African Politics

No one could have predicted even two years ago that an African American would take the oath of office as president of the United States in January of 2009. For many, the occasion marks the climax to the civil rights movement and the fulfillment of Martin Luther King, Jr.'s dream that Americans could be judged on the content of their character and not the color of their skin. This collection, with about 400 letters from Americans of all walks of life, is being created to stand as a symbol of this exciting moment in history.

Considered by many to be a founder of Afrofuturism, Sun Ra - a.k.a. Herman Blount - was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz.

In Stupid Black Men, he takes on the mindset of those people who always capture the most media attention—as well as masses of public money—people who say that racism is the root of all problems and who end up hurting precisely those they claim to be helping.

Published during a literary era marked by the ascendance of Black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

Arrested in 1962 as South Africa's apartheid regime intensified its brutal campaign against political opponents, 44-year-old lawyer and African National Congress activist Nelson Mandela had no idea that he would spend the next 27 years in jail. During his 10,052 days of incarceration, Mandela wrote hundreds of letters to unyielding prison authorities, fellow activists, government officials, and, most memorably, his courageous wife, Winnie, and his five children. Now, 255 of these letters, a majority of which were previously unpublished, provide the most intimate portrait of Mandela since Long Walk to Freedom.

Corporate America continues to struggle with racial equity in a post-George Floyd world. As the United States becomes more diverse and the public consciousness continues to shift, successful racial equity efforts in the workplace are needed now more than ever. Decentering Whiteness in the Workplace exposes the ways that white culture and expectations are centered in the modern American workplace and the fears within corporate spaces about talking candidly, openly, and honestly about whiteness, white supremacy, and anti-Blackness.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

Senseless killing of innocent people and children, bad governance, bribery, and corruption has taken over the politics of Africans. Today, Africans are dwelling in poverty and backwardness while other countries and continents are doing well. The reason I wrote this book while on a week vacation in Nigeria, was to compare Western politics to African politics. To find out what has gone wrong in African political systems.

"When women get together and talk about men, the news is almost always bad news," writes bell hooks. "If the topic gets specific and the focus is on black men, the news is even worse." In this powerful new book, bell hooks arrests our attention from the first minute. Her title--WeReal Cool; her subject--the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: "this is a culture that does not love black males:" "they are not loved by white men, white women, black women, girls or boys.

In this groundbreaking historical expose, Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an Age of Neoslavery that thrived from the aftermath of the Civil War through the dawn of World War II.

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery - in all its political, intellectual, and cultural forms - continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

Like all great dreamers and planners, Marcus Garvey dreamed and planned ahead of his time and his peoples' ability to understand the significance of his life's work. A set of circumstances, mostly created by the world colonial powers, crushed this dreamer, but not his dreams. Due to persistence and years of sacrifice of Mrs. Amy Jacques Garvey, widow of Marcus Garvey, a large body of work by and about this great nationalist leader has been preserved and can be made available to a new generation of Black people who have the power to turn his dreams into realities.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

In Jezebel Unhinged Tamura Lomax traces the use of the jezebel trope in the Black church and in Black popular culture, showing how it is pivotal to reinforcing men's cultural and institutional power to discipline and define Black girlhood and womanhood. Drawing on writing by medieval thinkers and travelers, Enlightenment theories of race, the commodification of women's bodies under slavery, and the work of Tyler Perry and Bishop T. D. Jakes, Lomax shows how Black women are written into religious and cultural history as sites of sexual deviation.

Searching for Serafim is a layered exploration of the life of Vancouver's first lifeguard, Serafim “Joe” Fortes. A Trinidad native who arrived on the shores of Canada in 1885, Fortes was heralded as a hero in Vancouver for saving dozens of people from drowning, and his funeral drew the largest crowd ever recorded in the city's history. Since his passing, Fortes has been commemorated with a Canada Post-issued stamp and local buildings named in his honour. Yet, little has been discussed about how he navigated an openly white supremacist society as an Afro Latino man.

At once incendiary and icy, mischievous and provocative, celebratory and elegiac - here is a deeply felt meditation on race, sex, and American culture through the prism of Margo Jefferson's rarefied upbringing and education among a Black elite concerned with distancing itself from Whites and the Black generality while tirelessly measuring itself against both.

It is impossible to imagine New Orleans, and by extension American history, without the vibrant and singular Creole culture. In the face of an oppressive white society, members of the Société d’Economie et d’Assistance Mutuelle built a community and held it together through the era of slavery, the Civil War, Reconstruction, and Jim Crow terrorism. Economy Hall: The Hidden History of a Free Black Brotherhood follows Ludger Boguille, his family, and friends through landmark events that shaped New Orleans and the United States.

Acclaimed archeologist and historian Karolyn Smardz Frost painstakingly resurrects Thornton and Lucie Blackburn's perilous 1830s journey from Kentucky slavery to Canadian freedom.

In childhood, Bell Hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, Hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

In Lose Your Mother, Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.