Résultats de "George Eliot" dans Toutes les catégories

Romola is the fourth novel from the great Victorian novelist George Eliot and her first historical novel. Published in 1862 - 63, it is set in Florence at the end of the fifteenth century and events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history. The story is of a girl's devotion to her blind father, her marriage to and betrayal by a young Greek and ultimate life of self-sacrifice.

Middlemarch is considered one of the masterpieces of English fiction. Published in 1874, it is the seventh and penultimate novel by George Eliot. It pursues a number of underlying themes, including the status of women, the nature of marriage, idealism and self-interest, religion and hypocrisy, political reform, and education.

Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-19th century.

Framed for a theft he didn’t commit and expelled from the church which has been his life, Silas Marner, the weaver, exiles himself to the remote rural village of Raveloe to bury himself in making money with his loom. The arrival of a golden-haired orphan toddler at his door, however, drags the recluse back into the world and away from his obsession with his hoard.

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women’s fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women’s intellectual capacities within society.

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels are known for their realism and psychological insight. Four of them are included in this volume: Middlemarch, Daniel Deronda, The Mill on the Floss, and The Lifted Veil.

First published in 1861 it tells the tale of the lonely weaver Silas Marner who, after suffering betrayal and rejection, leaves his community to become a recluse obsessed only with accumulating money. One day Silas's money is stolen by Dunstan Cass, a dissolute son of Squire Cass, the town's leading landowner. The loss of his gold drives Silas into a deep gloom, until one day a little golden-haired orphan girl wanders into his home to change his life forever.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Leavened with comic elements, Middlemarch approaches significant historical events in a realist mode: the Reform Act 1832, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change.

Middlemarch (Book 2: Old and Young), A Study of Provincial Life is a novel by English author George Eliot, the pen name of Mary Ann Evans. It appeared in eight installments (volumes) in 1871 and 1872. Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education.

An incredible tale of redemption, forgiveness, sacrifice, and love, this classic novel is now paired with the beautiful Christian Readers’ Guide by Jonathan St. John. Each chapter of the original work is followed by St. John’s expert analysis—tying together themes, illuminating character development, and highlighting the Christian morals, undertones, and parallels. Silas Marner and the characters within form a depth of storytelling that evokes rich conversation and enthusiastic annotations.

Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874, and attracted large sales. Subtitled "A Study of Provincial Life," the novel is set in the fictitious Midlands town of ...

The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can't help trying to subvert his vividly glimpsed destiny, it is easy to understand The Lifted Veil as being autobiographically revealing of Eliot's sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella's publication).

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

This powerful and moving 1860 novel is believed to be George Eliot’s most autobiographical novel. She was certainly referencing personal experience when she wrote the character of Maggie Tulliver.