Sound of Music, and many more.

In February 1964, The Beatles made their TV debut on The Ed Sullivan Show, catching the attention of Bob Eubanks. Wink Martindale catches up with Eubanks in an interview from 1977 about The Beatles playing the Hollywood Bowl. He discusses having second thoughts about booking them for the concert and then selling out in three and a half hours.

For his fifth birthday, Ray Anthony's father bought him a trumpet. It wasn't until the age of 12, when his trumpet was hidden as a punishment, that he realized he couldn't live without it. Anthony opened up to Wink Martindale in this interview from 1978 about joining the Al Donahue Orchestra at the age of 17, getting fired from the Glenn Miller Band, and the popularity of the Bunny Hop. He also talks about the sound of Glenn Miller and what makes it so special. Anthony goes on to discuss what it was like starting his own orchestra and having his brother join him.

Vic Damone quit school as a teenager to work at the Paramount Theater to help support his family after his father was injured. During this time he was exposed to a host of accomplished singers, both on the stage and behind the scenes. While operating the backstage elevator for Perry Como, Damone asked if he could sing for him to see if he had any talent. He stopped the elevator between floors and after he finished, Como told him he should keep it up.

Lou Rawls got his start as a church choir boy. He performed a wide variety of musical styles, including gospel; soul; R&B; and jazz and blues for movies, TV shows, commercials, and numerous successful albums. In an interview with host Wink Martindale, Rawls discusses the many changes in the way music was created and performed throughout his career, his plentiful awards and accolades, and his early life growing up in Chicago.

Despite her phenomenal success as a singer, Joni James initially had dreams of dancing. While she continued to receive scholarships and praise for her vocal performances, dancing was what she wanted to pursue and she continued to pay for lessons. When faced with the decision of going to school or pursuing her career, on the advice of a producer that "youth was the most urgent thing in show business", she dove headfirst into singing.

The second part of our Hall of Fame spotlight on Rodgers and Hammerstein details the phenomenal success Richard Rodgers and Oscar Hammerstein II had as partners after joining forces in 1943. Throughout their long career in theater, the pair helped to start the careers of many now famous singers, dancers, and musicians.

It took 12 years for Mac Davis to find success in the music industry, first as a songwriter and later as a singer. Davis originally spent years working, going to college part time, and writing his own music. He later dropped out of college and pursued work in the music industry doing radio and sales promotions, all the while cutting bathroom demos while on the road for work. About five years later, Davis was transferred to the West Coast, where he finally found the inroads he was looking for.

Ray Conniff got his start arranging and conducting for other recording artists. His success working for others eventually led to Columbia allowing him to record an album under his own name, which was released to great success and acclaim. Conniff was the first artist to use voices and vocal arrangements as part of the instrumentation. In a conversation with host Wink Martindale, Conniff discusses his unique sound, evolving his style, and his passion for creating music.

Billy Eckstine didn't consider singing a potential profession until he earned $5 as second prize in an amateur competition. He was bitten by the showbiz bug after working as an MC and singer in his hometown of Pittsburgh while on summer break from college. He decided not to return to college and eventually began working in clubs throughout Buffalo, Detroit, and Chicago. Eckstine sat down with Wink Martindale for an interview in May of 1973.

Bobby Vinton says he never wanted to be a musician; he wanted to be a football player instead. In fact, his parents would bribe him 25 cents an hour just to get him to practice his clarinet. Vinton sat down with Wink Martindale in 1973 to discuss his success with "Blue on Blue" and the story behind "Roses are Red". He says writing songs is difficult, and he isn't sure who is buying his albums. Vinton also discusses putting together a pop music band in high school and how he began his acting career.

Norma Deloris Egstrom grew up far away from the big city life where her future would take her. While still a teenager, she left her small town of Jamestown, North Dakota, to audition for WDAY in Fargo. An hour later she found herself on the air and with a brand-new name, courtesy of radio personality Ken Kennedy: Peggy Lee. The singer, songwriter and actress sat with Wink Martindale in her Hollywood Hills home in 1975 and reflected on the early days of her career, her musical influences, and her ability to adapt to new sounds and audiences.

Neil Sedaka had more than a dozen hits from 1958 to 1963, but his career slumped with the arrival of the British Invasion. In 1974, he found his way back to the charts with "Laughter in the Rain". In March of that year, Wink Martindale sat with Sedaka to discuss his early career and his thrilling comeback. Sedaka recounts his early life as a child receiving classical music training and secretly writing pop songs, despite his sister telling him to stick to the classics. Sedaka clearly made the right call.

Dick Clark had taken over for a TV show that served as "filler" and showcased different musical acts. Young girls were invited to watch as the studio audience, but when they got bored they got up to dance, and a cameraman caught the moment. From that moment, American Bandstand was born. For teenagers, American Bandstand served as a replacement for hanging out at the local soda shop and listening to the jukebox with friends.

Gordon Jenkins arranged for legendary musicians, recorded a dozen hit singles - including "P.S. I Love You" and "Blue Prelude" - and has had a host of other accomplishments in the world of music. The arranger, composer, and pianist was influential throughout the '40s and '50s. Despite his many musical talents, Jenkins discusses his desire, but unfortunate inability, to sing. In a conversation with host Wink Martindale, Jenkins talks about his expansive musical work, accomplished career, and focusing on writing well versus writing to get rich.