Art Biography

In these fresh and hilarious personal essays, Mindy Kaling gives the inside scoop on her new role as single mom, the perks of being her own husband, and how she deals with social anxiety even at the most glamorous A-list parties. In between, the beloved actress, writer, and Hollywood power-bruncher gets Kanye West’d at her best friend’s birthday, thwarts an “only in LA” crime, and learns what it means to have it all.

Libre, passionnée, courageuse, dotée d'un franc-parler connu aussi bien au Canada qu'en France, Denise Bombardier n'est pas de ces journalistes et écrivains qui laissent indifférent. Femme de combats, d'engagements, parce qu'elle ne craint ni la polémique ni les débats d'idées, elle s'est tracé un sillon médiatique et littéraire où s'impose une ligne directrice rare : le refus des compromis et des compromissions. Une force de caractère qui lui vient de loin, comme ces mémoires le décrivent avec vigueur, chaleur, tendresse, colères et humour aussi.

Marty Friedman's upbringing was as atypical as his career. Growing up in a Jewish household in Maryland, the son of an NSA executive, he lacked motivation until he discovered the guitar. Enjoying a hazy adolescence overflowing with partying, music, and teen antics, he achieved local stardom in Deuce, then burst onto the national scene by pioneering a radically new style of playing, bringing attention to the guitar aficionado label, Shrapnel Records. Friedman moved to California and scored a gig in Megadeth.

In February 2011 John Galliano, the lauded head of Christian Dior, imploded with a drunken, anti-Semitic public tirade. Exactly a year earlier, celebrated designer Alexander McQueen took his own life three weeks before his women's wear show. Both were casualties of the war between art and commerce that has raged within fashion for the last two decades.

Among the most widely admired Hollywood stars of his generation, Redford has appeared onstage and on-screen, in front of and behind the camera, earning Academy, Golden Globe, and a multitude of other awards and nominations for acting, directing, and producing, and for his contributions to the arts.

"Depuis des années, je tourne autour de cet événement de ma vie. Lire dans un roman le récit d'un avortement me plonge dans un saisissement sans images ni pensées, comme si les mots se changeaient instantanément en sensation violente. De la même façon entendre par hasard "La javanaise", "J'ai la mémoire qui flanche", n'importe quelle chanson qui m'a accompagnée durant cette période, me bouleverse."

In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. We Were Rich and We Didn't Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.

During the course of a career that began in the late 1940s, Lenny Bruce challenged the sanctity of organized religion and other societal and political conventions; he widened the boundaries of free speech. Critic Ralph Gleason said, "So many taboos have been lifted and so many comics have rushed through the doors Lenny opened. He utterly changed the world of comedy". Although Bruce died when he was only 40, his influence on the worlds of comedy, jazz, and satire are incalculable.

Garlic and Sapphires is Ruth Reichl's riotous account of the many disguises she employs to dine anonymously. There is her stint as Molly Hollis, a frumpy blond with manicured nails and an off-beige Armani suit that Ruth takes on when reviewing Le Cirque. The result: her famous double review of the restaurant: First she ate there as Molly; and then as she was coddled and pampered on her visit there as Ruth, New York Times food critic.

Hollywood was built on beautiful and complicated matinee idols: James Dean and Marlon Brando are classic examples, but in the 1990s, the actor who embodied that archetype was River Phoenix. As the brightly colored 1980s wound down, a new crew of leading men began to appear on movie screens. Hailed for their acting prowess and admired for choosing meaty roles, actors such as Johnny Depp, Nicolas Cage, Keanu Reeves, and Brad Pitt were soon rocketing toward stardom while an unknown Leonardo DiCaprio prepared to make his acting debut. River Phoenix, however, stood in front of the pack.

In 1976, following years of harsh cutbacks to salaries and benefits at the New Yorker, editorial workers - the fact-checkers, copy editors, and other paraliteraries - finally took a stand and began a drive to unionize the storied magazine. But strong-willed longtime editor William Shawn's fierce resistance to unionization kicked off a stalemate between management and their subordinates.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today. Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation.

As a journalist whose career spans three decades, CNN correspondent Tom Foreman has reported from the heart of war zones, riots, and natural disasters. He has interviewed serial killers and been in the line of fire. But the most terrifying moment of his life didn't occur on the job - it occurred at home, when his 18-year-old daughter asked, "How would you feel about running a marathon with me?"

The members of Led Zeppelin are major deities in the pantheon of rock gods. The first and heaviest of the heavy metal monsters, they violently shook the foundations of rock music and took no prisoners on the road. Their tours were legendary, their lives were exalted, and their music transcendent. No band ever flew as high as Led Zeppelin or suffered so disastrous a fall. And only some of them lived to tell the tale. Originally published in 1985, and last updated in 2008, Hammer of the Gods is considered the ultimate word on Led Zeppelin.

Here is the private and most intimate correspondence of one of America's most influential and incisive journalists - Hunter S.Thompson. In letters to a who's who of luminaries, from Norman Mailer toCharles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez - not to mention his mother, the NRA, and a chain of newspaper editors - Thompson vividly catches the tenor of the times in 1960s America and channels it all through hisown razor-sharp perspective.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

From the voice of a generation: The most highly anticipated autobiography of the year, and the story of a man who...is a Londoner and a Mod...wanted The Who to be called The Hair...loved The Everly Brothers, but not that "drawling dope" Elvis...wanted to be a sculptor, a journalist, a dancer and a graphic designer...became a musician, composer, librettist, fiction writer, literary editor, sailor...smashed his first guitar onstage, in 1964, by accident...heard the voice of God on a vibrating bed in rural Illinois...and much more.

Part history, part true-crime, and entirely entertaining, listen to the story of how the behemoth Oxford English Dictionary was made. You'll hang on every word as you discover that the dictionary's greatest contributor was also an insane murderer working from the confines of an asylum.

In 1992, the Screaming Trees were expected to become the next big band to come out of the Seattle music scene during the heyday of grunge. Except it never happened. It wasn't because the band didn't have great songs—indeed, the Trees were revered for their ability to write a great song that was both artistically original and commercially viable, which is no easy task. Other Seattle bands like Nirvana, Pearl Jam, and Soundgarden were fans of the Screaming Trees, playing shows with them and collaborating on albums, long before their own bands broke through into the mainstream.

Blending wisdom from the past, practices of intentionality and community, and Whittaker's signature engaging communication style, Reconnected will inspire and equip you to reset your life in a tech-saturated world. It's time to take back control of your life from technology and recover the lost art of being human. You were made for more. This is how you start living again.