Art Design

Success in the field of graphic design, especially as a sole proprietor or hobby-based graphic designer, can be tricky. It requires a set of talents that - oftentimes - creative persons do not have naturally. Therefore, the designer who is looking for success in her or his own terms must invest in learning these skills and adapt their way of thinking to something more linear.

We all get dressed. But how often do we pause to think about the place of clothes in our world? What unconscious thoughts do we express when we dress every day? Can a philosophy of living be wrapped up in a winter coat? Can we see a handbag not just as an object, but as an idea? Dressed is the thinking person’s book about clothes. Ranging freely from suits to shoes, from Marx’s coat to Madame X’s gown, philosopher Shahidha Bari unveils the hidden power of what we wear, addressing the deepest questions of who we are and how we choose to face the world.

The Nature of Fashion is an epic sweep through history, revealing how plants have been used to make and dye our clothes. Textiles have transformed the human world–and the natural world. Now we need to re-root clothes-making in plants, rather than plastic, to find a new material future. Fashion is at a turning point–to look forward, we need to look back.

Finally, we are learning that simplicity equals sanity. We’re rebelling against technology that’s too complicated, DVD players with too many menus, and software accompanied by 75-megabyte “read me” manuals. The iPod’s clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that’s simple and easy to use, but also does all the complex things we might ever want it to do.

How do you navigate a career as an entertainment designer while maintaining a sense of self-worth and value in the various off-ramps and sidestreets you may choose to take on the journey? The Art of Scenic Design provides an in-depth look at the scenic design process for young designers as well as creative entrepreneurs seeking to nurture a collaborative environment that leads to rediscovery and innovation in their work.

We are living through a global catastrophe. Buildings affect how we feel, moment by moment, day by day. They have the power to lift us up and make us feel awestruck, playful, safe, and inspired, just as they can make us feel alienated and sad. But many of the places where we live, work, learn, and heal have become monotonous and disposable. We’re surrounded by cheap, boring buildings that make people stressed, sick, and unhappy. In short, much of our world has been crafted in a way that is hostile to human experience.

Joining the bestsellers Longitude and Galileo’s Daughter, a lively and intriguing tale of two artists whose competitive spirit brought to life one of the world’s most magnificent structures and ignited the Renaissance The dome of the Santa Maria del Fiore, the great cathedral of Florence, is...

He's been called "America's greatest living tailor" and "the most interesting man in the world." Now, for the first time, Holocaust survivor Martin Greenfield tells his whole, incredible life story. Taken from his Czechoslovakian home at age 15 and transported to the Nazi concentration camp at Auschwitz with his family, Greenfield came face-to-face with "Angel of Death" Dr. Joseph Mengele and was divided forever from his parents, sisters, and baby brother. In haunting, powerful prose, Greenfield remembers his desperation and fear as a teenager alone in the death camp.

McQueen had risen from humble beginnings as the youngest child of an East London taxi driver to scale the heights of fame, fortune and glamour. He designed clothes for the world's most beautiful women, including Kate Moss and Naomi Campbell. In business he created a multimillion-pound luxury brand that became a favourite with both celebrities and royalty, most famously the Duchess of Cambridge, who wore a McQueen dress on her wedding day. But behind the confident facade and bad-boy image lay a sensitive soul who struggled to survive in the ruthless world of fashion.

Cosmopolitan.com editor Amy Odell takes listeners behind the stage of New York's hottest fashion shows to meet the world's most influential models, designers, celebrities, editors, and photographers. But first, she has to push her way through the crowds outside, where we see the lengths people go to be noticed by the lurking paparazzi, and weave her way through the packed venue, from the very back row to the front.

So much passes us by unnoticed. We multitask, switch between screens, work faster. When was the last time you paused to consider a beautifully made object or stunning natural landscape? Yet this is when our spirits lift and our soul is restored. Designer Alan Moore invites us to rethink not only what we produce - whether it's a website, a handmade chair, or a business - but how and why.

In this candid memoir, featuring a foreword by Barbra Streisand, renowned designer Donna Karan shares intimate details about her lonely childhood, her four-plus decades in the fashion industry, her two marriages, motherhood, and her ongoing quest for self-acceptance and spiritual peace.

Für Michelle Obama war ihr Kleidungsstil stets ein Mittel, um ihre Botschaft auszudrücken. Ein spannender Blick hinter die Kulissen zeigt, wie Michelle Obamas unverwechselbarer Stil und ihre ikonischen Mode-Looks entstanden. Ihre persönlichen Gedanken darüber, wie wir uns selbst mit Mode ausdrücken und präsentieren, werden ergänzt durch Beiträge von Obamas langjähriger Stylistin Meredith Koop sowie ihrem Visagisten Carl Ray, den Hairstylistinnen Yene Damtew und Njeri Radway und vielen der Designerinnen und Designer, die Michelle Obama für stilvolle Auftritte einkleideten.

Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

Little black dresses. Fake pearls. Jersey knit. Blazers. Ballet flats. Today - and for nearly the last hundred years - we all see some version of Gabrielle "Coco" Chanel every time we pass a woman on the street. But few among us realize that Chanel’s role in the events of the twentieth century was as pervasive as her influence on fashion, or how deeply she absorbed and then brilliantly reimagined the historical currents around her.

Madame Grès : qui se cache derrière la célèbre créatrice au turban, icône de la mode pendant plus d'un demi-siècle ? Mondialement reconnue pour ses drapés antiques, elle pare Marlène Dietrich, Barbra Streisand ou Silvana Mangano de robes somptueuses, et s'entoure d'artistes comme Jean Cocteau ou Tamara de Lempicka. Ses clientes et amies comptent parmi les femmes au coeur du pouvoir : Jackie Kennedy, Liliane Bettencourt, Marella Agnelli, la princesse Grace de Monaco... Travailleuse passionnée, le "sphinx" dirige avec panache la Maison Grès, 1 rue de la Paix, qu'elle a créée en 1934.

NAMED A MOST ANTICIPATED BOOK BY: Time, USA Today, People, AARP, Today.com, BookRiot, Bustle, LitHub, BookPage, Our Culture, and Vulture A surprising and beautiful meditation on the color blue—and its fascinating role in Black history and culture—from National Book Award winner Imani Perry...

With $1,500 and no business experience, Mel and Patricia Ziegler turned a wild idea into a company that would become the international retail colossus Banana Republic. Reimagining military surplus as safari and expedition wear, the former journalist and artist created a world that captured the zeitgeist for a generation and spoke to the creativity, adventure, and independence in everyone.

When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: 21 layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex" - a victory of elegant softness over engineered hardness, of adaptation over cybernetics.

Many designers struggle with creating profitability in their design businesses. This is because they do not have the tools to build a creative business that thrives financially.