Résultats lu par "Ghizela Rowe" dans Toutes les catégories

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

Mirabai was a Rajput princess born to the Rathore clan in 1498 in Kudaki, Rajasthan, in northern India. Despite being one of the most significant saints in the Bhakti tradition and an immensely popular Hindu mystic and religious poet, very few facts are actually known about her life including her date of birth. It is clear that her mother died when she was very young and she was greatly influenced by her father, also a worshipper of Krishna. From a young age, Mirabai’s devotion to Krishna was absolute surrender and complete devotion.

Anne Kingsmill was born in April 1661 (an exact date is not known) in Sydmonton, Hampshire. Throughout her life, Anne was involved in several Court cases that dragged on for years. These involved both a share of her parent’s estate for her education and later her and her husband’s share of an inheritance. In 1682, Anne became a maid of honour to Mary of Modena (wife of James, Duke of York, and later King James II) at St James’ Palace. Anne's interest in poetry began at the palace, and she started writing her own verse.

There is a day in March when people of Irish descent, in whole or part, and those who just wish to partake of the Shamrock Isle’s legendary hospitality, come together the world over to celebrate the world’s most popular national festival: St Patrick’s day. That day is March 17th, the traditional anniversary of his death in 561. Saint Patrick is the patron saint of Ireland and is acknowledged as the one who brought Christianity to its shores and drove out the snakes.

The beautiful island of Ireland has endured a history that is pock-marked with struggle and oppression, with religious division and self-serving administrations. It has sacrificed its youth in wars, its generations in famines and emigration, but it has never forsaken its calling that Ireland is a beacon of dignity, humanity and a home for words and literature of every description. Across the centuries, whatever its joys or torments, its poets have assembled verse that speaks from its soul.

The most enduring and popular theme of poems and poets is that of love. Love changes; its rhythms pause and pulse on the tiniest of things and the biggest of thrills. Within its shades all other feelings, all other emotions, gently reside, waiting for their moment. In these 50 poems, the many, many shades of love reveal themselves.

Sleep. That most mysterious of times. The unconscious hours. Everyone needs it. Sleep offers a respite from the rigors and challenges of the day - a chance for the brain to process what has happened and bring rest and recuperation before the cycle of daytime activity begins again. Our poets, from Kipling and Swinburne through Hafiz, James Joyce, Edgar Allan Poe and a pillowful of others, explore the wish to rest, to close the eyes and reside in the land of nod.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

Cop shows have been a staple of the media almost from the beginning. These fictional accounts created the easy-to-understand formula of 'diabolical crime plus brilliant detective equals the sometimes not-so-obvious solution'. But in the early years of the 1950s something radically different came along. 21st Precinct was a very dramatic police drama and based on the workings of a true life police department.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department, described in the programme as 'just lines on a map of the city of New York, most of the 173,000 people wedged into the nine-tenths of a square mile between 5th Ave and the East River wouldn't know if you ask them they lived or worked in the 21st. Whether they know it or not, the security of their persons, their homes, and their property is the job of the men of the 21st'.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.

London’s East End has over the centuries been a magnet for immigration, innovation, culture, crime and a vast spectrum of other things. It is often seen as both part of and yet very distinct from the vast metropolis of London. Today it has been transformed from the often grimy, derelict and overcrowded area, that many of these stories describe, into a landscape of gentrification, sleek and shiny buildings and a booming economy. But here such noted talents as Arthur Morrison, Henry W. Nevinson, William Pett Ridge and Thomas Burke show the East End as it really was.

The ships of Europe explore the globe. The Age of Mercantilism sets the stage for centuries to come. The Reformation is underway, and scientific thinking begins to challenge the Church even as nation falls upon nation. In the Americas and Asia, ancient empires clash. Cultures resonate and express themselves with the fruit of the Ottoman, Safavid, Moghul and Chinese expansion. In England, the Elizabethan age of Shakespeare, Marlowe, Donne, Jonson and Spenser dawns.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

William Pett Ridge was born at Chartham, near Canterbury, Kent, on 22 April 1859. His family’s resources were certainly limited. His father was a Railway Porter, and the young Pett Ridge, after schooling in Marden, Kent became a Clerk in a railway clearing-house. The hours were long and arduous, but self-improvement was Pett Ridge’s goal. After working from nine until seven o’clock he would attend evening classes at Birkbeck Literary and Scientific Institute to follow his passion: the ambition to write.