Art Study

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

Frank Peretti is the ever-witty character Mr. Henry, telling some of the most popular and beloved stories from the Bible in his own unique style. Combining imaginative storytelling and absolute truth, Salvation follows Jesus through his last days on Earth, from his triumphal entry into Jerusalem and his stand before Pilate to Peter's denial and Jesus' appearance with Mary and the Disciples after the resurrection.

In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize - "literature" or "theatre"; "editorial" or "morality" - and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: Someone is standing in front of a group of people, talking to them directly, and trying to make them laugh.

This book includes the teaching of all seven Bible Studies for Belts volumes in one comprehensive training manual for the student or instructor to take with them and use. If you are a member of the American Christian Defense Alliance Martial Arts Ministry, you may want to purchase this one book instead of the individual Bible studies to save you money. This one book has everything you need to learn and grown into a strong Christian warrior.

Carol Berry and her husband met and befriended Henri Nouwen when she sat in his course on compassion at Yale Divinity School in the 1970s. At the request of Henri Nouwen's literary estate, she has written this book, which includes unpublished material recorded from Nouwen's lectures. As an art educator, Berry is uniquely situated to develop Nouwen's work on Vincent van Gogh and to add her own research. She fills in background on the much misunderstood spiritual context of van Gogh's work, and reinterprets van Gogh's art in light of Nouwen's lectures.

Lu Anne Henderson was a beautiful 15-year-old girl in Denver in 1945 when she met Neal Cassady, a fast-talking hurricane of male sexuality and vast promises. The two married, and soon they were hanging out with a group of young would-be writers, including Jack Kerouac and Allen Ginsberg. But Neal and Jack initially didn’t like each other very much.

Patricia Highsmith, author of classics such as The Talented Mr. Ripley and Strangers on a Train, was a lesbian and a writer who defied simple categorization. Marijane Meaker is the author of more than 40 books. Meaker and Highsmith met in New York City, became lovers, and embarked on a romance amidst the bohemian set of Greenwich Village and the literary crowd of Fire Island. Written with wit and brassy candor, this is a revealing look at a controversial icon of popular American fiction.

A new book in the religion/spirituality market informs listeners about the most enormous and longest competition the world has ever seen: the Christian Olympics, otherwise known as the "Christian race" that the Apostle Paul wrote about nearly 2,000 years ago.

Suzanne Brøgger, der er en vigtig stemme i køns- og samfundsdebatten, har aldrig været bange for at ændre mening, fordi hun er blevet klogere. Her går hun i dialog med sine gamle bøger og opdaterer, nuancerer og diskuterer de emner, der altid har optaget hende, fx privatlivet, kernefamilien og parforholdet, voldtægt, skyld og skam, datter-, mor- og kvinderolle. Alt kommer til udtryk i Brøggers veloplagte og provokerende stil.

Isabel Allendes leidenschaftliche und inspirierende Betrachtung darüber, was es bedeutet, eine Frau zu sein. Was treibt die Seele einer Feministin - und jeder Frau - heutzutage an? "Ich übertreibe nicht, wenn ich sage, dass ich schon als Kind Feministin war." Als junges Mädchen ist Allende kämpferisch, fest entschlossen, ein anderes Leben zu führen als ihre Mutter - unabhängig und selbständig, nicht auf die Hilfe ihres Mannes angewiesen. Als junge Frau schließt sie sich einer Gruppe von gleichgesinnten Journalistinnen an und schreibt mit Leidenschaft über Frauenthemen.

The word avant-garde, so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them. Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use.

From the earliest times, human beings have found it difficult to represent their own bodies in a straightforward way. The rare painted images of humans in Paleolithic art are much less naturalistic than the images of animals created at the same epoch. At the dawn of art, representations of the nude body were simply vehicles for statement about the need for fertility if the human race was to survive successfully.

Growing up in rural Arkansas, young Rashod Ollison turned to music to make sense of his life. The dysfunction, sadness, and steely resilience of his family and neighbors was reflected in the R&B songs that played on 45s in smoky rooms. Steeped in the sounds, the smells, and the salty language of rural Arkansas in the 1980s, Soul Serenade is the memoir of a pop music critic whose love for soul music was fostered by his father, Raymond.

For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains, and damsels in distress. Her relentless independence across comic books, television, and film set her apart from the rest of the superhero world. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. But her unique path had its downsides as well.

Beyond Bombshells analyzes the cultural importance of strong women in a variety of current media forms. Action heroines are now more popular in movies, comic books, television, and literature than they have ever been. Their spectacular presence represents shifting ideas about female agency, power, and sexuality. This book explores how action heroines reveal and reconfigure perceptions about how and why women are capable of physically dominating roles in modern fiction.

If you have ever felt like a misfit in school or been paralyzed by your family’s imposing expectations, if you have ever obsessed about your appearance or panicked about choosing a career path, if you have ever wondered if every single thing to which your body is exposed, from egg yolks to X-rays, might harm you, then you may be surprised to find a kindred spirit in The Man in the Gray Flannel Skirt.

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

Eric Klinenberg's Fighting for Air takes us into the world of preprogrammed radio shows, empty television news stations, and copycat newspapers to show how corporate ownership and control of local media has remade American political and cultural life. Klinenberg argues that the demise of truly local media stems from the federal government's malign neglect.

Based on the belief that there's more to women's lives than just getting a date, Gilman's stories tell of struggling to get a life and a clue, and engaging in some spectacularly demented behavior along the way. At turns heartbreaking, insightful, and screamingly funny, it uniquely chronicles a generation and heralds a talented writer of note.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.