African Politics

Quand l'ambition et la tradition tuent l'amour... Boussoura et Seini forment un couple moderne qui vit à Yaoundé. Il est médecin, elle est professeure de littérature. Une famille épanouie jusqu'au jour où tout bascule quand Seini est rattrapé par son passé. Fils de roi, il est appelé à prendre la succession. Malgré les réserves de son épouse, l'attrait du pouvoir est le plus fort. Devenu lamido, commandeur des croyants et garant des traditions et de la religion, il se transforme en roi tout-puissant.

Even as feminism has become increasingly central to our ideas about institutions, relationships, and everyday life, the term used to diagnose the problem - patriarchy - is used so loosely that it has lost its meaning. In Vexy Thing Imani Perry resurrects patriarchy as a target of critique, re-centering it to contemporary discussions of feminism through a social and literary analysis of cultural artifacts from the Enlightenment to the present.

An epic biography of Malcolm X finally emerges, drawing on hundreds of hours of the author's interviews, rewriting much of the known narrative.

First published in 1789, this autobiography of Olaudah Equiano comprises a variety of styles, such as a slavery narrative, travel tale, and spiritual journey. It recounts Equiano's time as a slave, and chronicles his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his freedom.

Searching for Serafim is a layered exploration of the life of Vancouver's first lifeguard, Serafim “Joe” Fortes. A Trinidad native who arrived on the shores of Canada in 1885, Fortes was heralded as a hero in Vancouver for saving dozens of people from drowning, and his funeral drew the largest crowd ever recorded in the city's history. Since his passing, Fortes has been commemorated with a Canada Post-issued stamp and local buildings named in his honour. Yet, little has been discussed about how he navigated an openly white supremacist society as an Afro Latino man.

Examines the Oldawan, the Ancient Soul of Africa, and its correlation with what modern psychologists have defined as the collective unconscious Draws on archaeology, DNA research, history, and depth psychology to reveal how the biological and spiritual roots of religion and science came...

In Lose Your Mother, Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

For a brief moment in the summer of 1900, Robert Charles was arguably the most infamous Black man in the United States. After an altercation with police on a New Orleans street, Charles killed two police officers and fled. During a manhunt that extended for days, violent White mobs roamed the city, assaulting African Americans and killing at least half a dozen. When authorities located Charles, he held off a crowd of thousands for hours before being shot to death.

Mass incarceration has become a lucrative industry, and the criminal justice system is plagued with bias and unjust practices. And the church has unwittingly contributed to these problems. Dominique Gilliard explores the history and foundation of mass incarceration, examining Christianity's role in its evolution and expansion. He assesses our nation's ethic of meritocratic justice in light of Scripture and exposes the theologies that embolden mass incarceration.

To many in the age of Obama, America had succeeded in "going beyond race", putting the divisions of the past behind us. And then 17-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then 18-year-old Michael Brown in Ferguson, Missouri; and then Baltimore blew up; and then gunfire shattered a prayer meeting at a church in Charleston, South Carolina. Suddenly the entire country awakened to a stark fact: Young Black men are an endangered species.

Published during a literary era marked by the ascendance of Black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

In Bodyminds Reimagined Sami Schalk traces how Black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender, and (dis)ability. Bridging Black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.

The Underground Railroad: Next Stop, Toronto! explores Toronto’s role as a destination for thousands of freedom seekers before the American Civil War. This new edition traces pathways taken by people, enslaved and free, who courageously made the trip north in search of liberty and offers new biographies, images, and information, some of which is augmented by a 2015 archaeological dig in downtown Toronto.

The American political scene today is poisonously divided, and the vast majority of white evangelicals plays a strikingly unified, powerful role in the disunion. These evangelicals raise a starkly consequential question for electoral politics: Why do they claim morality while supporting politicians who act immorally by most Christian measures? In this clear-eyed, hard-hitting chronicle of American religion and politics, Anthea Butler answers that racism is at the core of conservative evangelical activism and power.

A NEW YORK TIMES BESTSELLER! A growing number of Americans want to tear down what it’s taken us 250 years to build—and they’ll start by canceling our shared history, ideals, and culture. Traditional areas of civic agreement are vanishing. We can’t agree on what makes America special. We...

Here is an unapologetic look into the factors that have caused so many Blacks to think and act in the negative way they do towards themselves and others. This timely body of work is from a man well versed in the American educational system, as well as educational systems throughout the world.

No one could have predicted even two years ago that an African American would take the oath of office as president of the United States in January of 2009. For many, the occasion marks the climax to the civil rights movement and the fulfillment of Martin Luther King, Jr.'s dream that Americans could be judged on the content of their character and not the color of their skin. This collection, with about 400 letters from Americans of all walks of life, is being created to stand as a symbol of this exciting moment in history.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.

Considered by many to be a founder of Afrofuturism, Sun Ra - a.k.a. Herman Blount - was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."