Art Crime

When their son Arthur mysteriously vanishes in the idyllic village of Kenwood, Emily and Derek are plunged into a heart-pounding race against time to uncover the truth behind his disappearance. As the facade of their once-perfect community crumbles, the couple must navigate a treacherous web of deceit and betrayal, testing the very meaning of family and trust. Discover the chilling secret that will leave you questioning everything you thought you knew about this seemingly peaceful village.

In the magical and historically rich city of Siena, Italy, old paintings are as common as cobblestones. But what if some of those paintings are forgeries? And what if your employers at Restauro Lorenzetti, a respected firm of art conservators, might be smuggling antiquities? After colleague and roommate Ernst Mann is found dead in the street below their apartment balcony, Flora Garibaldi suspects her bosses are crooks. The Italian police, after ruling Flora innocent of murder, persuade her to spy on her employers.

Spring is a magical time in England - bluebells massing along the woodland paths, primrose and wild thyme dotting the meadows. Antiques dealer Kate Hamilton is spending the month of May in the Suffolk village of Long Barston, enjoying precious time with Detective Inspector Tom Mallory. While attending the May Fair, the annual pageant based on a well-known Anglo-Saxon folktale, a body turns up in the middle of the festivities.

How do you catch a killer who thinks murder is art? Michael Fisher sees himself as an artist rather than a killer and poses his victims to resemble famous paintings. Detective Nick Kelly is called to attend the latest crime scene and finds himself at the centre of a media storm. But while the rest of the police department feels under pressure, Nick relishes the attention. Karen Kelly, Nick’s soon to be ex-wife, watches in horror as this brutal game of cat and mouse plays out. But Karen has secrets of her own.

Bishop Juan Gerardi, Guatemala's leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some 200,000 civilians.

A troubled Mary Ann Walker takes a nosedive off a bridge. Seattle's police department macho man John LaMoia takes the call, along with the beauteous cop psychologist Daphne Matthews. They suspect her boyfriend, known to beat Mary Ann. Her seething brother, Ferrell, is convinced the boyfriend did the deed. But the case somehow becomes too slippery to close.

Marion Spicer spends her days examining auction catalogues and searching for stolen works of art. All this changes when she inherits a prestigious collection of pre-Columbian art from a father she never knew; she must face the merciless microcosm of Paris art auctions and galleries, with its sharks, schemes, fences, traps, scams, and attacks. Her quest draws her into a world where people will kill for a love of beauty.

In her youth, amidst the throes of a reckless grief, aspiring Australian writer Marele Day is caught up in a shipwreck adventure and forges an unlikely bond with an international fugitive travelling under a pseudonym. For the next 30 years they correspond before reuniting, both older and wiser, in France.

When Jonathan Argyll is arrested for breaking into an obscure church in Rome, he claims that it contains a long-lost Raphael hidden under a painting by Mantini. The painting disappears - then reappears in the hands of the top British art dealer, Edward Byrnes. How has Byrnes found out about the hidden masterpiece, and whom is he acting for? There is also the curious matter of the safe deposit box full of sketches closely resembling features of the newly discovered painting.

“A powerful memoir of one man’s struggle for freedom, 15 to Life tells in vivid prose the story of Anthony Papa, a painter and a casualty of the War on Drugs. This journey of a soul shows the power of art to transcend the violence of prison, and all that is possible when the human spirit refuses to be contained. Papa’s account should be required reading for New York lawmakers and all Americans who care about civil liberties.” (Sister Helen Prejean, author of Dead Man Walking)

Art is being systematically stolen from the collection on the most luxurious cruise ship at sea. The collective value is way beyond the sum people kill for. CSCI is approached to work invisibly because unlike INTERPOL or any other international crime unit, art police, valuers, insurance investigators, or experts, they are unknown to the thieves. They must remain unseen or the crime will stop, the thieves will vanish and the art lost for good.

Taking on a case that sounded simple, Morgan Stark and Felicity O’Brien are tasked to retrieve two high-value paintings, but it quickly becomes more complicated. Using past connections, the ex-mercenary and the former jewel thief go undercover as part of J.J. Slash's growing crime empire.

Following his recovery from a personal and professional trauma, DCI Cyril Bennett returns to discover a complex case involving the art world. Soon, he unearths a dark side of the industry where greed and dubious practices thrive and, where there is money to be made, violence and murder abound. Working their way through a maze of galleries, museums and the Internet, can Bennett’s team differentiate between real and fake?

Izzy Stone, a top Secret Service agent, is in charge of a presidential visit to Paris. Without warning, a powerful French magistrate charges the US President with war crimes and crimes against humanity after an American counterterrorist strike goes awry. Now Izzy finds herself in a bloody, desperate race to save POTUS from certain death. A lethal cat and mouse chase unfolds across the City of Lights as Izzy uses her knowledge of Paris' ancient catacombs, a buried chateau fort, and the great Louvre to elude their pursuers.

Mann is only 13, yet he has already had to deal with more than most go through in a lifetime. His family is still reeling from the tragic shooting death of his little brother, Jason, each person coping with grief in his or her own way.

Steadfast in fighting crime, but operating outside the police force - and sometimes even the law - is the private detective. Driven by his own moral code, he is a shadowy figure in a trench coat standing on a street corner, his face most likely obscured by a tilted fedora, a lit cigarette dangling from his hand. The hard-boiled detective is known by his dark past, private pain, and powers of deduction. He only asks questions - never answers them. In his stories he is both the main character and the narrator.

Madame Katerina, Detective 'Nine Nails' McGray's most trusted clairvoyant, hosts a séance for three of Edinburgh's wealthiest families.The following morning everyone is found dead, with Madame Katerina being the only survivor. When questioned she alleges a tormented spirit killed the families for revenge. McGray, even though he believes her, must find a rational explanation that holds up in court, else Katerina will be sentenced to death.

During his decades-long crime coverage in Central Florida, journalist Frank Stanfield covered every atrocity that man or nature could unleash. Vampires, Gators, and Wackos: A Florida Newspaperman’s Life recounts some of the frequently craven, and at times downright stupid, crimes Stanfield covered during his time in the field. He somehow made it through without winding up more mental than the crackpots he tracked. However, his unvarnished, no-holds-barred account of news events reveals just how crazy-making a case can be when you are dead set on nailing the truth.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

No sneaking out. No going into Boston alone. Moxie Fleece knows the rules and follows them - that is, until the day she opens her front door to a mysterious stranger. Suddenly, Moxie drops smack into Boston’s biggest unsolved mystery: the Gardner Museum art heist. Moxie has two weeks to find the art, otherwise she - and the people she loves - will be in big-time danger. Her tools? Her best friend, Ollie, a geocaching addict who loves to find stuff; her Alzheimer’s suffering grandfather, Grumps, who knows lots more than he lets on; and a geometry proof that she sets up to sort out the clues.