Résultats lu par "Mark Bowen" dans Toutes les catégories

Despite all of the imperfections present throughout Ancient Mesopotamian legislation, these laws of the ancient world are a priceless treasure influencing the history of judicial science. In ancient Mesopotamia, a written set of laws adopted by a ruler or his kingdom was quickly established as the foundational governing document.

In The Middle Toe of the Right Foot, Ambrose Bierce weaves a chilling and unsettling tale where the ordinary becomes terrifyingly abnormal. The story explores the curious intersection of fate and superstition, as a simple injury leads to an unnerving series of events. With his signature blend of dark humor and gothic sensibility, Bierce crafts a narrative that challenges the reader's understanding of reality, turning the most mundane of circumstances into a source of dread.

Spring arrives with a rush of words, and Ralph Waldo Emerson stands at the threshold, pen in hand. May-Day and Other Pieces is not just a collection of poems—it is an invitation to witness the shifting tides of nature, thought, and destiny through the eyes of one of America's sharpest philosophical minds. From the awakening landscapes of May-Day to the untamed wilderness of The Adirondacs, Emerson moves effortlessly between the grandeur of the world and the depths of the soul.

How a Muzhik Fed Two Officials is not just a fable—it is a mirror, polished to a biting shine, reflecting the grotesque logic of power and servitude. In this brief yet mercilessly precise tale, Mikhail Saltykov-Shchedrin strips hierarchy down to its raw absurdity: those who consume and those who are consumed. Two officials, stranded in a land without luxury, discover an ingenious solution to their predicament—one that requires neither effort nor skill on their part. Their savior? A humble muzhik, a man shaped by centuries of unquestioning toil.

Ralph Waldo Emerson was a master of distilling vast ideas into sharp, unforgettable truths. Elements and Mottos is a collection of his intellectual essence—bold, electrifying, and timeless. Here, Emerson does not merely write; he declares, urging readers to abandon conformity, embrace their own genius, and live with unshakable purpose. Each passage is a spark, igniting thought and action. He speaks of nature, the soul, self-reliance, and the boundless strength of individual will. His words resonate across centuries, inspiring rebels, dreamers, and seekers of wisdom.

The storm arrives, unbidden yet unstoppable, sculpting the world in reckless white. The north wind, a faceless mason, works without plan or patience—bastions rise, wreaths drape, roads vanish. No symmetry, no restraint, only the wild hand of winter shaping chaos into fleeting grandeur. By dawn, the architect is gone. What remains is a frozen wonder, a masterpiece of whim and force, too perfect to last, too wild to be remade.

In 1837, Ralph Waldo Emerson took the stage at Harvard and delivered what would become one of the most influential speeches in American intellectual history. The American Scholar was not just a lecture—it was a manifesto, a call to arms for a young nation searching for its own cultural identity. Emerson challenged his audience to break free from European intellectual traditions, urging them to think for themselves, to create, and to embrace the vast potential of the American mind.

America's black intellectuals - writers, historians, educators, and community activists - have made major contributions to the struggle for equality and human rights throughout American public life. The key streams of thought that gave rise to the intellectual traditions associated with African Americans emerged in the 18th and 19th centuries. These same traditions continue to develop and influence social and political processes today.

African American history is the part of American history that looks at the history of African Americans or Black Americans. Of the 10.7 million Africans who were brought to the Americas until the 1860s, 450 thousand were shipped to what is now the United States. Most African Americans are descended from Africans who were brought directly from Africa to America and became slaves. The future slaves were originally captured in African wars or raids and transported in the Atlantic slave trade.

This collection contains the following works: Euripides: Medea Sophocles: Antigone Aeschylus: Agamemnon Aeschylus: Eumenides Aeschylus: The Choephori William Shakespeare: The Tragedy of Othello, the Moor of Venice William Shakespeare: The Tragedy of Romeo And Juliet William Shakespeare: The Tragedy of Hamlet, Prince of Denmark, William Shakespeare: The Tragedy of Macbeth, William Shakespeare: A Midsummer Night's Dream, William Shakespeare: The Tragedy of King Lear, William Shakespeare: Antony and Cleopatra.

Finger! Finger! is a creepy story by Margaret Ronan about a teenage girl who starts work as a maid in the house of a strange old woman. Carola has been hired to work as a servant for Miss Amanda, a bed-bound heavy woman. She's quite nervous and the cook coaches her on how to care for Miss Amanda. When Carola first meets Miss Amanda, she's a bit shocked by her appearance.

Arsène Lupin is a fictional gentleman thief and master of disguise created in 1905 by French writer Maurice Leblanc. The character was first introduced in a series of short stories serialized in the magazine Je sais tout. The first story, The Arrest of Arsène Lupin, was published on 15 July 1905. Lupin was featured in 17 novels and 39 novellas by Leblanc, with the novellas or short stories collected into book form for a total of 24 books.

In the heart of Paris, where art and ambition intertwine, the boundaries between genius and madness blur. A tale of creation, obsession, and the quest for perfection, this story dances on the edge of brilliance. The artist, driven by an insatiable desire to capture the unattainable, confronts the fragility of his own vision. As the canvas comes to life, so too does a world where nothing is as it seems, and the cost of true artistry might just be too high. Balzac's story whispers of the fine line between genius and obsession, where the artist's soul is as fragile as the masterpiece he seeks.

Beneath the crumbling tombstones of Salem's old cemetery, something stirs in the dark. The dead do not rest easy here, not because of ghosts, but because of what lurks beneath—the scurrying, gnawing, ever-hungry things that slither through tunnels older than memory. Massing in the catacombs, these rats are no mere vermin. They are watchers, thieves of the dead, and perhaps something far worse. For every corpse lowered into the earth, another vanishes, stolen away into the labyrinth of writhing shadows.

A garden bathed in sunlight, tables laid with fine china, the hum of polite laughter—everything is in place for the perfect afternoon. The Sheridans' party is effortless, untouched by worry, floating on a breeze of privilege. But just beyond the garden's edge, life is different—harsh, unpolished, shaped by struggle. Laura Sheridan stands between these two worlds, drawn in by beauty yet unsettled by something she can't quite name. A hat, a voice, a fleeting hesitation—small moments that carry unexpected weight. Can innocence survive once you glimpse what lies outside the gates?

1984 is George Orwell's terrifying vision of a totalitarian future in which everything and everyone is slave to a tyrannical regime lead by The Party. Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities.

The Green Mamba is a story in which Wallace's famous detective, Mr. J. G. Reeder, outsmarts one of the leading master criminals in London at the very moment when he is on the verge of his greatest criminal coup.

In the story The Treasure Hunt you can meet Mr.Reeder again and admire his brilliant criminal mind. The story has been shortened and simplified for intermediate and upper-intermediate learners of English.

Bernard Shaw's Pygmalion is a witty and thought-provoking play that explores themes of social class, transformation, and the power of language. First performed in 1913, the play remains one of Shaw's most celebrated works, blending comedy with sharp social critique. The story follows Professor Henry Higgins, a phonetics expert, who makes a bet with his friend, Colonel Pickering, that he can transform a poor flower girl, Eliza Doolittle, into a refined lady simply by teaching her proper speech and manners. Eliza, eager to improve her station in life, agrees to the experiment.

The Alice Dunbar-Nelson Collection showcases the multifaceted talent of Alice Dunbar-Nelson, a prominent voice of the Harlem Renaissance. This compilation features standout works like Violets, Ten Minutes' Musing, A Carnival Jangle, The Woman, and Titee, each reflecting her keen insight into themes of identity, gender, race, and social justice. With lyrical elegance and emotional depth, Dunbar-Nelson captures the intricacies of human experience while addressing the cultural and societal dynamics of her time.