Résultats de "Ruth Rendell" dans Toutes les catégories

A collection of compelling short stories by the author of the Wexford novels.

Cette nouvelle inédite met en scène Polly qui a coutume de voler les gens qui l'ont contrariée. Jusqu'au jour où, humiliée et épouvantée par un parfait inconnu, elle réagit comme elle l'a toujours fait. Mais jamais elle n'aurait pu imaginer que son désir de vengeance aurait des conséquences aussi terrifiantes.

More of the Greatest Mysteries of All Time is the second in a series featuring the finest short story mystery fiction by the most acclaimed writers, past and present. From Thomas Hardy, O. Henry, Jack London, Vincent Starrett and everyone in between, this unique collection, edited by multi-award winning mystery connoisseur Otto Penzler, is a delightful mixture of mystery and suspense.

The bleak expanse of Vangmoor was a dark, forbidding place. One victim had been found there, blonde, her face disfigured, her head shorn close to the scalp - killed without motive or mercy. Then a second woman went missing on the moor, and a sense of utter dread gripped the fifty local men who searched for her. Someone watched them in that treacherous place. Was he a killer? Or was he merely angry that a killer had usurped him? For he, and only he, was the Master of the Moor.

The best-selling author of Harm Done and A Sight for Sore Eyes, Ruth Rendell has written dozens of gripping works under her own name and as Barbara Vine. She has received three Edgar Awards from the Mystery Writers of America and four Dagger Awards from England’s Crime Writers Association. How frightening can a book be? Ambrose Ribbon, self-appointed editor and grammar police, is about to find out.

Love and death are the principal players in these two BBC Radio full-cast dramatisations of chilling Ruth Rendell stories. In "The Bridesmaid", when Philip embarks on an affair with Senta, his sister's bridesmaid, she reminds him of the stone statue he adored as a child. Yet Senta is married, and Philip's overwhelming aversion to violence leads indirectly to murder and horror as he is drawn into erotic but murderous complicity.

Most people would have screamed. Mrs Hathall made no sound. She had seen death many times before, but she had never before seen a death by violence. Heavily, she plodded across the room and descended the stairs to where her son waited. "There’s been an accident", she said. "Your wife’s dead." Chief Inspector Wexford could discover no motive, no reason and no suspect – all he had were his intuitive suspicions. Probably he was reading meaning where there was none; probably Angela Hathall really had picked up a stranger, and that stranger had killed her.