American Short

In the title story of Walk Between the Raindrops, a woman sits down next to a man at a bar and claims she has ESP. In “Thirteen Days,” passengers on a cruise line are quarantined, to horrifying and hilarious effect. And “Hyena” begins simply: “That was the day the hyena came for him, and never mind that there were no hyenas in the South of France, and especially not in Pont-Saint-Esprit—it was there and it came for him.”

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

When Alice follows a white rabbit down a hole she discovers the extraordinary world of Wonderland, where a magical adventure begins. It’s not long before Alice finds herself attending a very unconventional tea party and taking part in a peculiar game of croquet, all in the company of such mysterious and unforgettable characters as the Mad Hatter, the Cheshire Cat and the Mock Turtle.

"Her immediate concern was money." So begins the first story in Manuel Muñoz's dazzling new collection. In it, Delfina has moved from Texas to California's Central Valley with her husband and small son, and her isolation and desperation force her to take a risk that ends in profound betrayal.

For those readers of his poetry and inspired by his increasingly vital work as advocate for rational land use and the right-size life, these stories of Wendell Berry's offer entry into the fictional place of value and beauty that is Port William, Kentucky. Berry has said it's taken a lifetime for him to learn to write like an old man, and that's what we have here, stories told with grace and ease and majesty. Wendell Berry is one of our greatest living American authors, writing with the wisdom of maturity and the incandescence that comes of love.

The 1925 New York edition of Ernest Hemingway’s In Our Time trails readers through the years before, during, and after World War I. The collection’s first two stories, “Indian Camp” and “The Doctor and the Doctor’s Wife,” introduce Hemingway’s semiautobiographical character Nick Adams as a child. In total, seven stories portray the young man’s coming of age. All fourteen, including interspersed vignettes, embody the themes that Hemingway would return to throughout his career: alienation, grief, loss, and separation, as well as the regenerative powers of nature.

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

Here is the original manuscript of Raymond Carver's seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature - his style is both instantly recognizable and hugely influential - and the pieces in What We Talk About..., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story.

In James William Gardner’s new collection of short stories, the listener will gain authentic insight into the fascinating world of the American south. With humor and sensitivity, the writer grapples with important cultural themes. His characters live and breathe, places become real, tradition is revealed and you may never feel the same way about the south again.

“The People Could Fly,” the title story in Virginia Hamilton’s prize-winning American Black folktale collection, is a fantasy tale of the slaves who possessed the ancient magic words that enabled them to literally fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.

The American Dream is one of the most familiar and resonant phrases in our national lexicon, so familiar that we seldom pause to ask its origin, its history, or what it actually means. In this fascinating short history, Jim Cullen explores the meaning of the American Dream, or rather the several American Dreams that have both reflected and shaped American identity from the Pilgrims to the present.

It is 1886, and the government has given the US Cavalry control of Yellowstone. For widowed hotelier Kate Tremaine, the change is a welcome one. She knows every inch of her wilderness home like the back of her hand and wants to see it protected from poachers and vandals.

In American Patriots, historian Ralph Young chronicles the key role dissent has played in shaping the United States. Some of these protesters are celebrated heroes of American history, while others are ordinary people, frequently overlooked, whose stories show that change is often accomplished through grassroots activism. Yet not all dissent is equal. In 2021, thousands of rioters stormed the US Capitol, and Americans on both sides of the aisle watched the destruction with horror. American Patriots contrasts this attack with the history of American protest.

Tia, Ton'ya, and Tammi are not only making moves in the game, but they're doing it in the bedroom too - and anywhere they need to get what they want. Tia is quick with her razor-sharp mouth, and she carries an equally sharp razor to slice a throat if need be. Ton'ya is loyal to a fault but will fight back if threatened. Tammi is the brains of the operation. They have collected more bodies than a Manhattan hooker working the lower East Side. What happens when the heart gets in the way of making money?

Veteran authors Ashley and JaQuavis offer up their first solo efforts, and they're hotter than ever! Along with Ayana Ellis, they introduce listeners to some "real sistas" who know how to get what they want at all costs. For these women, if it's dangerous it just means the payout will be that much sweeter.

A finalist for the National Book Award, Lost in the City features 15 poignant short stories, each set in Washington, D.C. Far removed from marble monuments and the offices of rich politicians, the nation's capital that Jones captures is inhabited by self-willed African-Americans struggling to live their lives as best they can.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the American male author whose time has now come again.

The Best American series, launched in 1915, is the premier annual showcase for the country’s finest short fiction and nonfiction, and it is the most respected—and most popular—of its kind. Don Winslow, the Raymond Chandler Award-winning author of City in Ruins, picks the best twenty mystery and suspense stories from the previous year.

Meticulous, funny, eccentric - Mary has always been mindful of the complex role she plays as a professor of history. Her lectures are carefully written out beforehand; her departmental loyalties ambiguous. She is so careful, in fact, that she began to see herself as flat, dull, and lifeless. The closing of Brandon College, the institution she'd spent more than fifteen years at, changes everything. Forced to find another position, Mary finds herself at an experimental college in rainy Oregon.