Art Crime

Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself. Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way. But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million.

In an exchange of favors with an art dealer colleague, Jonathan Argyll unluckily offers to transport a painting from Paris back to Rome. It seems routine work, and Jonathan gets to meet his girlfriend, Flavia, who works for Rome's Art Theft Squad. But when a would-be thief tries to take the painting at the train station, and the art dealer seems less interested in his purchase once he sees it, Jonathan wonders why, as events unfold, someone is willing to kill for it.

Goodbye, Guns N' Roses is a genre-rattling attempt to explain the appeal of America's most divisive rock band. While it includes uncharted history and the self-lacerating connoisseurship of a Guns N' Roses fetishist, it is not a recycled chronicle - this book is a deconstruction of myth, one that blends high and low art sketches to examine how Guns N' Roses impacted popular culture.

At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with Billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after thirteen days in a coma.

When reclusive millionaire artist Robert Indiana died in 2018, he left behind dark rumors and scandal, as well as an estate embroiled in lawsuits and facing accusations of fraud. Here is the true story of the artist’s final days, the aftermath, the deceptive world that surrounded him, and the inner workings of art as very big business.

Umiko Wada never set out to be a private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. But so it has turned out, thanks to the death of her former boss, Kazuto Kodaka, in mysterious circumstances. Keen to avoid a similar fate, Wada chooses the cases she takes very carefully. A businessman who wants her to track down his estranged son offers what appears to be a straightforward assignment. But she should have known that the simplest cases are never really simple at all. Soon she finds herself pulled into a labyrinthine conspiracy.

How did the son of a decorated policeman grow up to be one of Boston's most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a life, the memoir of America's most infamous art thief Myles Connor.

Six years ago, the "Fabulous Gustave" slipped the grasp of Agent Fleur van Beekhof, making off with a priceless artwork . . . and Fleur's beautifully ordered life. Suddenly the cool, pragmatic Europol detective lost her detective partner and wife, her rising career, and her control, thanks to the addictive lure of cards. When a new Italian art theft bears all the markings of Gustave's taunting style, Fleur is put back in the field, because no one knows him better. She jumps at the chance to correct the mistake that ruined her life. The hitch? She has to work with her fiery ex-wife.

In Seven Dirty Words, journalist and cultural critic James Sullivan tells the story of Alternative America from the 1950s to the present, from the singular vantage point of George Carlin, the Catholic boy for whom nothing was sacred.

The thrilling untold story of the trailblazing writer Janet Flanner, Paris correspondent for The New Yorker, who sounded the alarm about the rise of fascism in Europe while becoming enmeshed in the sensational case of a German serial killer stalking the streets of the French capital on the eve of WWII.

Criminal exploits, secret agent intrigue, and clever disguises fill the pages of Francois Eugene Vidocq’s memoirs. A legendary figure in history, Vidocq is known as the first detective and an inspiration to great writers such as Honore de Balzac, Victor Hugo and Edgar Allen Poe. As a player in the criminal underworld, Vidocq is a master of disguises and an accomplished thief, eventually turning his unlawful talents toward catching criminals as the first French chief of secret police.

Over the course of his 27 years with the DEA, Ed Follis bought eight-balls of cocaine in a red Corvette, negotiated multimillion-dollar deals onboard private King Airs, and developed covert relationships with men who were not only international drug traffickers but - in some cases - operatives for al-Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican federation of cartels. Follis was, in fact, one of the driving forces behind the agency's radical shift from a limited local focus to a global arena.

Jimmy Breslin: The Man Who Told the Truth is the first biography of the legendary writer, vividly portrayed by Richard Esposito, a former colleague of the Big Man. From Breslin's humble beginnings as a copy boy, to winning the 1986 Pulitzer Prize for Commentary, the writer's life was as fascinating as any of his subjects.

From the acclaimed biographer - the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?

For twenty years, the Taliban was the number one enemy of Western forces in Afghanistan. But it was an enemy that they knew little about, and about whose founder and leader, Mullah Omar, they knew even less.

Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee”, claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied....

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

What can you learn from a CIA spy who spent his career artfully manipulating regular people to steal high-value secrets? Plenty! In this explosive book, former intelligence officer Peter Warmka unveils detailed methodologies that he and other threat actors use to breach the security of their targets, whether they’re high-profile individuals or entire organizations.

Before turning to her life of crime - running a one-woman forgery business out of a phone booth in a Greenwich Village bar and even dodging the FBI - Lee Israel had a legitimate career as an author of biographies. But by 1990, almost broke and desperate to hang onto her Upper West Side studio, Lee made a bold and irreversible career change: inspired by a letter she’d received once from Katharine Hepburn, and armed with her considerable skills as a researcher and celebrity biographer, she began to forge letters in the voices of literary greats.

The memoir covers La Plante's entire life, from her youth growing up in Merseyside to studying at RADA alongside Anthony Hopkins and John Hurt. It explores "the exasperation [La Plante] felt at the limited roles available for female actors" - something that led to her writing "Widows" and "Prime Suspect" for television.