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New York Times best-selling authors Ashley and JaQuavis follow up their smash hit Carter Diamond with part two in the prequel series to The Cartel. Picking up right where the last installment ended, this action-packed street tale tells the story of the man who started it all. Before the Cartel - he stood alone.

A prequel to Ashley and JaQuavis' New York Times best-selling Cartel series, this story follows the rise of notorious gangster Carter Diamond, taking listeners through his days on the mean streets of Michigan to his becoming the biggest drug lord Miami has ever seen. Before the cartel was ever created, he stood alone.

Every generation inherits the problems created by the ones before them, but no generation will inherit as many problems—as many crises—as the current generation of young people. From the devastations of climate change to the horrors of gun violence, from rampant transphobia to the widening wealth gap, from the lack of health care to the lack of housing, the challenges facing the next generation can feel insurmountable. But change, even revolution, is possible; you just have to know where to start.

Porsha, the ghetto princess; Sahara, the scandalous baby mama; Frankie, a.k.a. Francine, the con artist: these three girls live in one apartment and are into all kinds of hood foolishness while having fun—until the day they find an eviction notice taped to their door. Now they have 72 hours to come up with all the money they owe in months of back rent.

With Samad’s target on her back, Liberty must survive the harsh streets alone. But when a chance encounter pushes her into the arms of a new friend, Po, the two take on the California kingpin - and step full force into the game. As bullets and sparks fly, the unlikely pair embarks on a serendipitous journey back to where it all started: Sierra Leone. With a new overseas connection, Po sees an opportunity that is too good to pass up. When his pursuit of the American dream conflicts with Liberty’s past, will they be able to survive, or will the drug empire that they’ve built together come crashing down?

Three years after narrowly escaping a one way trip to the gas chamber, the fugitive known only as Animal finds himself drawn back to the scene of the crime: Harlem. Throughout his entire time in exile, the only thing that kept Animal going was the thought that he would one day be reunited with his soul mate, Gucci - but one bullet changed everything. When his enemies tried to murder Gucci, they crossed the line, so he vowed to cross them all.

After making a promise to leave the street life behind, a shocking revelation forces Animal back into the game to face his greatest opponent yet. When Animal's former lover, Red Sonja, shows up on his doorstep with a little girl, claiming Animal is the father, he and Gucci immediately fear it's a ploy for money. But Red Sonja has come to collect a debt of a different kind, one that can only be paid in blood. A powerful man is hunting Red Sonja and her daughter, and she calls on Animal to stop him.

Blood answers for blood on the streets of Harlem. It's been months since Lou-loc was brutally murdered on his way to freedom, and the pain is still fresh. Gutter, Lou-loc's best friend, finds himself on a path to self-destruction, vowing to eradicate the entire Blood faction in New York City in the name of his fallen comrade. Sharell urges him to abandon the suicide mission, but his oath won't allow it, not even for the child they are expecting. But as Gutter slips further into madness, a shocking revelation brings Satin out.

With the same unforgettable and distinctive prose on display in his other books, Airtight Willie & Me is further evidence that Iceberg Slim was an expert at capturing the language of the streets. Always compelling, sometimes funny, and often bleak, Slim gives us six slices of city life that will leave you thirsting for more.

''It's the penthouse or the morgue.'' This is the philosophy adopted by Keshawn Wilson, a.k.a. ''K-Dawg',' self-proclaimed lord of the streets. Keshawn is the youngest of five kids and one of only two that doesn't belong to his mother's husband. As a little boy he feels the distance between he and his stepfather, and life becomes increasingly difficult for him as the years pass. His childhood and young adult years are spent in a home for boys and state prison, where he serves time for manslaughter.

While Dena Jones definitely has what it takes to succeed, she wants out. She's determined to make it out of "Crooklyn" by any means necessary and doesn't have a problem manipulating men to get what she wants.

After being thought dead, Animal resurfaces on the streets of New York to keep true to his promise and make it rain blood over Harlem. All those who had wronged him would feel his wrath, including Shai Clark, boss of the New York underworld. But touching a man like Shai Clark proves easier said than done. Using Animal's soul mate, Gu­cci, as bait, Shai sets a trap for the young killer.

New York Times best-selling authors Ashley and JaQuavis have returned with the much-anticipated final installment in the epic Murderville series. Taking up where the previous book left off, we're thrown back into the international street chronicle. Lives and money are on the line, and tough choices will have to be made between love and loyalty. In the final installment of this breath-taking trilogy, the characters will have to learn that, in this game of power, sometimes you have to give up the glory to survive.

Aaron Judge, the hulking superman who carried an easy aw-shucks demeanor from small-town California to stardom in the Big Apple, had long established his place as one of baseball’s most intimidating power hitters. Baseballs frequently rocketed off his bat like cannon fire, dispatching heat-seeking missiles toward the “Judge’s Chambers” seating area in right field, sending delirious fans scattering for souvenirs. But even in a high-tech universe where computers measure each swing to the nth degree, Roger Maris’s American League mark of sixty-one home runs seemed largely out of reach.

Emma Walsh has finally worked up the courage to confront her husband James about his drinking. But James never shows up to meet her as planned, and all her righteous words go unsaid. And unsaid they remain, because the next time Emma sees James, his body lies crumpled amidst the wreckage of his flashy car.

Due to a temporary peace agreement between the Brotherhood and Corsican, Maxwell and Boris leave with the French and embark on an adventure that proves to be deadly, life-changing, and brutally hilarious.

In 1860, long after the United States outlawed the importation of enslaved laborers, 110 men, women, and children from Benin and Nigeria were captured and brought to Mobile, Alabama, aboard a ship called Clotilda. Their journey includes the savage Middle Passage and being hidden in the swamplands along the Alabama River before being secretly parceled out to various plantations, where they made desperate attempts to maintain both their culture and also fit into the place of captivity to which they'd been delivered.

Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age 10, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker and encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark.

On a beautiful island in the Caribbean, a woman with a checkered past has retired from a life of crime. She is now raising her son, trying to spare him from the ills that her former life provided. However, in a blink of an eye it all changes. When a wealthy tourist gets entangled with her son, it forces Aries to show who she really is and her old connections are called.

What happens when you pack almost a dozen jails, bulging at the seams with society’s cast-offs, onto a spit of landfill purposefully hidden from public view? Prize-winning journalists Graham Rayman and Reuven Blau have spent two years interviewing more than 130 people comprising a broad cross section of lives touched by New York City's Rikers Island prison complex—from incarcerated people and their relatives, to officers, lawyers, and commissioners, with stories spanning the 1970s to the present day. The portrait that emerges calls into question the very nature of justice in America.