African American Humor

The unabridged, downloadable audiobook edition of An African Love Story, Daphne Sheldrick's touching memoir about romance, life and elephants from Africa's greatest living conservationist. Read by Virginia McKenna, the star of Born Free and the Founder Trustee of the Born Free Foundation. An African Love Story is the incredible memoir of the life of Africa's greatest living conservationist. It tells two stories.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

If you can count on one thing from "Madea" Mabel Simmons, star of Diary of a Mad Black Woman and Madea's Family Reunion, it's that she's got something to say. She's the beloved, hilarious, sharp-witted, pistol-packing grandmother who's watching out and speaking her mind. Now Madea is telling her own story, dishing her memoirs and hard-won, hilarious wisdom in her own inimitable voice (with a little help from her friend Tyler Perry).

According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.

A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal and, at times, heartbreakingly satirical look at what it's like to be young and black in America.

Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985.

Sahara is Not Okay. Entering her sophomore year, she already feels like a failure: her body is too much, her love life is nonexistent, she’s not Nigerian enough for her family, her grades are subpar, and, well, the few Black classmates she has are vanishing—or dying. Sahara herself is close to giving up: depression has been her longtime “Life Partner."" She believes that this narrative—taking the form of an irreverent, no-holds-barred “thesis” addressed to the powerful University Committee that will judge her.

In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the "Jes Grew" epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they'll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a "Talking Android", an African American who will infiltrate the unruly black communities and help crush the outbreak.

This program is read by actor, singer, and dancer Jelani Alladin, who originated the role of Kristoff in Broadway's Frozen musical. A fierce and riveting queer coming-of-age story following the personal and political awakening of a young gay Black man in 1980s New York City, from the television...

After fourteen years in prison, Gerald “Stew Pot” Reeves, age thirty-one, returns home to live with his mom in Parkland, a black middle-class neighborhood on Chicago’s South Side. The residents are in a tailspin, dreading the arrival of the man they remember as a frightening delinquent. The anxiety only grows when Stew Pot announces that he experienced a religious awakening in prison.

The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school, when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria, his social doom is sealed for the next four years.

A testament to the importance of imagination, trusting oneself, and making space for your creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a '90s kid who confided in his imaginary sidekick to navigate everything from parallel pop culture universes, like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews, to a lifetime of birthday disappointment (being a Christmas season Capricorn will do that to you) and hoop dreams gone bad.

Weighing in at 320 pounds, Winston "Tuffy" Foshay, is an East Harlem denizen who breaks jaws and shoots dogs and dreams of millions from his idea, Cap'n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and his wife, Yolanda, he married from jail over the phone. Shrewdly comical as this dazzling novel is, it turns acerbically sublime when the frustrated Tuffy agrees to run for City Council.

Curtis Black might be a man of the cloth, but with his irresistible looks, seductive charm, and charismatic personality, he's particularly beloved by his female parishioners - and almost every other woman he's ever met. The trouble is Curtis is married.

June 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

Essence best-selling author and Gospel comedy queen Pat G’Orge-Walker delights millions with her riotous send-ups of church life. Don’t Blame the Devil is a hilarious and inspiring novel of mistakes and second chances, heartache and love, sin and salvation. Delilah is in for a few surprises when she decides to come to the rescue of her long-estranged son Jesse—whose wife just died—and her granddaughter Tamara.

Before Jamaal’s seventeenth birthday, he’s appointed as his preacher uncle’s designated driver and unwilling personal confidant. Behind the fine outfits and hats, behind the harmonious singing and delicious cooking, Jamaal is exposed to crazy aunties, sexy church sisters, corrupt pastors, and predator deacons. A good kid who just wants time to finish his homework and kiss a nice girl his own age, Jamaal is dragged through the strange world of the Black church. You best pray for him.— An offensive dark comedy by the author of BLM-PD and Monuments: A Deadly Day at Jefferson Park.

After spending better than two decades working in call centers, I cannot help but notice the glaring similarities shared by call centers in North Texas. The pay is rarely close to the industry standard for the frontline call-taker. Most of the call centers I hired into operated like poorly run daycare centers. Those individuals who were well-liked by management rarely found themselves targets of bathroom break micromanagement and the questionable practices and tactics which made Tina Faye's "Mean Girls" so infamously popular.

"You can be beautiful, even more beautiful than before." This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a Black body - if you can afford it. In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy.

Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large, hyperliberal pond. Caught between the prosaic values of his rural hometown and the intellectualized, multicultural cosmopolitanism of Berzerkeley, the 19-year-old white kid is uncertain about his place until one disastrous party brings him three idiosyncratic best friends.