Art Research

This study explores the work of celebrated artist Tracey Emin, exhibited at Turner Contemporary in Margate Kent. It reviews the figurative studies and neon calligraphic scultpures.

Everyone has a story, and helping people tell their stories has been Nancy Slonim Aronie’s life mission. Building on her acclaimed Memoir as Medicine, this new guide tackles the short personal essay. With warmth and humor, Nancy provides prompts, inspiration, and hard-won wisdom to empower you to write an unforgettable narrative. You’ll learn to begin with an irresistible hook (“kill ’em with the first line”) and employ compelling direct quotes, drama, vulnerability, universal themes, and self-reflection to get readers into your corner.

Are you ready to raise your writing game? Discover advanced creative writing techniques to take your fiction, drama, and poetry to a new level! Dramatic techniques are all about bold, clear, high-impact writing. Once you discover the craft concepts used by screen and stage writers to bring stories to life, you’ll never look back. This practical guide to dramatic concepts will give you confidence in structure, plotting and character, and may even blow your mind. At the very least, you’ll kick yourself for not discovering them sooner.

Ernest Hemingway, Zadie Smith, Joan Didion, Franz Kafka, David Foster Wallace, and more. In Process, acclaimed journalist Sarah Stodola examines the creative methods of literature's most transformative figures. Each chapter contains a mini biography of one of the world's most lauded authors, focused solely on his or her writing process.

Previously published as A Private War, Marie Brenner’s Richard Jewell tells a gripping true story of heroism and injustice. In the early morning hours of July 27, 1996, three pipe bombs exploded at the Summer Olympics in Atlanta, Georgia, killing one person and injuring 111 others. Hundreds more potential casualties were prevented by the vigilance and quick actions of security guard Richard Jewell, who uncovered the bombs and began evacuating the area. But no good deed goes unpunished. Investigators and journalists pursued Jewell as a potential suspect.

Over her four decades of working in newsrooms big and small, Margaret Sullivan has become a trusted champion and critic of the American news media. In this bracing memoir, Sullivan traces her life in journalism and how trust in the mainstream press has steadily eroded.

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.

Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job.

Cv/VAR no.103 publishes an interview recorded 2010 with American artist John Dugger (b.California 1948) in which he gives an account of his art and development. He recounts 1960s America and arriving in London 1967: pioneering The Exploding Galaxy with David Medalla; 1970-2, their travels in the Philippines, Sri Lanka, India, then the China Journey of 1972 into Mao's Republic. The monograph documents the artists work for Banner Arts and other projects to date.

You deserve getting what you want only if you know how to ask for it rightly. Master the art of dealing with people effectively, learn how to get what you want every time without giving in, and create a life of abundance and joy. Negotiation is not something that is only for selected few or endowed on some gifted people. Anyone can learn and master this crucial skill to get what they want in life personally or professionally. The Art of Negotiation is written to help listeners understand and master the most common strategies used by successful negotiators.

Would you like to write a non-fiction book that readers love? There's an art and science to writing a non-fiction book that excites your readers and which earns you money. My name is Bryan Collins, I'm an author from Ireland, and I've published a number of popular non-fiction books. In this detailed, yet practical writing book, I explain all you need to know about writing your non-fiction book, step-by-step.

Feeling stifled by "shoulds" and yearning to find your authentic voice? Uncork your creativity with Brenda Ueland's timeless classic, "If You Want to Write." Originally published in 1938, this inspiring guide is more than just craft tips; it's a passionate manifesto for artistic independence. Ueland, a mentor to writers like Anaïs Nin and Flannery O'Connor, believes everyone has a unique story to tell and urges you to silence self-doubt and embrace the inherent joy of writing.

The Art of Manipulation offers you a framework to master powerful and practical ways to influence and control people’s behavior, negotiate better, make your pitch, and manipulate others to get what you want. The Art of Manipulation will reshape the way you think about influencing people and getting what you want. You will get tools and effective strategies - not mere theories, but real practical strategies and how-to’s to start transforming your thinking and behavior, influencing people, and thus, get desired results faster.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

Reviews events in the London Festival of the Cultural Olympiad. Writer Alexandra James visits a variety of exhibitions, music, and performances, staged through July 2012, witnessing a range of creative voices drawn from the international arena.

An essay by Edward Lucie-Smith considers the Andy Warhol exhibition re-opening at Tate Modern on July 27. He puts forward a provocative view of the relevance of the art in an time of turbulent disruption. When the Warhol show returns to Tate Modern on July 27, almost the first thing you’ll meet if you go to see it will be a large painting, on two paired canvases, entitled Marilyn Diptych. It features repeated images the film star Marilyn Monroe.

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

The monograph publishes a study of Rembrandt van Rijn and JMW Turner at the National Gallery and Tate Britain in exhibitions of their later works.

A study of Giacometti portraits at the National Portrait Gallery London and Frank Auerbach at Tate Britain.

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.