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Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery/drama series of the golden age. Known as Radio's Outstanding Theater of Thrills, it focused on suspenseful stories starring the biggest names in Hollywood. Early in the run, the episodes were hosted by the 'Man In Black' who, from an omniscient perch, narrated stories of people thrown into dangerous or bizarre situations.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. By the thirteenth episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV’s popular secret-agent series I Spy).

Horatio Black was known to friend and foe as Boston Blackie - an ex-jewel thief and safecracker constantly suspected of crimes he did not commit and forced to play the role of detective to clear his name. His girlfriend, Mary Wesley, assisted Blackie from time to time, as did his pal Shorty. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery.

Initially launched as Barrie Crane, Confidential Investigator on NBC in 1951, the series soon made a name change to Barrie Craig, Confidential Investigator. It starred movie and film veteran William Gargan as hard-boiled New York-based private eye Barry Craig. Gargan had been playing Martin Kane, Private Detective on both radio and TV. In the summer of 1951, Gargan cleared the decks for his role as Barrie Craig. Gruff, blunt and sardonic but with a good sense of humor, Gargan was perfect for the genre and in the role of Barrie Craig.

When real life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie's delivery got a bigger laugh than George's punch lines. The duo became a big hit on Vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work was as supporting players on CBS's The Guy Lombardo Show in the 1930s.

X Minus One was a half-hour science fiction radio series broadcast from April 24, 1955 until January 9, 1958 over NBC. Initially a revival of NBC's Dimension X (1950-51), X Minus One is widely considered among the finest science fiction dramas ever produced for radio. The first 15 episodes were new versions of Dimension X episodes, but the remainders were adaptations by NBC staff writers, including Ernest Kinoy and George Lefferts, of newly published science fiction stories by leading writers in the field.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week's investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Taking its name from a popular series of mystery novels, Inner Sanctum Mystery debuted over NBC's Blue Network in January 1941. Inner Sanctum Mystery featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned and the famous "creaking door" slowly began to open. Every week, Inner Sanctum Mystery told stories of ghosts, murderers and lunatics. Produced in New York, the cast usually consisted of veteran radio actors.

The golden age of radio had incredibly scary mystery shows that kept Americans chilled and thrilled. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This terrific collection of 12 great radio mystery shows includes Boris Karloff on "Lights Out!", Peter Lorre in the story of Jack-the-Ripper on "Mystery in the Air", Vincent Price and Ida Lupino in a tale well-calculated to keep you in "Suspense", the story of Lizzie Borden on "Crime Classics" and many more!

The golden age of radio had incredible western shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear western heroes catch the bad-guys and save ladies in distress. This collection includes John Wayne and Claire Trevor starring in a radio adaptation of the John Ford film "Stagecoach", James Stewart as slow-talking maverick Britt Ponset on "The Six Shooter", William Conrad as U.S. Marshal Matt Dillon on "Gunsmoke", John Dehner as 'the man called Paladin' on "Have Gun, Will Travel", and more.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947, until September 25, 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by Paul Frees and/or William Conrad: Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape!

Hosted by Norman Rose, "Dimension X" was one of radio's first adult science-fiction series and made its mark by adapting short stories by acknowledged masters in the field, including: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert. A. Heinlein, Clifford D. Simak, Kurt Vonnegut, Jr., and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the stories.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. Enjoy 12 of the greatest episodes from this award-winning drama series.

The Whistler was one of radio's top mystery programs airing from May 16, 1942, until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Bill Forman) was an ominous narrator who knew the killer's every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps.

"This Is Your FBI" was a fact-based radio series that dramatized FBI cases from the agent's point of view. Producer/director Jerry Devine had experience with pro-law enforcement radio drama having brought us "Mr. District Attorney." Crackdowns on organized crime, and well-known criminal cases of the day were featured. Because the series shined a glorious light on the FBI and vilified criminals, it received the full endorsement of FBI director J. Edgar Hoover, who even appeared on the first episode.

Night Beat followed Randy Stone, a hard-nosed Chicago Star newsman and his quest for the human-interest story behind the headlines. Hollywood actor Frank Lovejoy voiced the role of Randy Stone, who brought the character to vivid life thanks to expert scripts written by Russell Hughes, E. Jack Neumann, John Michael Hayes (who would later write the Hitchcock film classics "To Catch a Thief" and "Rear Window"), and Larry Marcus.

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one Western on radio. It soon made a successful transition to television, becoming the longest-running dramatic series in TV history.

The golden age of radio had incredible Western shows that kept Americans glued to their sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress. This collection includes Gregory Peck in an hour-long episode of The Gunfighter on the Screen Director's Playhouse; James Stewart as Brit Ponset, a.k.a. "the Six-Shooter"; William Holden in The Virginian on General Electric Theater; William Boyd as Hopalong Cassidy; William Conrad as US Marshal Matt Dillon on Gunsmoke; and many more!