American Horror

There have been monsters among us lurking in the darkest corners of America, preying on children since the first settlers arrived on our shores. They have always been with us, stalking the innocent, from the days of the original colonies, to the Gilded Age, the Depression, and beyond. These monsters are not the stuff of fiction. They are bloodcurdlingly real, and they still walk among us, always looking for their next victim.

These shivery tales were collected from the oral tradition, from people all over the Southwest, and represent the rich cultural diversity of the region, from the Ozarks to the Rio Grande, California to the Big Thicket.

Everybody loves scary stories, and nobody loves them more than children. Storytellers Richard and Judy Dockrey Young gathered these stories from the most discerning of critics: the children themselves.

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of listeners, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

In the United States at the turn of the nineteenth century, crusading African American journalist Ida B. Wells-Barnett bravely reported on the scourge of white supremacist violence that had personally impacted her own life and work. Her reporting exposed and riled the South, enlightened uninformed Northerners, and captured international attention. Southern Horrors and The Red Record offer extensive accounts of the lynching, cruelty, and hate that African Americans faced in the early years of the Jim Crow South.

Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

This isn’t just Washington Irving’s classic tale—it’s a spine-tingling plunge into a world of restless spirits, haunted woods, and one of the most unforgettable legends of all time! Feel your pulse pound as you walk alongside Ichabod Crane through misty roads where every shadow hides a secret and every whisper might belong to the Headless Horseman himself. With every chilling moment, you’ll be swept into the eerie charm of early America, where folklore comes alive and fear takes the reins.

The ancient Druid Atticus O’Sullivan gets more than greasy corn dogs and flat soda when he visits a carnival in Kansas to which his apprentice, Granuaile, drags him. He runs across a barker with a strange power over the crowd: attractive women leave their men and disappear into an unmarked tent, never to be seen again, and the men wander away, forgetting that they ever had girlfriends or wives. When Granuaile falls under the barker’s influence and enters the tent, Atticus isn’t about to forget it and move on.

Jasmyn and King Williams move their family to the planned Black utopia of Liberty, California hoping to find a community of like-minded people, a place where their growing family can thrive. King settles in at once, embracing the Liberty ethos, including the luxe wellness center at the top of the hill, which proves to be the heart of the community. But Jasmyn struggles to find her place. She expected to find liberals and social justice activists striving for racial equality, but Liberty residents seem more focused on booking spa treatments and ignoring the world’s troubles.

Known throughout Tennessee as "Old Kate", the Bell Witch took up residence with John Bell's family in 1818. It was a cruel and noisy spirit, given to knocking and gnawing sounds before finding its own voices. With these voices and supernatural acts, the Bell Witch tormented the Bell family. The extraordinary tale recounts the only documented case in U.S. History when a spirit "actually caused a man's death".

We are divided over the history of the United States, and one of the central dividing lines is the frontier. Was it a site of heroism? Or was it where the full force of an all-powerful empire was brought to bear on Native peoples? In this startlingly original work, historian Robert Parkinson presents a new account of ever-shifting encounters between white colonists and Native Americans.

As Tony follows his own path toward adulthood, he relies on the wisdom of Ultima, a magical healer, to forge his unique identity. With hundreds of thousands of copies in print, Bless Me, Ultima has been called the most widely read Mexican-American novel in the English language. Richly evocative, it has earned its place among the classics of modern literature, even drawing favorable comparisons to Herman Melville's legendary Moby Dick.

She had it all. But who, or what, had ripped it all away? In the years since singer-songwriter Christy DeCarli won reality show Nashville Dreams, her life has descended into a wretched personal hell. Reeling from the breakdown of her once perfect marriage and terrified by the haunting visions of her recently still born child, she is ready to end her pain. On the other side of the quaint Massachusetts village of Boxforth, God-fearing grandmother Ida Buckley is battling her own demons.

From a colonial manse in New England to a small-town home in Iowa to a Beverly Hills mansion, these residences have taken on a life of their own, gaining everything from local lore and gossip to national - and even global - infamy. Here, writer Steve Lehto recounts the stories behind the houses where Lizzie Borden supposedly gave her stepmother "40 whacks", where the real Amityville Horror was first unleashed by gunfire, and where the demented acts of the Manson Family horrified a nation.

In this mosaic horror/crime novel, ghosts and old gods guide the hands of those caught up in a violent struggle to save the soul of the American Southwest. A man tasked with shuttling children over the border believes the Virgin Mary is guiding him toward final justice. A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father. These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling pulpy portrait of revenge, family, and hope.

The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.