Résultats de "George Eliot" dans Toutes les catégories

George Eliot's The Lifted Veil was first published in Blackwood's Edinburgh Magazine in 1859 and has now become one of the author's most widely read and critically discussed stories. Told from the point of view of a young, egocentric, and morbid clairvoyant man, Latimer, it is a dark fantasy portrait of an artist whose visionary powers merely blight his life. The story reflected the scientific interest of the time in the physiology of the brain, mesmerism, phrenology, and experiments in revivification.

The Mill on the Floss, first published in 1860, tells the story of Maggie Tulliver and her brother Tom as they grow from children to young adults in the small rural town of St. Ogg's, England. Intelligent and passionate, Maggie yearns to develop her mind and break free of the constraints of her provincial village. Though she loves her brother above anyone else, Tom's rigid, pragmatic personality often conflicts with Maggie's headstrong nature, with increasingly tragic consequences.

Novelists Egan ( The Keep), Hustvedt ( The Sorrows of an American), and Livesey ( The House on Fortune Street) along with actress Hope Davis --the group that entertainingly and illuminatingly explored Jane Eyre and Pride and Prejudice at this book club--return by popular demand to revisit George Eliot's classic.

Set in Florence in 1492, a time of great political and religious turmoil, Eliot's novel blends vivid fictional characters with historical figures such as Savonarola, Machiavelli, and the Medicis. When Romola, the virtuous daughter of a blind scholar, marries Tito Melema, a charismatic young Greek, she is bound to a man whose escalating betrayals threaten to destroy all that she holds dear.

Reputed as Eliot’s favourite novel Silas Marner is set in the early years of the 19th century. Marner, a weaver, is a member of a small congregation in Lantern Yard. Falsely accused of a crime he didn’t commit, he leaves his home and lives a solitary life near the village of Raveloe. Dedicating his life to weaving and hoarding gold for the next 15 years, circumstances beyond his control shape his destiny and when his gold is stolen, he is rescued from despair by the arrival on his lonely hearth of a beautiful little girl, whom he adopts.

Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-19th century.

The weaver Silas Marner is a member of a small Calvinist congregation in Lantern Yard, a slum street in an unnamed city in Northern England in the early 19th century. He is falsely accused of stealing the congregation's funds, leaves the city in disgrace, and accumulates a small fortune in another town…only to lose it to theft. But he soon adopts an orphan child quite by accident. The exchange of one treasure for another is the heart of the story.

Framed for a theft he didn’t commit and expelled from the church which has been his life, Silas Marner, the weaver, exiles himself to the remote rural village of Raveloe to bury himself in making money with his loom. The arrival of a golden-haired orphan toddler at his door, however, drags the recluse back into the world and away from his obsession with his hoard.

Mary Anne Evans was born on 22nd November 1819, at Nuneaton in Warwickshire, England. Her first major literary work was completing an English translation of Strauss's ‘The Life of Jesus’ in 1846. Under the pseudonym of George Eliot that we know so well, ‘Adam Bede’ was published in 1859, followed by her other great novels: ‘Mill on the Floss’, ‘Silas Marner’ and ‘Middlemarch’. ‘The Lifted Veil’ is a both a beautiful story and typical of Eliot’s formidable powers of writing.

George Eliot was the pen name of Mary Ann Evans – an ironic ‘deception’ given that "Adam Bede", her first novel, is written unashamedly from a feminist standpoint. The story centres on a pastoral love triangle. Two young men, carpenter Adam Bede and squire Captain Arthur Donnithorne, are both in love with the mercurial Hetty Sorrel. There’s a further love interest between Adam and beautiful lay preacher Dinah Morris. The setting is a country village in the north of England in the last years of the eighteenth century.

What did it mean to be a woman in the Georgian and Victorian periods? These beloved novels offer three dramatically different, but universally recognisable, experiences. . Whether it is the drama of sisterhood, the trials and tribulations of romantic encounters, or the struggles of being a writer in a male world, each story holds just as much resonance for the female experience as they did on first publication.

À Middlemarch, cité imaginaire de la province anglaise, vers 1830, la jeune et intelligente Dorothée aspire à de grandes réalisations. Elle épouse le pasteur Casaubon, beaucoup plus âgé qu'elle et espère aider son mari dans les travaux de recherche pour un livre qui devrait être son chef d'œuvre. Mais Casaubon ne la prend pas sérieux, la néglige. De plus, il prend ombrage de l'amitié qui rapproche Will Ladislaw, son cousin, et Dorothée. Ce mariage se révèle être une erreur.

First published in 1861 it tells the tale of the lonely weaver Silas Marner who, after suffering betrayal and rejection, leaves his community to become a recluse obsessed only with accumulating money. One day Silas's money is stolen by Dunstan Cass, a dissolute son of Squire Cass, the town's leading landowner. The loss of his gold drives Silas into a deep gloom, until one day a little golden-haired orphan girl wanders into his home to change his life forever.

The Lifted Veil is a captivating novella by George Eliot, first published in 1859. Departing from the realistic fiction she is celebrated for, Eliot delves into the realms of extrasensory perception, the nature of physical existence, the possibility of life after death, and the intricate workings of fate. This thought-provoking work stands as a remarkable entry in the Victorian tradition of horror fiction, inviting readers to explore the unknown. (Summary from Wikipedia)

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of ...

The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can't help trying to subvert his vividly glimpsed destiny, it is easy to understand The Lifted Veil as being autobiographically revealing of Eliot's sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella's publication).

A commentary on guilt, material wealth, community, religion, and more, this novel is a thought provoking yet heartwarming tale. Banished from his church after being falsely accused of theft, Silas Marner becomes a bitter hermit consumed only by the wealth and goods he has been able to attain in exile. After losing everything he loved from his past, he clings now to the materials he has gained since. However, he must suffer through losing those too and instead gain the love of an innocent orphan to find the redemption he didn’t know he needed.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

This powerful and moving 1860 novel is believed to be George Eliot’s most autobiographical novel. She was certainly referencing personal experience when she wrote the character of Maggie Tulliver.

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women’s fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women’s intellectual capacities within society.