Art History Photography

En cierto sentido, la historia no es lo que ocurrió, sino lo que creemos que ocurrió. En este sentido, el cine y la fotografía nos han “enseñado” más historia que los libros de la SEP. En esta obra, el historiador Ricardo Pérez Montfort ofrece una serie de ensayos sobre este fenómeno.

Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Three photographers set out to document life at Manzanar, an incarceration camp in the California desert: Dorothea Lange, Toyo Miyatake, and Ansel Adams. Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.

From award-winning journalist and children’s book author Mary Cronk Farrell comes the inspiring and fascinating story of the woman who gave a human face to the Vietnam War. Close-Up on War tells the story of French-born Catherine Leroy, one of the war’s few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Although she had no formal photographic training and had never before traveled more than a few hundred miles from Paris, Leroy left home at age 21 to travel to Vietnam and document the faces of war.

This is a true story about Frances, age 9, who saw fairies by the waterfall behind her house. Nobody but Frances saw them, but when she told her cousin Elsie and their parents, the adults teased them. Why not take a photograph? Elsie (who was fifteen) had the idea. She would paint paper fairies and take their picture with Frances, and none would be the wiser. The girls never meant to fool the world. Who could have imagined that Elsie’s photograph would fall into the hands of Sir Arthur Conan Doyle, creator of the world’s most famous detective, Sherlock Holmes?

In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians' mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer's day.