Art Horror

Set between Moscow, Russia and St Andrews, Scotland, it tackles the metaphysics of golf, the mindset of the classic Russian novels and the power of art and music to rewrite reality, as Aneliya comes into contact with an angelic presence named Xstabeth who simultaneously fulfils and disappears both her father and her lover. Written in a tender, mythical key, it is a love letter to the books of Chandler, Nabokov and Dostoevsky and also a musical text, with chord progressions appearing at key points in the action, so that the audiobook may be sung, played or otherwise accompanied.

It's the end of the 19th century. San Francisco's cobblestone streets are haunted, but Chinatown has an unlikely protector in a young Daoist priestess named Li-lin. Using only her martial arts training, spiritual magic, a sword made from peachwood, and the walking, talking spirit of a human eye, Li-lin stands alone to defend her immigrant community from supernatural threats. But when the body of a young girl is brought to the deadhouse Li-lin oversees for a local group of gangsters, she faces her most bewildering - and potentially dangerous - assignment yet.

Death deals no mercy to one man who rises in a SoHo alleyway to find his lover dead and his own body ghastly transformed. Straining to overcome his murderous instincts through Zen meditation and blood deprivation, he is reclaimed by The Ministry, an underground society waging war against the undead. Time and time again his will to resist is tested by the killers who demand his allegiance and the Zen masters who will burn him down at his first missed step. He strives to walk a tightrope between the living and the dead...to master himself, his hunger, and the way of the wooden stake.

With a voice as persuasive as it is insightful, Columbia University’s Dr. Eleanor Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

Haunted by nightmares, Charlie begins seeing shadows lurking all around him. Are they real or just his imagination? Then suddenly, one by one, the students are attacked. As the finger beings to point to Charlie, he must act fast to prove his innocence. Together with his trusted friends, Howard, Gus, and Rick, they set out to find "the shadows in the dark". Charlie MacCready: Shadows in the Dark is the second book in the Charlie MacCready series.

What makes Horror literature horrifying? What primordial fears resonate within (and attract us to) stories of the macabre? In this insightful volume, W.J. Renehan explores the complex interrelated traditions of Horror fiction, and the human psychology that fuels them. In the course of his analysis, Renehan puts everything from the ancient vampire legends to Lovecraft's cosmic Horror of the unknown into compelling cultural context.

Sixteen-year-old Bette loves watching horror movies, seeing local bands play, and hanging out with her best friend Rose. Jay, a student at Bette and Rose's school, has done his best to build a new life for himself after the devastating events of his childhood. When Bette and Jay's lives crash headlong into the alluring, lethal underworld of the city's vampires, they're not afraid, but rather fascinated: could this subculture of hunters and predators, villains and heroes, finally be somewhere that they fit in? And if it's not, can they get out alive?

Four works in one collection: The Call of Cthulhu, The Shadow Over Innsmouth, and At the Mountains of Madness by H.P. Lovecraft. Also The Life of Lovecraft: An Original Biography by CSA Publishing. Howard Lovecraft, well-known for his style of weird fiction and horror stories, is attributed as the creator of the Cthulhu Mythos and one of the most significant authors of supernatural horror fiction of the 20th-century.

The town lies at the province edge in a wild and empty land, and 12-year-old Erik Christian's house sits on the edge of an uncharted forest that's said to be haunted. For years, he's wondered what could be out there, but one night he sees something that tempts him to explore further than he should, where he risks losing more than just his way. Twelve-year-old Kristina Glynnis is excited to take a trip with her family to a baron's house in the north, to a part of the province that's still largely unknown.

Deep in the North American forests lurks an animal spirit known as the Grishla. The Grishla is so ancient it pre-dates the human race by several million years, and it is so powerful and reclusive only very insightful witches know of its existence. Five hundred years ago, the Dwanake tribe possessed such witches. Drunk on their own power and arrogance, these witches attempted to enslave the Grishla. Enraged, the creature began hunting and killing the Dwanake.

Tom Sutherland, a young doctor, goes to London where he becomes involved with the mysterious Dr. Nordhagen and his seductive assistant, Lina Ravachol. Obsessed, he follows Lina deeper into dark fantasies and forbidden pleasures. But fantasy turns to nightmare when Tom discovers Nordhagen's basement laboratory. A secret chamber where cruelty, desire, and madness combine to form the ultimate terror.

Through three different timelines, this paranormal historical novel weaves a story of Galveston’s past, underscoring its danger and isolation, as well as its remarkable resilience, its capacity for both nostalgia and reinvention. Full of contradictions, at once insular and open to the world, magical but stifling, stuck in the past yet determined to overcome, Galveston Island is as much a character of the novel as Suzanne, Betty, Katie, their lovers, and their confidantes.

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He draws her close, envelops her as if with wings. She does not resist him or the kisses over her face when he tilts her chin up; she lets him, exposing the flesh of her throat. When she goes home that day she will wear the marks of the devil, the clinging smell of oil, the bruising of her neck.

For 13 years, Gracen Sullivan dreamed about a red-eyed demon named Hart Blackwell who tortured her every night. Her mother freaked when she found out about her daughter's "hallucinations" and forced Gracen to go to the doctor, who prescribed some very powerful medication, which kept Hart out of her head for five years. A week ago, Hart came back and brought a friend. But something has changed, and Gracen is seeing Hart when she's awake too. And the other "friends" in her dreams? They're dead.

Aisi Turay has it all under control. At least, she thinks she does. Forget that the most popular girl in school hates her guts and will stop at nothing to embarrass her. Forget that her little brother is tormented by the ghosts and demons she sees all the time. Forget that her mom is a con artist who pretends to be psychic to make some cash. Forget that her dad is hiding a secret than can destroy everything she knows about herself. Nope, she's got this one…until that one awful day when she nearly loses it all.

Most people who experience death don't live to tell about it. When sixteen year old Arcadia "Cady" Day wakes in a hospital after experiencing what can only be called a psychic episode, she finds her family in tatters. With her twin sister gone, her dad moved out, her mom's spiraling depression and her sister's boyfriend, Cane, barely able to look at her, the only bright spot in her life is Bryan Sullivan, the new guy in school.

Manny O'Donnell revels in his status at the top of his high school food chain. He and his friends party in the mountains on a blustery night, sharing liquor and lame ghost stories around a campfire. The next morning, as a wild fire rages in those same mountains, Manny experiences doubt. He was the last of the drunken crew to leave the cave, and he's uncertain if he extinguished the flames. Within hours, he becomes the number one arson suspect.

It's just another long, hot summer - until Derek Cliver and his friends join an exciting new mail-order club. The Terror Club allows Derek and his friends to create their own monsters. And it gives them the opportunity to "dispose" of those they despise most. But the game turns terrifyingly real when the monsters they create come to life - and actually murder their rivals. Now, as the body count rises, Derek and his friends must somehow undo what they've done ... before they become the next victims!