Résultats de "Katherine Mansfield" dans Toutes les catégories

In Frau Brechenmacher Attends a Wedding by Katherine Mansfield we have the theme of gender roles, domination, submission, control, struggle, identity and tradition. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of control. Throughout the story Frau Brechenmacher is at the beck and call of her husband.

The Luft Bad is a short story by Katherine Mansfield: I think it must be the umbrellas which make us look ridiculous. – When I was admitted into the enclosure for the first time, and saw my fellow-bathers walking about very nearly “in their nakeds,” it struck me that the umbrellas gave a distinctly “Little Black Sambo” touch...

The Modern Soul is more about characters than action. The story begins with the stereotype of the pompous German music professor explaining to the young English narrator why he incessantly eats cherries: “There is nothing like cherries for producing free saliva after trombone playing, especially after Grieg’s ‘Ich Liebe Dich’” He’s cherry eating is connected with a consuming desire for women. The two older Germans, the Professor and the German actress’ mother, talk incessantly of food and soul. They agree that the English are “fish blooded,” cold and without soul.

A Blaze is a short story by Katherine Mansfield: “Max, you silly devil, you’ll break your neck if you go careering down the slide that way. Drop it, and come to the Club House with me and get some coffee.” - “I’ve had enough for to-day. I’m damp all through. There, give us a cigarette, Victor, old man. When are you going home?”

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

Katherine Mansfield verlässt mit zwanzig Jahren ihre neuseeländische Heimat, um in London Schriftstellerin zu werden. Doch erst einmal landet sie schwanger in der Pension eines bayerischen Kurorts. Dort kann sie ihre Beobachtungsgabe literarisch ausleben, vor allem wenn sie auf Menschen trifft, die während der Kur das enge Korsett gesellschaftlicher Zwänge ablegen. Entstanden sind messerscharfe und sehr amüsante Erzählungen. Über scheinbare Banalitäten verdeutlichen sie tief verankerte Verhaltensmuster, Vorurteile und Klischees im beginnenden 20. Jahrhunderts. Nina Hoss leiht der Pionierin der modernen Short Story ihre Stimme.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Katherine was born on the 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. At 19 Katherine left for England, where she met and befriended the modernist writers D.H. Lawrence and Virginia Woolf, amongst others. She then travelled to Europe before returning to New Zealand. There she began to write the short stories that she would later become so famous for. But there was another less-heralded side to Katherine’s writings; that of poetry. Her verse certainly reflects much of the themes of her life and interests.

Figura clave del modernismo anglosajón, Katherine Mansfield perdura como una de las grandes maestras del cuento moderno. El presente volumen incluye una cuidada selección de sus mejores relatos, desde las sátiras de juventud hasta las comedias de madurez, caracterizadas por la franqueza y la melancolía.

La Pereza Ediciones decidió agrupar siete relatos de la gran escritora neozelandesa Katherine Mansfield. En una cuidada reedición con la que la casa de publicaciones ha querido estrenar su sello Bovarismos, dedicado a la literatura femenina clásica y contemporánea, se encuentra desde el conocido cuento "La fiesta en el jardín", hasta el que lleva el título del libro, "El desconocido", uno de los relatos menos compilados en la obra narrativa de Mansfield, pero tan encantador como todos los de esta genial autora, inconmovible al paso de los tiempos.

"È un aloe, Kezia" disse Linda. "Non fa mai fiori?" "Sì, bambina mia" disse la madre. Chinò la testa verso Kezia e, socchiudendo gli occhi, le sorrise: "Una volta ogni cento anni". È dal desiderio di dar voce alla terra natale, la Nuova Zelanda, "una terra sconosciuta da far guizzare per un istante davanti agli occhi del Vecchio Mondo", che tra il 1915 e il 1916 nasce "L'aloe", che Katherine Mansfield chiamava "il mio romanzo" e dal quale avrebbe poi tratto uno dei suoi racconti più intensi, "Preludio".

Il titolo di questo libro è il titolo di una poesia di Coleridge che è il tema del più lungo dei racconti, pubblicati postumi, scritti dal 1908 al 1921, a solo due anni dalla morte prematura della scrittrice, di cui Virginia Woolf ha detto: "E' l'unica scrittura che io abbia mai invidiato". Il filo conduttore dei racconti, e forse della vita, dell'autrice, è il passaggio continuo dalla vita al sogno, o meglio da un mondo ad un altro, legati da fili sottilissimi, sempre sul punto di rompersi.

¡Qué bello es enamorarse por primera vez! ¡Qué emocionante ir a tu primer baile con dieciocho años! Pero la vida puede ser cruel cuando eres joven e inexperto. Como un retrato en mosaico de su propia vida de amores y desamores, opulencia y miserias, de ambiciones y censuras, la extraordinaria escritora neozelandesa Katherine Mansfield condensa el espíritu modernista de los locos años veinte y la bohemia en esta recopilación de relatos.

The Voyage is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 24 December 1921, and later reprinted in The Garden Party and Other Stories. At the harbour Fenella and her grandmother say goodbye to Fenella's father and board the Picton boat; a number of everyday situations are described during the journey, which highlight a degree of tension between the rather religious grandmother and staff on the boat. At Picton they are met by Mr Penreddy with a carriage.

The Baron is a short story by Katherine Mansfield: "Who is he?" I said. "And why does he sit always alone, with his back to us, too?" - "Ah!" whispered the Frau Oberregierungsrat, "he is a Baron." - She looked at me very solemnly, and yet with the slightest possible contempt - a "fancy-not-recognising-that-at-the-first-glance" expression.

At the Bay is a 1922 short story by Katherine Mansfield. It was first published in the London Mercury in January 1922 in twelve sections, and later reprinted in The Garden Party and Other Stories (1922) with a short descriptive coda which is now the thirteenth section. The story represents Mansfield's best mature work, a luminous example of her literary impressionism. While writing it at the Chalet des Sapins, she was coming to terms with her relationship with Murry and with her own origins and identity.

"The Daughters of the Late Colonel" is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around.

"Her First Ball" is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 28 November 1921, and later reprinted in The Garden Party and Other Stories. A young girl called Leila has come to the city to stay with her cousins. They are going to a ball. Leila is very excited: this is her first ball. Once there, she is both excited and terrified. After dancing with several young boys her own age, she dances with a wrinkly balding man who has been coming to balls for a while.

"Life of Ma Parker" is a 1921 short story by Katherine Mansfield. It was first published in The Nation and Atheneum on 26 February 1921: The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have.