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Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

Humphrey Bogart began his screen career mostly playing gangsters due to his resemblance to John Dillinger. Bogart’s breakthrough from supporting roles to A-list stardom came with his performances in High Sierra and The Maltese Falcon. In between film work, he enjoyed appearing on radio, often with his wife, Lauren Bacall. Here are 14 examples of his radio work spanning 1943 until 1952.

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

In 1935, the DuPont Company chose to enhance its image by dramatizing great events in American history to an audience of millions each week on The Cavalcade of America. “Cavalcade” is a term used to describe pioneers who shaped the way America operates today. DuPont’s motto, “maker of better things for better living through chemistry,” was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

The Cisco Kid was a popular film, radio, television, and comic book series based on the fictional Western character created by O. Henry in his short story “The Caballero’s Way,” published in 1907 in the collection Heart of the West. The Cisco Kid came to radio October 2, 1942, with Jackson Beck in the title role and Louis Sorin as Pancho. With Vicki Vola and Bryna Raeburn in supporting roles and Michael Rye announcing, this series continued on Mutual until 1945.

Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery/drama series of the golden age. Known as Radio’s Outstanding Theater of Thrills it focused on suspenseful stories starring the biggest names in Hollywood. Early in the run, the episodes were hosted by the “Man in Black” who, from an omniscient perch, narrated stories of people thrown into dangerous or bizarre situations with plots that, at the very end, usually had an unseen twist or two.

Whitehall 1212 was the famous telephone number for Scotland Yard - the headquarters of the London Metropolitan Police Force - and also an exciting true crime drama from the golden age of radio! Whitehall 1212 was a crime drama that aired on NBC from 1951 until 1952. It was hosted by Chief Superintendent John Davidson, curator of the Black Museum, Scotland Yard’s repository of death. Similar to The Black Museum, starring Orson Welles, Whitehall 1212 dramatized true-crime cases solved by Scotland Yard.

From the pens of the world’s best-known and respected supernatural fiction authors comes The Weird Circle - tales of mystery, suspense, horror, and the macabre! Now, enjoy sixteen of the greatest mysteries of all time! The Weird Circle was an anthology of classic thrillers from the pens of the world’s best-known and respected fiction authors of the 19th century. The focus was horror and suspense stories by Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley (among others), with the occasional drama by Emily Bronte, Charles Dickens, and George Eliot.

In 1949, NBC brought mustachioed Irish-American actor Brian Donlevy to the radio microphones as international troubleshooter Steve Mitchell in the spy series Dangerous Assignment. Mitchell worked for an unnamed US government intelligence agency whose boss, The Commissioner, dispatched him to world trouble spots. Mitchell’s assignment was to solve problems in record time and in accordance with US interests.

Information Please was a quiz show that aired on NBC radio from 1938 until 1951. Moderated by Clifton Fadiman, the show featured a panel of experts who would attempt to answer questions mailed in by audience members. Panel regulars included writer-actor-pianist Oscar Levant and newspaper columnists and renowned intellectuals Franklin P. Adams and John Kieran. Often, there was a fourth "guest" panelist, usually either a celebrity, politician, or writer. Guest panelists included Fred Allen, Boris Karloff, Rex Stout, Deems Taylor, Jackie Robinson, Orson Welles, and Basil Rathbone.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942, until September 22, 1955. Airing on CBS radio and sponsored by the Signal Oil Company, the Whistler (played by Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer's every move even before they did. The Whistler often commented directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective. One of the show's trademarks was the ironic twist endings that helped serve as a payoff for the listener.

Convinced they could build on the success of the already released motion-picture series, MGM Studios hired Lew Ayres and Lionel Barrymore to reprise their screen roles as Dr. James Kildare and Dr. Leonard Gillespie in a syndicated radio series. Kildare was the compassionate, caring physician at Blair General Hospital, New York City; Gillespie a crusty, lovable diagnostician. Kildare reminded listeners each week in the opening signature.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Life in Wistful Vista followed a well-developed formula but was always fresh. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

Created by S. S. Van Dine, Philo Vance was quite popular in books, movies, and on radio. He was portrayed as a stylish, very intelligent, and cultured private detective - an Americanized Sherlock Holmes - working out of New York. Not that Vance needed any help solving a crime, he did work closely with his secretary and right-hand woman Ellen Deering, and his pal John Markham, New York County District Attorney. First heard on NBC radio in 1945, Philo Vance, Detective enjoyed success in syndication beginning in 1948 starring Jackson Beck. This volume includes 16 episodes.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. The CBS Workshop regularly featured the works of the world's greatest writers, including Ray Bradbury, Archibald MacLeish, William Saroyan, Aldous Huxley, Lord Dunsany, and Ambrose Bierce.

Michael Shayne, “the reckless, red-headed Irishman” was a popular hard-boiled detective created by crime novelist Brett Halliday. Mike settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The back-story on Mike is that he was happily married, but suddenly his wife is tragically murdered, which hit him hard. Grief-stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of Miami seeking out his style of revenge on injustice.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim & Marian Jordan in Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny, Bob Hope, Fred Allen, Bing Crosby, Groucho Marx, Ann Sothern as Maisie, and many more!

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.