Résultats de "G.K Chesterton" dans Toutes les catégories

"The Painful Fall of a Great Reputation" is a Story by G. K. Chesterton. Basil Grant investigates Wimpole, the great raconteur.: Basil Grant and I were talking one day in what is perhaps the most perfect place for talking on earth - the top of a tolerably deserted tram-car. To talk on the top of a hill is superb, but to talk on the top of a flying hill is a fairy tale.

The Club of Queer Trades is a collection of stories by G. K. Chesterton first published in 1905. Each story in the collection is centered on a person who is making his living by some novel and extraordinary means (a "queer trade", using the word "queer" in the sense of "peculiar"). To gain admittance one must have invented a unique means of earning a living and the subsequent trade being the main source of income.

"The Tremendous Adventures of Major Brown" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (December 19th 1903) While investigating a case of assault brought by Major Brown, Rupert Grant, the private detective, and his brother Basil stumble upon the Adventure and Romance Agency, Limited, an agency that creates adventures for its clients. The story is notable for prefiguring the concept of the alternate reality game.

"The Eccentric Seclusion of the Old Lady" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (July 9 & 16, 1904). Rupert Grant rescues a lady from her kidnappers but cannot understand why she refuses to be rescued. The answer leads to the final unveiling of the mystery of The Club of Queer Trades.

"The Noticeable Conduct of Professor Chadd" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (June 25 1904). Basil Grant finds out why Professor Chadd insists on dancing. Basil Grant had comparatively few friends besides myself; yet he was the reverse of an unsociable man. He would talk to any one anywhere, and talk not only well but with perfectly genuine concern and enthusiasm for that person's affairs.

The shadow of Conan Doyle’s Sherlock Holmes would inevitably fall across much of the crime fiction that followed that most famous of detectives. However, in 1910, G.K Chesterton's unassuming, devout, and unprepossessing Father Brown made his first appearance and proved no less of a fascinating figure who would stands firmly on his own two ecclesiastical feet. Head Stories presents the first in a series of the complete Father Brown, read by Simon Hester with original music.

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetic. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine".

A fictional priest and amateur detective named Father Brown had a face once described “as round and dull as a Norfolk dumpling”. This made him appear somewhat clumsy and naïve, but that didn’t take into account his keen understanding of human nature and exceptional intuition. Stories include: “The Blue Cross”, “The Secret Garden”, “The Queer Feet”, “The Flying Stars”, “The Invisible Man”, and more.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

This collection of short essays by G.K. Chesterton is as applicable in 2020 as it was when it was written in 1923 during the first "Progressive Era". He saves his most subtle and cutting humor for commentary to skewer his favorite targets: feminists, vegetarians, modernists, journalists, social reformers, psychologists, and "sophisticated" people in general.

Greybeards at Play is a short collection of humorous poetry by celebrated British writer and social commentator, Gilbert Keith Chesterton (1874-1936). Published in 1900, it was Chesterton's first publication. These rhymes and sketches spin witty lyrics around themes such as aestheticism, the philosopher's love of nature, and ill-directed altruism, in true Chestertonian style.

In his second collection of stories about the deceptively unassuming Father Brown, Chesterton give us another 12 tales of misunderstanding, deception, theft, murder, mystery, and suicide, unravelled with modesty and compassion by the little priest-detective....

Chesterton introduces his shambling, moonfaced little priest-detective, with 12 tales of theft, murder, suicide, obsession, vendetta - and, sometimes, repentance and redemption. This volume includes classic stores such as "The Blue Cross", "The Queer Feet", "The Invisible Man", "The Honour of Israel Gow", "The Hammer of God", and "The Eye of Apollo".

In this two-book combo, you’ll find unnerving thrillers and detective stories which showcase the powerful prose and talent of G. K. Chesterton. With detectives, murders, and conspiracy, these stories have entertained people for generations and have inspired countless others across the thriller genre. With artful prose, paradoxes, and a dose of philosophy, these powerful books cement Chesterton as a literary legend, and are a must-listen for anyone interested in thrillers, classics, and stories that make you think.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

The Flying Inn is a satirical novel by G.K. Chesterton, first published in 1914. The story is set in a future England where a repressive ideology dominates the country’s political and social life. The narrative follows the adventures of Humphrey Pump and Captain Patrick Dalroy as they travel around the country in a donkey cart with a barrel of rum in order to evade prohibition. The two men spread good cheer wherever they go on their journey, which encounters romance, revolution, and a host of memorable characters.

In 1917, G.K. Chesterton published an essay in response to an English minister’s objection to people sending cigarettes to British soldiers fighting in the trenches of World War I, titled "The Dregs of Puritanism". He writes that a large number of young men were being hurt by shells, bullets, fever, hunger and horror of hope deferred. The “good reverend”, however, was anxious that they should not be hurt by cigarettes.

A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.