Résultats de "Virginia Woolf" dans Toutes les catégories

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

The narrator, apparently a woman, begins: "Whatever hour you woke there was a door shutting." Along with her husband, the narrator experiences the sensations of a home literally alive with memories. She does not, however, try to keep the reader in suspense regarding the mysterious openings and closings of doors and windows that she and her husband witness. Despite the fact that she knows two ghosts wander through her home, she is not afraid. The ghosts, after all, mean the narrator and her husband no harm...

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

Written in 1927, To the Lighthouse is Virginia Woolf's experimental and brilliant third novel. The narrative concerns the annual visits by the Ramsay family to their summer home in the Isle of Skye in Scotland between 1910 and 1920. Once again employing her unique stream-of-consciousness style of writing, Woolf creates a fascinating and complex novel where the point of view of the narration switches between the various Ramsay family members and their guests.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

"A Room of One's Own" began life as a pair of lectures delivered by Virginia Woolf in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge and was published as a stand-alone book in 1929. In this brilliant examination of literature, history and gender discrimination, Woolf posits that the dearth of female writers in literature did not result from a lack of talent; it was the lack of opportunity.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. In this volume we examine some of the short stories of Virginia Woolf. Adeline Virginia Woolf was born in 1882 and was to become a founder of modernist writing. Her background is filled with elements of tragedy that she somehow overcame to become a revered writer. Her mother died when she was 13, her half sister Stella two years later and with that came her first of several nervous breakdowns.

Back by popular demand, novelists Siri Hustvedt ( The Blazing World), Jennifer Egan (Pulitzer Prize-winner for A Visit from the Goon Squad), and Margot Livesey ( The Flight of Gemma Hardy), the trio that has brought Middlemarch, Pride & Prejudice, Anna Karenina, and The Portrait of a Lady to life at past events in this series, revisit Virginia Woolf's classic.

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

Clarissa Dalloway is preoccupied with the last-minute details of a party she is to give that evening. As she makes preparations, she is flooded with memories and reexamines the choices she has made over the course of her life. On the same day, the war-inflicted Septimus is struggling to keep his dark thoughts and vivid flashbacks from overwhelming him, leading to a catastrophic turn of events.

This is a story from the Classic Women's Short Stories collection.

Elegantly covering topics such as the nature of reality, the power of memory and the priceless value of literature, in this sophisticated collection of essays, Woolf more than ever focuses her attention on the fleeting moments of life that meaningfully shape the human experience. In the title essay, The Moment, she pursues the powerful, albeit brief, moments that enable a potent feeling of being utterly understood, and consequently, wholeheartedly alive.

A small, dark speck becomes the starting point for a cascade of thought—quiet, precise, wandering. In a room with a fire, a cigarette, and silence thick as dust, a mind drifts from memory to philosophy, from loss to structure, from trees to snails. Virginia Woolf's voice here is both still and restless, charting the motion of consciousness as it moves without hurry or warning.

Virginia Woolf’s A Room of One’s Own is a timeless and thought-provoking exploration of the relationship between women and creativity. Based on a series of lectures delivered at Cambridge University in 1928, this seminal work blends sharp wit, eloquence, and intellectual rigor to examine the systemic barriers that have historically denied women the opportunity to achieve their artistic potential.

In this hauntingly poetic essay, Virginia Woolf captures the fragile beauty of life and death through the simple image of a moth struggling in the light. As she reflects on the inevitability of mortality and the quiet force of nature, Woolf’s sharp, introspective prose invites readers to confront their own fleeting existence. The Death of the Moth is a meditation on life’s transience, a masterclass in Woolf’s ability to turn ordinary moments into profound reflections on human vulnerability.

To the Lighthouse chronicles the lives of the Ramsay family and their close friends, from the tranquil and motherly Mrs. Ramsay to the tragic and eccentric Mr. Ramsay, and their eight children and varied guests. Woolf uses the three movements of the novel to capture their complex family allegiances and the tensions between men and women at the time. Centered around their visits to the Isle of Skye between 1910 and 1920, the novel is an examination of the quiet, seemingly trivial moments of everyday life.

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.