Art Museum

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

A review of the Mary Quant exhibition at the Victoria and Albert Museum London. The audiobook looks at the beginnings of the designer's practice, launched with the Kings Road boutique Bazaar in the 1950s; progressing to Quant's mini skirts and trouser suits in the 1960s, and development of a cosmetic range in the 1970s. Includes quotations from associates and biographical data.

Over one night, alone in the Punta della Dogana Museum in Venice, Leïla Slimani grapples with the self as it is revealed in solitude. In a place of old and new, she confronts her past and her present, through her life as a Moroccan woman, as a writer, and as a daughter. Surrounded by art, she explores what it means to behold and clasp beauty; enveloped by night, she confronts the meaning of life and death.

Cv/VAR 66 interviews Dr. Michael Ryan of the National Museum Dublin recorded at the opening of the exhibition The Work of Angels at the British Museum in 1989. He describes pieces found at Derrynaflan dating from the eighth century including an ecclesiastical paten, jewelry, accessories, and domestic artifacts. It carries a detailed account of Celtic and Pictish craftsmanship and iconography.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

Glimmer Globe Theatre is thrilled to present Charles Dickens’ A Christmas Carol: A Full-Cast Audiobook to mark our eighth annual production of this classic tale! This new audiobook production features the voices of 30 regional and local performers (including many Glimmer Globe veterans and newcomers) bringing to life every one of Dickens' characters as they appear in the original text. The production also features music by Rob Montecalvo and B.J. Baker, as well as sound effects, and perhaps some surprises along the way!

A never-before-published Dr. Seuss work about creating and looking at art! Based on a manuscript and sketches discovered in 2013, this audiobook is like a visit to a museum - with a horse as your guide! Explore how different artists - including Picasso, George Stubbs, Rosa Bonheur, Alexander Calder, Jacob Lawrence, Deborah Butterfield, Franz Marc, Jackson Pollock - have seen horses and maybe even find a new way of looking at them yourself.

The British Museum devoted itself to acquiring historical artifacts that showcased the influence and prestige of the British Empire, as well as the facilities in which to house them, surviving wars, financial challenges, controversies, and political pressures. In the process, it became one of the British Empire’s greatest cultural jewels, and to this day, it holds the distinctions of being the world’s first national public museum and the most venerated museum of its kind in Britain.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.

Forgotten Empire, the new exhibition in London devoted to the great realm that Alexander the Great destroyed, is an openly political occasion, designed to stress links in the present as well as to revive interest in a part of the past that has more or less sunk into oblivion. It stresses the fact that, despite the tensions that now exist between the Islamic Republic of Iran and Western Europe, a degree of cultural cooperation is still possible.

"Citizens and Kings", the new blockbuster show at the Royal Academy in London, contains an almost overwhelming number of celebrated paintings and sculptures, even if one or two of them, such as Jacques-Louis David’s Marat Assassiné, turn out to be studio versions rather than the real thing. The show aims to trace the shift in attitudes towards the human personality that was set in motion by the American and French Revolutions and the wars associated with these great political and social upheavals.

The term avant-garde continues to be used, in my opinion with far too much frequency, in discussions of contemporary art. It derives, of course, from military terminology, and implies that the art to which it is applied is somehow ahead of the game. It’s worth taking a look at how this assumption works in practice. Essentially, Western and now world art has witnessed the emergence of a series of avant-gardes since just before the third quarter of the 19th century.