American Film

The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world's most iconic films. In this one-of-a-kind audio production, Coppola provides listeners with unfiltered access to his creative process in his own voice. Featuring notes from eight scenes - handpicked by Coppola himself - The Godfather Notebook is a must-listen for fans of the 1972 film.

The definitive oral history of the 1967 novel for teens, turned blockbuster film turned Tony-winning musical, and commemorated with a newly opened museum. This groundbreaking story has managed to stay gold for nearly sixty years. *Includes interviews with Rob Lowe, Ralph Macchio, C. Thomas...

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

A comprehensive guide to all of Robin Williams' movies, with facts about plots, performances, and cast, as well as notable trivia and behind-the-scenes details about each film.

"Take What You Can is so brilliantly, unbelievably good I have a burning in my heart.... Love is utterly bewildering, and nobody writes about it better than Naima Coster."—Catherine Newman, New York Times bestselling author of Sandwich From the New York Times bestselling author of What’s...

The films, the stars, the filmmakers-all get their due in Hollywood Black, a sweeping overview of blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle. The story opens in the silent film era, when white...

A celebration and testament to the tenacity of life on the margins, brilliantly illuminating Black and queer experience. In this collection, a jubilant testimony to the joys and hardships of the Black queer experience, poet Nicholas Goodly explores language that venerates the saints of their...

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

A cinematic, razor-sharp novel following a backlot fixer’s daring investigation into the suspicious death of a closeted Black actor within the glamorous world of Hollywood, from the bestselling author of My Government Means to Kill Me Xavier C. Barlow, one of Hollywood’s young Black stars...

This unprecedented history of Black cinema examines 100 years of Black movies - from Gone with the Wind to Blaxploitation films to Black Panther - using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown.

For over 20 years, John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, a son of Irish immigrants known for his black eye patch and for his hard-drinking, brawling masculinity, was renowned for both his craftsmanship and his brutality. John "Duke" Wayne was a mere stagehand and bit player in "B" Westerns, but he was strapping and incredibly handsome, and Ford saw his potential.

Some Like It Hot occupies a unique place in American culture. This beloved classic showcases five comic geniuses: Tony Curtis, Jack Lemmon, I. A. L. Diamond, Billy Wilder, and Marilyn Monroe. It has been honored by the American Film Institute as the funniest film of all time. It has contributed quotes, styles, and stories to film lore. Yet the full story of its making has never been told - until now.

No simple tell-all, American Prince chronicles Hollywood during its heyday. Tony Curtis revisits his immense body of work - including the unforgettable classics Houdini, Spartacus, and Some Like It Hot - and regales listeners with stories of his associations with Frank Sinatra, Laurence Olivier, director Billy Wilder, and film industry heavyweight Lew Wasserman, as well as paramours Natalie Wood and Marilyn Monroe, among others.

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith's profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.

Even 150 years later, we are haunted by the Civil War---by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary W. Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment.

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come.

As he did in his bestselling biographies of Jimmy Stewart and Clint Eastwood, acclaimed Hollywood biographer Marc Eliot digs deep beneath the myth in this revealing look at the most legendary Western film hero of all time; the man with the distinctive voice, walk, and demeanor who was an inspiration to many and a symbol of American masculinity, power, and patriotism.

A Companion to Martin Scorsese is a comprehensive collection of original essays assessing the career of one of America's most prominent contemporary filmmakers....