Anthology World Literature

En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica. En Ginebra, el conductor de una ambulancia y su esposa acogen al abandonado y aparentemente moribundo ex presidente de un país caribeño, solo para descubrir que sus ambiciones políticas siguen intactas.

Go on a worldwide adventure as you discover thirty tales told around the globe in this illustrated collection perfect for listening together! In West Africa you'll meet Anansi as he takes on the King's hot pepper soup, in Ireland you'll meet a girl who tries to outwit a leprechaun, in Australia you'll discover how the Lyrebird got its voice, and in North America you'll laugh out loud at the story of the ghost who needs a bandage. Bursting with magic, mischief, and merriment, this beautifully illustrated treasury of traditional tales will enchant and delight children everywhere.

Before he was the engaging professor who brought mythology into people’s living rooms through his conversations with Bill Moyers, before he became known as the thinker whose ideas influenced Star Wars, and before his now-beloved phrase “follow your bliss” entered the popular lexicon, Joseph Campbell was a young man who tried his hand at writing fiction. After years of Depression-era unemployment, when he lived off money he had earned playing saxophone and read the world’s great literature in a syllabus of his own design, Campbell published his first short story.

With a diverse selection of stories chosen by series editor John Joseph Adams and guest editor Rebecca Roanhorse, The Best American Science Fiction and Fantasy 2022 explores the ever-expanding and changing world of contemporary science fiction and fantasy.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

In this new collection of five short stories from New York Times best-selling author Jonathan Maberry, listeners get an eclectic sampling of the writer's work - from SF parody to murder mystery and beyond.

In 1943, the 20-year-old Polish poet Tadeusz Borowski was arrested and deported to Auschwitz as a political prisoner. What he experienced in the camp left him convinced that no one who survived Auschwitz was innocent.

Compelling and perceptive, Tomb Sweeping probes the loyalties we hold: to relatives, to strangers, and to ourselves. In stories set across the US and Asia, Alexandra Chang immerses us in the lives of immigrant families, grocery store employees, expecting parents, and guileless lab assistants.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

קובץ הסיפורים ארצות התן ראה אור לראשונה בשנת 1965, וסימן כבר אז את עוצמתו של עמוס עוז כמספר מחונן. הוא היה בן 23 בלבד כאשר כתב שלושה מתוך עשרת הסיפורים המכונסים כאן; בכולם מופיעים המאפיינים שילוו את יצירתו בשנים הבאות: תיאורים וירטואוזיים של נוף נפשי וגיאוגרפי, תובנות פסיכולוגיות ומוסריות , שילוב נקודות המבט ואותה רגישות נדירה לשפה העברית.

Bedtime Stories for Kids, as the name suggests, is an anthology of folklore from around the world, carefully collected, structured, and curated to ensure maximum learning without compromising on the element of fun.

Ambrose Bierce left behind a nasty reputation and more than 90 short stories that are perfect expressions of his sardonic genius. This volume of selected stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time.

I hadn't seen Nick since high school, the day he broke my brother's nose. I bumped into him while trapped in Las Vegas with no way to get home. Maybe this was my second chance...My life was all planned out. I left my sensible house every day in my sensible clothes and went to my sensible job. Until, some crazy targeted me, and it all went up in smoke.

One day it started raining—and it never stopped... So began Brian Keene's Earthworm Gods, a novel that straddled the lines between the horror and bizarro genres. Fans have long marveled over that post-apocalyptic landscape—a flooded earth filled with strange and terrifying monsters. Audiences returned to that world in Earthworm Gods II: Deluge. Now, it's time for one last trip.

The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child.

In 1353, Giovanni ​Boccaccio wrote The Decameron: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables. In March 2020, the editors of The New York Times Magazine worked to create a collection of stories written just as the pandemic first swept the globe.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

Frances and Ginger Park, authors of both children's books and young adult novels, based this inspiring and deeply affecting tale on their own mother's childhood. Winner of the International Reading Association Award, My Freedom Trip features a courageous girl named Soo who makes a desperate bid for freedom by journeying from North Korea to South Korea. Her father awaits across the border, but to achieve her new life, Soo must leave her mother behind.