Art History Crimes

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

Thanks to one reporter's skill, we can fix the exact moment on November 22, 1963 when the world stopped and held its breath: At 12:34 p.m. Central Time, UPI White House reporter Merriman Smith broke the news that shots had been fired at President Kennedy's motorcade. Most people think Walter Cronkite was the first to tell America about the assassination. But when Cronkite broke the news on TV, he read from one of Smith's dispatches.

When 28-year-old San Francisco Daily Morning Call reporter Mark Twain met Tom Sawyer at a local bathhouse in 1863, he was seeking a subject for his first novel. As Twain steamed, played cards, and drank beer with Sawyer (a volunteer firefighter, customs inspector, and local hero responsible for having saved 90 lives at sea), he had second thoughts about Shirley Tempest, his proposed book about a local girl firefighter, and began to envision a novel of wider scope.

Unlock the enigmatic world where beauty meets betrayal, where passion for art conceals a sinister underbelly. In this captivating exposé, J.K. Artson unveils the hidden stories that have plagued the art world for centuries. Prepare to be enthralled as you embark on a journey through the shadows of art, crime, and corruption. Discover the rise of illicit acts that threaten our cultural heritage, leaving a trail of stolen masterpieces and shattered legacies in their wake.

Steadfast in fighting crime, but operating outside the police force - and sometimes even the law - is the private detective. Driven by his own moral code, he is a shadowy figure in a trench coat standing on a street corner, his face most likely obscured by a tilted fedora, a lit cigarette dangling from his hand. The hard-boiled detective is known by his dark past, private pain, and powers of deduction. He only asks questions - never answers them. In his stories he is both the main character and the narrator.

In Who Stole Mona Lisa?, author Ruthie Knapp crafts a fascinating look at the disappearance of Leonardo da Vinci’s Mona Lisa from the Louvre in 1911—retold from the point of view of the painting. Mona Lisa gets millions of visitors from all over the world. But one night, she hears footsteps, and before she knows it, she’s ripped right off the wall of the Louvre! Who would do such a thing?

Au cours de la Seconde Guerre mondiale, le système Double Cross (en anglais Double Cross System ou XX System, double cross signifiant tromper) était un dispositif de contre-espionnage organisé par le MI5, le service de renseignements britannique actif sur le territoire du Royaume-Uni, qui eut pour finalité la désinformation des services secrets allemands. Des agents nazis ont été capturés et retournés puis utilisés par les Britanniques principalement pour diffuser de fausses informations à leurs officiers-traitants allemands.