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Edmund Gill Swain, born in 1861, was an English cleric and author. As a chaplain of King's College, Cambridge, he was a colleague of the scholar and author M R James. Swain is best known for his 1912 short story collection ‘The Stoneground Ghost Tales’. He died in 1938.

Mary Wollstonecraft Godwin was born on the 30th August 1797 in Somers Town, London. Her mother, the famous feminist philosopher, educator, and writer Mary Wollstonecraft died when Mary was only 11 days old and she was raised by her father. Her short stories, some based in Europe, tackle difficult situations and genres as well the obstacles that women were burdened with in society. Her editorship of her late husband’s poetry was also widely praised.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Stefan Zweig was born on the 28th November 1881 in Vienna, then part of the Austro-Hungarian Empire, and into a wealthy Jewish family with interests in banking and textiles. Zweig first published in 1900 and two decades later was a popular and highly regarded author in many parts of the world, although not in England. He was also the librettist with Richard Strauss of two operas and a keen collector of autographed musical manuscripts. His collection of over two hundred pieces was later donated to the British Library.

Joseph Conrad was born on 3rd December 1857 in Berdychiv in the Ukraine, then part of the Russian Empire. His birthplace had been part of Poland which its neighbours dismembered into their own Empires. Conrad brought to English Literature both narrative mastery, compelling prose and fully formed characters as well as a deeper examination of the human psyche in a wealth of work. He wrote many novels, short stories, nonfiction, and memoirs which are rightly regarded today as some of the finest in English literature. Jospeh Conrad died on the 3rd August 1924 at Bishopsbourne, Kent in England.

John Ferguson was born on the 18th August 1881 in Stirling in Scotland. His literary canon is exceedingly small, this being the only volume of his poems ever published. What is known is that he suffered from ill-health and these poems were written whilst in a sanitorium. The book itself was very successful after its publication in 1912, with at least 14 editions published during his lifetime. John Ferguson died on the 8th March 1928 and is buried in the cemetery at Stirling Castle. He was 46.

Richard Ellis-Roberts was born in 1879. In his literary career he was primarily a writer and translator and for short spells the literary editor of the New Statesman and Time and Tide. His short stories frequently investigate dark and malevolent forces. He died in 1953.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Sax Rohmer was born on February 15th, 1883 as Arthur Henry Sarsfield in Birmingham to working class parents. Rohmer started his career as a civil servant but soon had ambitions to change careers and write full time. Not content with just fiction he wrote poetry, songs as well as comedy sketches for music hall performers. From these varied beginnings he reinvented himself as Sax Rohmer.

Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.