Author Memoirs

Each working day from January 29 to November 1, 1951, John Steinbeck warmed up to the work of writing East of Eden with a letter to the late Pascal Covici, his friend and editor at The Viking Press. It was his way, he said, of "getting my mental arm in shape to pitch a good game". Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.

Lorsque Colette, âgée de soixante-quinze ans, commence d’écrire Le fanal bleu, qu’elle projetait d’abord comme un journal, il n’est plus question pour elle de courir. Marcher, bouger même lui est douloureux et de plus en plus difficile. Immobilisée, elle ne quitte plus guère son logement du Palais-Royal ni son "radeau travail" comme elle nomme son lit. Le monde immédiat, elle l’observe nuit et jour de sa fenêtre.

At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue. "I’ve always loved Orwell," Funder writes, "his self-deprecating humor, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation.

In this intimate dual memoir, she and her daughter, Ann, offer distinct perspectives as a 50-something and a 20-something, each on a quest to redefine herself and to rediscover each other. Between 1998 and 2000, Sue and Ann travel throughout Greece and France. Sue, coming to grips with aging, caught in a creative vacuum, longing to reconnect with her grown daughter, struggles to enlarge a vision of swarming bees into a novel.

In the 1930s, Jill Ker's parents bought a sheep farm on the western plains of New South Wales. In 1944, they lost nearly everything when a drought hit. Forced to leave Coorain, 11-year-old Jill and her mother settled in Sydney where Jill struggled to find a place for herself among Sydney's elite. Her story, both a chronicle of life in the Australian outback and the odyssey of a brilliant woman fighting the constraints of her time, offers a loving view of Australia.

From the best-selling author of The Professor and the Madman, The Map That Changed the World, and Krakatoa comes a truly wonderful celebration of the English language and of its unrivaled treasure house, the Oxford English Dictionary.

"Bird Cloud” is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and 400-foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope

Natalie Goldberg has been writing for the past fifty years. But at the beginning of the pandemic, she suddenly wasn’t able to write anymore. Her imaginative wellspring had dried up, and she was forced to ask herself: what do I do when what has always worked for me doesn’t work anymore? In this beautifully written, inspiring personal account, Natalie shares her harrowing journey out of creative paralysis and back onto the page.

When Sharon Butala's husband, Peter, died unexpectedly, she found herself with no place to call home. Torn by grief and loss, she fled the ranchlands of southwest Saskatchewan and moved to the city, leaving almost everything behind. A lifetime of possessions was reduced to a few boxes of books, clothes, and keepsakes. But a lifetime of experience went with her, and a limitless well of memory - of personal failures, of a marriage that everybody said would not last but did, of the unbreakable bonds of family.

Las memorias de Gabriel García Márquez: un recorrido por los días de su infancia y juventud en los que se fundó el imaginario que se reflejaría después en sus obras. Vivir para contarla es, probablemente, el libro más esperado de la primera década del siglo, compendio y recreación de un tiempo crucial en la vida de Gabriel García Márquez.

What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of 55, Meghan O'Rourke found that nothing had prepared her for the intensity of her sorrow. In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief - an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond.

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

Beginning with Nin's arrival in New York, this volume is filled with the stories of her analytical patients. There is a shift in emphasis also, as Nin becomes aware of the inevitable choice facing the artist in the modern world.

In the first major history of crime fiction in 50 years, The Life of Crime: Detecting the History of Mysteries and Their Creators traces the evolution of the genre from the 18th century to the present, offering brand-new perspective on the world’s most popular form of fiction.

Rüdiger Safranski's Goethe: Life as a Work of Art is the first definitive biography in a generation to tell the larger-than-life story of the writer considered to be the Shakespeare of German literature. Drawing upon the trove of letters, diaries, and notebooks Goethe left behind, as well as correspondence and criticism from Goethe's contemporaries, Safranski weaves a rich tale of Europe in the throes of revolution and of the man whose ideas heralded a new era.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

He was an ambitious but drifting writer from a prominent Scottish family. She was a tough Nevada silver miner’s wife, with children, when they met. Who could have predicted that Fanny Van de Grift and Robert Louis Stevenson would go on to create one of history’s great literary marriages? From their first encounter in France in 1876, Fanny and Louis’s partnership transcended societal expectations to become a literary union that was progressive, eccentric, and tempestuous, but always animated by a profound mutual respect

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

This is perhaps one of the best-loved of all journals. William Wordsworth's sister, Dorothy, began it in May 1800 and resolved to keep it for a short time. She continued it for nearly three years. In it, she brought the Dove Cottage years to vivid and intimate life. She noted the walks and weather, the friends, country neighbours, and travellers on the roads. She set down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, and the composition of Wordsworth's poetry.

Drawing on the diaries of one woman in 18th-century Maine, this intimate history illuminates the medical practices, household economies, religious rivalries, and sexual mores of the New England frontier. Between 1785 and 1812, a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine.