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Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era. 'Narrative of a Ghost of a Hand' is a strange story about a haunted house in Ireland. The only part of the sinister apparition which is visible is a white hand which becomes increasingly threatening as the tale goes on.

A gripping collection of classic stories in which the central figures are highly dangerous female characters - ranging from the creepy and unsettling to the utterly terrifying.

A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe. Edgar Allan Poe did not invent the tale of terror. There were American, English, and continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe's genius and produced their own popular tales of supernatural literature.

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era. Carmilla is Le Fanu's famous classic vampire story which has been filmed numerous times, including Vampyre (1932), Blood and Roses (1960), Crypt of Horror (1964), The Vampire Lovers (1970) and Carmilla (1999).

Here is a collection of spine-tingling ghost stories, read by Richard Pasco. They include "The Judge's House" by Bram Stoker, "The Upper Berth" by F. Marion Crawford, "Narrative of the Ghost of a Hand" and "To Be Taken with a Grain of Salt" by Charles Dickens, "The Tell-Tale Heart" by Edgar Allan Poe, "Gabriel-Ernest" by Saki, "The Furnished Room" by O. Henry, "My Own True Ghost Story" by Rudyard Kipling, "Lost Hearts" by M. R. James, "Called" by P.C. Wren, and more.

Joseph Sheridan Le Fanu was one of the major figures of 19th-century supernaturalism. He helped move supernaturalist fiction away from the gothic's emphasis on external sources of terror and toward a focus on the effects of terror, thus helping to create the psychological basis for supernaturalist and horror literature that continues today. "The Familiar" is one of his most terrifying tales.

Maud Ruthyn, the young, naive heroine, has a governess who is an enigmatic older woman, a liar, bully, and spy, who takes a dark secret with her when she leaves. Maud is then orphaned and moves in with her Uncle Silas, her father's mysterious brother and a man with a scandalous - even murderous - past. She is horrified to find her former governess appears in her life again, in this Gothic Victorian psychological thriller, with a touch of the occult.

While on holiday in France, a young Englishman becomes obsessed with aiding a young countess to escape from her jealous, elderly husband. Ingenious and entertaining, Le Fanu combines Gothic horror with Victorian style in his elegant tale of passion, intrigue, and murder.

When Mark Wylder mysteriously vanishes before his arranged marriage, secrets, suspicions, and intrigue unfold in Wylder’s Hand. This gothic novel is packed with suspense, dark family secrets, and unexpected twists. As those around Mark struggle to uncover the truth, eerie events and hidden motives come to light. If you enjoy Victorian mysteries, atmospheric storytelling, and psychological drama, you won’t want to miss this thrilling tale!

En este relato encontraremos la historia de un ensalmador a quien la gente consideraba el mejor en este campo, era buscado por hombres, mujeres, niños y ancianos, lo que él no sabía es que desde el mas allá también iban a requerir tales servicios.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Predating Bram Stoker's "Dracula" by twenty-five years, Sheridan Le Fanu's "Carmilla" is one of the earliest examples of vampire fiction; a Gothic novella narrated by a young girl who becomes a victim of the title character, a female vampire with whom she also kindles a romance.

Carmilla is a Gothic novella by Joseph Sheridan le Fanu. First published in 1872, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. Carmilla predates Bram Stoker's Dracula by over twenty years, had a strong influence on Stoker's famous novel.View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: https://www.solgood.org/subscribe Check out our ad free subscription: adfreesounds.com The best audiobooks - Our collection includes memoirs, fiction, non fiction, and more!www.solgoodmedia.com/...

Vor dem Schloss eines pensionierten Generals verunglückt eine Kutsche. Wirklich nur ein Unfall ...? Die mysteriöse Insassin ist gezwungen, ihre junge Tochter in der Obhut der Schlossbewohner zurückzulassen.Die ätherisch schöne Carmilla übt auf alle, aber besonders auf Laura, die gleichaltrige Tochter des Generals eine starke Faszination aus. Ein undefinierbarer Zauber umgibt das Mädchen. Noch ahnt niemand, dass Carmilla ein dunkles Geheimnis hütet.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.

Un hombre atormentado por una figura que lo sigue y observa, un mono. Un ser perturbador que sólo el ve y después de un tiempo escucha. Le habla blasfemias incitándolo a dañar a otros o a él mismo. La manera en que el reverendo le relata su historia al doctor Hesselius llega hacer inquietante.

El convenio de Sir Dominick relata la travesía de un noble a través de un antiguo bosque, y su encuentro con una vieja casa nobiliaria en ruinas. En estas ruinas, el hombre se encuentra con un peculiar sujeto, que le desvelará los secretos del dueño de la casa,

Una misteriosa e affascinante fanciulla viene affidata dalla madre alle cure di Laura e del ricco padre, nel loro antico castello in Stiria, isolato e immerso in un paesaggio incantato. Tutti nel castello rimangono affascinati dalla straordinaria bellezza della giovane, ma le sue abitudini insolite e il comportamento enigmatico cominceranno presto a suscitare curiosità e inquietudine. I classici dell’orrore, riediti in chiave moderna e raccontati con musiche e suoni.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.