Résultats lu par "Leanne Yau" dans Toutes les catégories

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

Hands Around, also known as La Ronde or Reigen, is possibly Schnitzler's most provocative and controversial work. In a series of 10 conversations occurring before or after a sexual encounter, between 10 pairs of characters from all walks of life, Hands Around offers a playful scrutiny of the sexual morals and class ideology of the era.

This collection of 10 classic tales is very representative of Wharton's approach to story-telling - in the narrative, the venue becomes a character almost as much as do the people. Situations are presented in an elegantly understated way, and the overall effect is disturbing rather than blatantly horrific.

Anya and Chris have been divorced for 18 years. When their daughter goes into labour, they are reunited outside the maternity ward, and in the exchange that follows, they are forced to confront each other, and the awkwardness of their past, as they wait for their new grandchild to arrive.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

This play is the sequel to "Earth Spirit", in which the adventurous and manipulative Lulu marries and rids herself of three husbands, only to be arrested for the murder of the third. In "Pandora’s Box", Lulu escapes from prison only to be forced in the life of a courtesan. Reduced to desperate poverty, she meets her end at the hands of murderous customer in London. In Wedekind’s sordid morality tale, all Lulu’s main associates suffer premature and unnatural deaths, except for the degenerate Schigolch, who is one of the most unpleasant characters in the European drama.

A man loses his only child in a car accident. But has she really gone? Why does he keep hearing her voice?

Six quirky radio dramas brought to you by members of The Online Stage.

This is final installment in Edith Nesbit's classic trilogy of time-traveling adventures by four enterprising children.

Most of us would like to change some events in our past. However, if we were granted such an opportunity, would we be happy with the results? The Bench is a radio play by Glenn Hascall.

The Seagull is Anton Chekhov's first major play, originally produced in 1896. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arcadina, and her son, the symbolist playwright Constantine Treplef.

Haroun, an ex-assassin, and his forbidden lover Gabriella, escape the violence of the 12th century Crusades to elope and start a family. Years later, a familiar face arrives and unintentionally reveals all the family secrets. Is their love strong enough to survive the deceit when all is revealed? Grab this historical romance gem and find out if loyalty remains.

In the near future where ancient enemies sit on the brink of war, 17-year-old Michael Saxon carries a powerful secret inside his DNA that both sides will do anything to acquire.

At fourteen, my life was perfect. The beach was my playground, and the boy who stole my heart lived just around the corner. But perfect never lasts. In one horrifying moment, I lost it all. My family was destroyed, and the boy I believed in turned his back on me. Paradise became a nightmare.

Continue the epic saga of family, love, and war. Across a century of chaos and upheaval, follow three generations of heroes who will change the face of China forever. A young boy on the run from the Communists that murdered his family must survive in the harsh Tibetan wilderness. A grandmother and leader of the underground railroad must face her dark past as a young revolutionary.

A rich widow finds that the man she wishes to marry is already engaged. He has just suddenly become a peer and cannot, he thinks, break his promise.

One woman learns the consequences of having a PlaceNook account when all her "friends" show up on her doorstep unannounced.

The premier Russian dramatist before Chekov, Alexander Ostrovsky was one of the first masters of realistic theatre. A typical example of his approach to drama, A Protégée of the Mistress is almost cinematic in its presentation. The action is represented by a series of vivid snapshots, in which Ostrovsky quickly and subtly illustrates the foibles and weaknesses of each character, and shows how they are forced into a hostile dependence on each other.

On the day of his departure to sing Tristan in Brussels, the celebrated tenor Gerardo receives three unwelcome visitors. Despite their persistent attentions, he manages to honor his singing contract, but at an unexpected personal cost.

Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.