Ancient Medieval

Here is the multi award-winning SmartPass study guide, with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis to allow any student to fully understand and appreciate the play. Meet literature's greatest villain in this tragedy, fuelled by jealous rage. Journey into the twisted mind of Iago, who freely admits, "I am not what I am", and truly get under the skin of this wondrous play.

Discover the origins of the original de Wolfe pack, led by the man known as Warwolfe. Before the Duke of Normandy conquered England, a legend arose. A man so fierce, so brave, and so noble, that the mere whisper of his name could strike both fear and admiration into the hearts of all men. That name is Warwolfe. Gaetan de Wolfe is this man.

The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony.

Li Po (AD 701-762) lived in T'ang Dynasty China, but his influence has spanned the centuries: the pure lyricism of his poems has awed readers in China and Japan for over a millennium, and through Ezra Pound’s translations, Li Po became central to the modernist revolution in the West. However ethereal in spirit, his poems remain grounded in the everyday experience we all share. He wrote 1,200 years ago, half a world away, but in his poems we see our world transformed.

La plupart de ces poèmes ont été écrits entre 1846 et 1855. Mais les poèmes les plus anciens de ce recueil datent de 1834. Les 11 000 vers des "Contemplations" comptent parmi les plus beaux poèmes de la poésie française. Victor Hugo y est à l'apogée de son art poétique.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

The Theogony (composed c. 700 BC) is a poem by Hesiod (8th-7th century BC) describing the origins and genealogies of the Greek gods. A theogony is a part of Greek mythology which attempts to articulate reality as a whole. Hesiod's work is a synthesis of various local Greek traditions concerning the gods, organized as a narrative that tells of their origin and how they established control over the Cosmos.

The last thing Roberta Harcourt needs is to be trapped on a ship with pirates. After she is separated from her father, Roberta finds herself the unwilling guest of sinfully handsome Captain Dominic Grey. He gives her two choices: to share his bed and maintain her life as a lady, or she can sleep on the floor of his cabin and live the life of a cabin boy. Refusing to be seduced by a pirate, she dresses in breeches and assumes duties on board his ship among the men, but each night, she begins to wonder if letting him kiss her again might be a rule worth breaking...

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

Tales of Troy and Greece by classicist and gifted storyteller Andrew Lang is an ideal introduction to the The Iliad and The Odyssey, recounting the Homeric legend of the wars between the Greeks and the Trojans. Paris, Achilles, the lovely Helen of Troy, Penelope, Hector, Ulysses, the Amazons, and the Wooden Horse all feature in this evocative introduction to one of the greatest legends ever told.

The Executioner Knights are back! Alexander de Sherrington seeks to marry a daughter of the great Christopher de Lohr (Rise of the Defender). But not if King John has anything to say about it! Alexander de Sherrington, the man affectionately referred to as "Sherry" by his friends, is off on the greatest adventure of his life...and his target is Lady Christin de Lohr. Lovely and vivacious, Christin is as head-strong as her mother but born with her father’s innate sense of politics.

The Most Venerable Book is one of the five classics. For many centuries it was a central work for anyone wishing to work for the imperial administration, with its prestige stemming from the belief that it had been assembled by Confucius himself. The first emperor tried to have all copies destroyed because of its subversive implication that 'the Mandate of Heaven' could be withdrawn from rulers who failed their people. For similar reasons it was also banned by Mao. Extraordinarily, it has been revived by the Chinese government of the 2010s.

Unlucky in love, Maddie St. Clair hides behind an antique store and her mudlarking hobby. That is until she finds a medieval ring that throws her back to 1102 Cumberland and into the life of Lady Madeline Vincent, heiress to Norman lands and about to be married to an autocratic Baron, William Dowell, 900 years her senior.

The digital era is beset by distraction, and it feels like things are only getting worse. At times like these, the distant past beckons as a golden age of attention. We dream of recapturing the quiet of a world with less noise. We imagine retreating into solitude and singlemindedness, almost like latter-day monks. But although we think of early monks as master concentrators, a life of mindfulness did not, in fact, come to them easily.

Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting.

I first read Edward Fitzgerald’s celebrated, if controversial, version of Omar Khayyam’s Rubaiyat when I happened upon it in my father’s extensive library when I was a sophomore at Notre Dame High School. While there is much debate about Omar Khayyam’s philosophical outlook (is his message Sufi-oriented or existentially hedonistic?), there is no doubting its beauty and its profundity of thought.

Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world's preeminent experts.

This is the first of three volumes, which, taken together under the over-arching title of Monarchy, will form a new, ground-breaking history of England as told through the lives of its Kings and Queens.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio