Résultats lu par "John Brown" dans Toutes les catégories

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

The collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies.

You're about to enter a post-truth world. A world dominated by artificial intelligence. A cruel exam separates members of the Establishment from the Plebeians. A pass ensures an easy life, and a failure… well, let’s not talk about that now.

You will not believe what you are reading - even though it all feels so real. Only a man like Smilin’ Jack could monetize civil war. After the infamous business tycoon launches a hit TV show that pits American and Confederate gladiators in brutal battles, his grisly spectacle draws the attention of psychopaths across the nation.

Columnist, critic and award-winning author Craig Brown is well known for his Private Eye parodies lampooning politicians and celebrities. He has written for numerous newspapers, both under his own name and as his alter egos Wallace Arnold and Bel Littlejohn. Collected here are Brown's four fantastic radio series, plus two bonus programmes in which he discusses his life and work.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

In VOLUME 9 of The Things Our Fathers Saw® series, ‘Homefront/Women At War’, we will take an often-overlooked view of the story of World War II. You will visit with the people on the homefront, from schoolkids navigating growing up during the Great Depression and the War, to the women on the factory floor and the armed services, newly independent but having to fight for their rights and later, their jobs, laying the seeds of societal change for the future.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

AT A SUMMER VILLA (1886) Pavel Ivanitch has been happily married for eight years when he receives an anonymous love-letter fixing a tryst in a secluded spot that evening. Scornful at first at the very thought, then perplexed and then intrigued, he finally decides to see what it is all about, and gets an unexpected surprise, and a good lesson to boot.

The story takes place in the village of Shalmovo, where two peasant sportsmen, Filimon Slyunka and Ignat Ryabov, are sitting in a pothouse turned restaurant. Slyunka is an old man who used to be a house-serf and now lives off his old wife's alms. Ryabov is a silent, sturdy peasant. Slyunka and Ryabov are trying to convince the innkeeper, Semyon Mitritch, to give them a gun that they had left as collateral. Semyon refuses, citing the Lenten season and the lack of game. Despite their pleas and promises to return the gun, Semyon remains firm in his decision.

The lottery ticket by Anton Chekhov is a short story. As title suggests it revolves around probability of winning lottery. Ivan and his wife are from middle class background. However, at first skeptical Ivan soon finds hope when he sees probability of his wife, Misha has a chance of winning lottery, The moral of the story is that material possessions and wealth do not bring true happiness, and that greed can lead to bitterness and broken relationships. Instead, the story suggests that people should focus on the love and companionship they have in their lives, rather than obsessing over money and possessions.