Absurdist Fiction

De Belleville à Marne-la-Vallée, une bande d'enfants part en croisade pour mettre le feu à Eurodisney. Bienvenue aux avants-postes de la Révolution, menée par la lecture engagée, poétique et militante d'Aloïse Sauvage. Elle est née à l'Orée du bois, une cité réduite à néant par les bulldozers des médias et de la finance. Hantée par les ruines de son Eden foiré, elle a rejoint la commune solidaire à Belleville, où l'on s'organise et lutte en marge du système répressif. Elle, c'est Fi. Quarante piges à tenter de trouver de la beauté dans ce monde fatal : Fi est un chaos de fils et d'aiguilles, de coutures impossibles.

For science teacher Baxter Plink, his grandmother’s funeral was already set to be a grim affair. But he never expected the deceased to wink at him. Or for his own navel to start glowing and projecting holographic replays of his most embarrassing potential deaths for the entire congregation to see. What begins as a personal quantum catastrophe quickly goes viral, becoming a global pandemic of "Quantum Embarrassment" where everyone's deepest regrets and unfulfilled dreams are broadcast from their bellies.

Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she’ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan’s wish come true.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

Oscar Teabag-Dooven, once a Velvet Paw, is all that stands between a fractured universe and total obliteration. But Oscar wanted to be a poet, not a hero, not a destroyer, and certainly not the most loathed animal on the planet. After his avant-garde recital triggers mass death, suspicious reincarnations and catastrophic misunderstandings involving curry, he’s the only one left to blame.

Beyond legend lies a reality so absurd it threatens to invert everything. Oscar Teabag-Dooven, poet by nature, Velvet Paw by necessity, is the only hope for a land on the brink of ignition. Some books brighten the world. This one sets it aflame. In a world where cats and dogs act like people, absurdity reigns supreme. Bedlam threatens to engulf the world—unless Oscar can stop it, which he’s willing to try, provided he has an enormous breakfast first.

King Edward IV did not like that Simon was thrice removed from some long-forgotten ancestor who was somehow related to the owner of the cow that gave milk to King Henry V. Or something like that, Simon was not very good at genealogy. But now, the Lancastrian lordling has fled to the far reaches of the world to brood on revenge. He's stranded in these strange waters with money-hungry Captain Aldo Mitacchione, his halfwit first mate, Neno, and a crew of starving Italians. Things are about to get stranger.

The city of Liebe is gone and Oscar presumed dead. With Tabby Miss Cakes adrift in a crumbling realm of myth and memory, she's not sure what’s real anymore—or if anything ever was. When Oscar reappears, inexplicably alive, the two stumble into a bizarrely wholesome world where people sand horses, kindness is weaponised and no one seems to notice the sky is falling. That’s because a poet is eating reality.

Lost in the Wonderland is a journey through strange roads, wild rivers, and half-remembered songs. It begins with a botched bank robbery and spirals into a netherworld where music is seeded and rises in the airwaves. When the worlds collide, the spell shatters, leaving the odd, the brave, and the broken-hearted to search for their lost spark, through misguided choices, stolen Christmas nativities, roadside attractions, pills, and flamethrowers. Blending magical realism with mythic undertones, Lost in the Wonderland follows people caught between worlds, driven by longing and the need to belong.

Fairy tales are as old as language itself. Long, long ago, storytellers all around the world told tales of wonder both to enchant and entertain us, and also to teach us that – if we are good and kind and courageous enough – we can change the world for the better. For this is what fairy tales do. They give us hope. As we travel through the dark and dangerous world of the fairy tale, as we fight dragons and outwit ogres and save our sisters and brothers, we learn that we are capable of anything.

When MIT physicist Dr. Velcro Threadbare builds a Sock Singularity Engine to solve the mystery of missing socks, she accidentally tears a hole in the fabric of reality—literally. Now socks across the multiverse have gained sentience, and they're not happy. The matched wage war against the unmatched. A pug named Sir Barksalot becomes the Sock Pope, preaching liberation through deliberate mispairing. Criminal flamingo syndicates trade in celebrity sock radiation.

An imposing castle looms over a village and no one seems to be allowed inside...not even K., the Land Surveyor whose livelihood depends on getting inside. Though never completed due to Kafka's untimely death, The Castle paints a striking image of absurdity and the nature of existence itself.

Die Erzählerin in diesem Hörbuch ist müde - von der Arbeitswelt, ihren absurden Ritualen und entfremdenden Herausforderungen. Allerdings entwickeln auch die abseitigsten Anstellungen ihre Tücken - von Läden, die vom Erdboden verschwinden, über mysteriösen Sekten, zu einem Landschaftspark, der von einem Geist heimgesucht scheint. Fast könnte man meinen, das System ist das Problem ...

Der Floh Grüter Blasius lebt glücklich und halbwegs zufrieden auf seinem Schweinebauernhof. Seine Leidenschaft ist das Dressurreiten. Nichts ist für ihn interessanter, als sein Reittier zu beobachten und die Natur des Menschen zu entschlüsseln. Aber obwohl er der Beste ist, wird ihm der Titel "Dressurreiter" von Trabbelsberg verwehrt. Also wird ein Plan entwickelt, um das große Ziel zu erreichen.

Un día Matías Pascal, bibliotecario en Sicilia, lee en un periódico la florida reseña de su propia muerte. Toda la novela es una profunda reflexión sobre la constante pugna por establecer una identidad definida y tener un lugar bien definido en el mundo.

Das war's dann mit dem Jünger, Vasallen und Eiferer Der fast schon ernste viertletzte Teil der Daswarsdann-Trilogie »Welchen der beiden viertletzten Teile der Daswarsdann-Trilogie soll man zuerst lesen? Den vollkommen wahnsinnigen oder den fast schon ernsten?« Endlich eine hilfreiche Frage, liebe Kritik. Ich fürchte nur, meine Antwort wird euch nicht gefallen. »Warum nicht?« Na, ja. Ich kann nur sagen, was andere sagen. »Was sagen die denn?« Die einen sagen so, die anderen so. »Scheint egal zu sein, in welcher Reihenfolge wir die Teile abarbeiten«, sagen die Kritiker zu sich.

A seemingly unremarkable woman in her sixties stows away on dozens of flights. Inspired by a true story, THE SERIAL STOWAWAY celebrates the audacity of her tactics and the absurdity of her encounters, including a scholar of shrugging, a protester suing the CIA for implanting images in his brain, and the forgotten half of a comedy duo looking to resuscitate her career on reality TV. Comic and penetrating, this novel portrays the strength that can hide in invisibility.

Protagonisti di questo romanzo sono due grandi amici, l'inglese Archie e il bengalese Samad. In una Londra dove l'estremismo è all'ordine del giorno, i due danno vita a una strana quanto improbabile coppia: Archie ha sempre seguito la corrente, Samad, invece, è un musulmano convinto, che mal sopporta la decadenza della società occidentale. Ad aggravare la già inquieta atmosfera arrivano i Chalfen, agiati intellettuali inglesi carichi di tutti i tic e le illusioni della Generazione dei Fiori. E l'incontro-scontro fra le diverse culture produrrà effetti tragicomici non meno che devastanti.

What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer.

Der einzige Teil der Bittenichthören-Trilogie ist einerseits die Fortsetzung vom drittletzten Teil der Daswarsdann-Trilogie, andererseits auch nicht. Es hat etwas mit einem rechtlichen Unsinn zu tun. Der interversale Geflunkerverlag wollte infolge des Unsinns dieses Buch partout nicht in seinem Programm haben.