African Culture

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

Black vernacular doesn’t often get its due—despite its enormous influence on mainstream culture—but Historically Black Phrases is here to give Black language its flowers. A celebration of more than two hundred staples of Black conversation—from church sayings and units of measure to compliments and reprimands—this sharp and witty guide explores the unique importance of Black expression and communication.

The world can feel like a dumpster fire, with endless things to be afraid of. It can make you feel powerless to ask for what you need, use your voice, and show up truly as your whole self. Add the fact that often, people might make you feel like your way of showing up is TOO MUCH.

Just as Martine is settling into life on the wildlife game reserve, she is whisked away on a school trip. Her class is going on an ocean voyage to witness the Sardine Run, a spectacular natural phenomenon, off the coast of South Africa. What begins as an exciting adventure quickly turns perilous when a storm blows up and Martine and her classmates are thrown overboard into shark-infested waters. They are saved by a pod of dolphins, only to end up marooned on a deserted island.

In Going Back to T-Town, Ernie’s daughter, Carmen Fields, tells a story of success, disappointment, and perseverance, extending from the early jazz era to the 1960s. This is an enlightening account of how this talented musician and businessman navigated the hurdles of racial segregation during the Jim Crow era.

The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life.

Millions of Africans were enslaved during the transatlantic slave trade, but few recorded their personal experiences. Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano is perhaps the most well known of the autobiographies that exist. Using this narrative as a primary source text, authors Monica Edinger and Lesley Younge share Equiano's life story in "found verse," supplemented with annotations to give listeners historical context.

The hardening of racial lines during the first half of the 20th century eliminated almost all African Americans from white organized sports, forcing black athletes to form their own teams, organizations, and events. This separate sporting culture, explored in the 12 essays included here, comprised much more than athletic competition; these “separate games” provided examples of black enterprise and black self-help and showed the importance of agency and the quest for racial uplift in a country fraught with racialist thinking and discrimination.

The Africans have a long history, although not everything has been preserved in writing. And many folklore stories have been passed on through generations. The African tribes vary as much as the colors of the rainbow. It is for these reasons, and entertainment as well, that this book has been put together. It entails several mythological tales that refer to African gods, creatures, and entities. Some of these have morals. Others are symbolic of one thing or another.

In the 2012 London Olympics, US gymnast Gabrielle Douglas stole hearts and flew high as the All-Around Gold Medal winner, as well as acting as a critical member of the US gold-medal-winning women gymnastics team. In this personal autobiography, Gabrielle tells her story of faith, perseverance, and determination, demonstrating you can reach your dreams if you let yourself soar.

Revised and updated with new information, this Jane Addams Award-winner is an in-depth examination of the Emmett Till murder case, a catalyst of the civil rights movement.

In its first four months of operation, the Smithsonian National Museum of African American History and Culture surpassed one million visits and quickly became a cherished, vital monument to the African American experience. And yet this accomplishment was never assured. In A Fool's Errand, founding director Lonnie Bunch tells his story of bringing his clear vision and leadership to realize this shared dream of many generations of Americans.

In Long Road to Hard Truth: The 100 Year Mission to Create the National Museum of African American History and Culture, Robert L. Wilkins tells the story of how his curiosity about why there wasn't a national museum dedicated to African American history and culture became an obsession - eventually leading him to quit his job as an attorney when his wife was seven months pregnant with their second child, and make it his mission to help the museum become a reality.

South Africa revels in its reputation as a sport-loving country. Yet just beneath the surface lurks a dark underbelly that reeks of cheating and illicit shenanigans, where shady characters and willing athletes are prepared to do whatever it takes to come out on top. South African sport is awash with steroids, a habit that formed in the late 1980s and continues unabated today, with participants and champions alike opting to play dirty.

4 contes traditionnels wolof, mandingue et peuhl, inédits et revisités par Elsa Valentin. Elsa et Amala Valentin content à deux voix douces, chaudes, pleines d'émotion et interprètent les petites chansons de chacune des histoires. La mise en sons (insectes, singes, oiseaux, jungle) et musique (valiha, doun-doun, djembé, balafon et mini- guitare), signée Paul Henrik Kuchenbuch, nous transporte jusqu'en Afrique. On y chemine aux côtés de filles et de femmes sensibles, courageuses et particulièrement déterminées.

Mathabane argues that the reason many Americans are turned off by the current divisive racial dialogue is because the discussion has mostly been about the politics of race and avoids the elephant in the room - - what each of us can do to become agents for racial healing. His solution is for people to learn to speak the language of Ubuntu, a Zulu word for common humanity.

Gordon Braxton was in his second year of college before anybody bothered to speak to him about sexual violence, despite the fact that he already knew friends and family members that had survived sexual assault. Unfortunately, this is a common experience, as many young men and boys, especially Black boys, do not have an opportunity to discuss their views on sexual violence and what role they might play in preventing it. Empowering Black Boys to Challenge Rape Culture supports the training of a rising generation by providing commentary from an experienced educator.

Deanna Gillespie traces the history of the Citizenship Education Program (CEP), a grassroots initiative that taught people to read and write in preparation for literacy tests required for voter registration - a profoundly powerful objective in the Jim Crow South.

Saesha is being raised as a Hindu girl in a patriarchal society during apartheid in the outskirts of Johannesburg, South Africa. She has no idea that apartheid even exists. Where do black South Africans live at night? Why does her dad take them through a separate entrance when they enter theme parks and picnic spots? These are just split second wonders that enter her mind when faced with it in the present.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.