African Church

Angelic Essie Belle Johnson and devilish Laura Reed both agree that they need to do something to spice up their lives and earn more money. So, they start their own church on the street in front of their Harlem apartment. With Laura's gift for performing and Essie's melodious voice, the two quickly become a hit and must move their services into a renovated theater. But as their congregation grows, a host of misfits enter the scene - some honest, but others who just want a piece of the pie.

When her husband hears God's call to become a preacher, Rachel Jackson Adams is distressed - she grew up a preacher's daughter, and knows how difficult life under the microscope can be for a reverend's family. But hot-headed Rachel has toned down her wild ways, and for the sake of her marriage and her two children, she is now the reluctant first lady of Zion Hill, unafraid to rock the boat with her unconventional ideas for revitalizing the church.

Chauncey Greer is the owner of Cute Boy Card Company, a thriving company in Atlanta. As a teenager, he was a member of a popular boy band, but left in disgrace when word got out that he and his band mate D were more than good friends. Chauncey is a free spirit, on the brink of 40 with a body admired by both men and women.

For generations, the Black church has been a cornerstone of resilience, community, and empowerment, serving as a sanctuary for African Americans facing systemic oppression. Rooted in liberation theology and social activism, it has played a crucial role in social movements and cultural identity. However, while the Black church continues to be a source of strength, it also mirrors the complexities and contradictions of the communities it serves.

On July 2, 1822, Denmark Vesey, a formerly enslaved man, was hanged in Charleston, South Carolina. He was convicted of plotting what might have been the largest insurrection against slaveholders in US history. Witnesses claimed that Vesey appealed to numerous biblical texts to promote and justify the revolt.

A moving essay collection promoting freedom, self-love, and divine wholeness for Black women and opening new levels of understanding and ideological transformation for non-Black women and allies “Candice Marie Benbow is a once-in-a-generation theologian, the kind who, having ground dogma into...

In January of 1950, Mary Church Terrell, an 86-year-old charter member of the NAACP, headed into Thompson’s Restaurant, just a few blocks from the White House, and requested to be served. She and her companions were informed by the manager that they could not eat in his establishment, because they were “colored.” Terrell, a former suffragette and one of the country’s first college-educated African-American women, took the matter to court. Three years later, the Supreme Court vindicated her outrage: District of Columbia v. John R. Thompson Co., Inc. was decided in 1953.

DeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amid prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love?

The book is a personal memoir that contains candid and powerful chapters reflecting the plight of the 21st-century church throughout the African Diaspora. It also reflects testimonies of God's grace and redemption in the midst of holy confusion. The book is a collection of essays that examine the African American community from a religious, historical, cultural, and socioeconomic paradigm. It contains opinions and suggestions for dealing with church hurt and church fellowship, as well as a prophetic critique of church leadership.