British Crime Fiction

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

When a high-flying adman is stabbed to death on a company weekend in the English Lake District, local detective Daniel Skelgill finds himself wrenched from his rural Cumbrian comfort zone. As the investigation unfolds, DI Skelgill is led a merry dance between London and Edinburgh, at every turn confronted by uncooperative suspects—colleagues, wife and lovers of the deceased—each of whom is possessed of motive and opportunity. Is this a crime of passion, a professional hit, or a cleverly calculated killing borne out of greed and jealousy?

Dorothy Martin’s husband, Alan Nesbitt, is heavily involved in the complex and lengthy process of choosing a new bishop for Sherebury Cathedral. The very day that the short list is announced publicly, one of the candidates is found murdered in his own church. With a long list of possible suspects, including Alan himself, Dorothy and Alan start to delve into the history of the victim, hoping to find some clue to a motive for murder. Then a second candidate is found dead, and the case becomes very complicated indeed. Who is murdering England’s clergymen and why …?

When Dr Raymond Ferens moves to a practice at Milham in the Moor in north Devon, he and his wife are enchanted with the beautiful hilltop village lying so close to moor and sky. At first they see only its charm, but soon they begin to uncover its secrets - envy, hatred and malice. Everyone says that Sister Monica, warden of a children's home, is a saint - but is she? A few months after the Ferens' arrival her body is found drowned in the mill-race. Chief Inspector Macdonald faces one of his most difficult cases in a village determined not to betray its dark secrets to a stranger.

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

When a tech entrepreneur from Shoreditch is found dead in a construction site, along with three skeletons which are discovered to be over a hundred years old, Detective Kamil Rahman sets out to prove himself on his first case for the Met Police.

CASE FILE #18–June 2008. Katherine Alford was found dead in her car at a local beauty spot. The devoted mother had received an urgent phone call late in the evening, and asked a neighbor to babysit for ten minutes. She never returned. Gus Freeman and his team uncover failings in the initial police investigation, but every eyewitness they re-interview can’t offer fresh clues, they only add to the mystery. Who did Katherine dash out of the house to meet?

Kendal Guthrie could start an argument in an empty room, but who killed him, and why? The Crime Review Team was formed in Wiltshire, England, to investigate old cold cases. Headed by Gus Freeman, the team has successfully solved several cases, using old witness statements plus fresh clues. Kendal Guthrie argued with five people in a remote country pub on the night he died. How could the killer have reached Guthrie’s farm ahead of him that night? It seemed impossible. Gus Freeman believes that distance, time, and locations are the key to solving the mystery.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.

“We have a secret the Devil and I.” These are the chilling words on the back of an old photograph that Sister Joan uncovers while cleaning out the attic storerooms. What she discovers among the dusty antiques leads to her most dangerous case yet. Joan has the strangest feeling that she's being followed. But the person she thinks she saw died over a year ago . . . Or did he? Then a young secretary turns up dead. She's been strangled. Another body is found and Sister Joan must get to the bottom of things before the murderer strikes again.

A Detective Superintendent of the Nottinghamshire Police Force is found brutally murdered in the idyllic Clumber Park. The victim used to run the same Unit that DI Rob Loxley is now a part of. That was until a drug bust went badly wrong, resulting in the deaths of four officers. Corruption was suspected, and Rob is something of an expert on that. As the new DI of the unit, it falls to Rob to investigate the murder and find the killer, but this means dealing with Anti-Corruption, a worrying prospect at best.

At the Central Criminal Court, an eager crowd awaits the trial of Victoria Lamartine, an active participant in the Resistance during the war. She is now employed at the Family Hotel in Soho, where Major Eric Thoseby has been found murdered. Thoseby is believed to have fathered Lamartine's child, and the prosecution insist that his death is revenge for his abandonment of Lamartine and her arrest by the Gestapo. A last-minute change in Lamartine's defence counsel grants solicitor Nap Rumbold just eight days to prove her innocence.

When Kate and Nathan receive a photo of four kidnapped models, the clock starts ticking for the detectives to save their lives before it’s too late. Kate has been on the Murder Team for a few months now, working run-of-the-mill cases with Nathan. But the memory of that first case, and it's disturbing details, still bothers her. Meanwhile, four models arrive at a shoot in a local abandoned mental asylum and are violently kidnapped. The next day, a photo of them lands on the desk of Kate and Nathan, with a chilling note.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

When 89-year-old Emyr Isaac is found dead in his home, Drake and his team initially suspect a burglary gone wrong. Isaac was old, and his death was a tragedy, but it’s not a murder case...is it? But as the investigation develops, Drake uncovers more suspicious deaths, but with one connection: Each victim received care from the same healthcare professional. Drake must do all he can to ensure no more lives are lost...even if it means putting members of his own team in harm’s way.

Psychotherapist Annie O’Malley thought she’d left the police force forever. The trouble is, she thinks she knows the identity of the killer, and she’s the only one who can hunt him down before it’s too late. O’Malley is drawn back to a world she thought she’d escaped, to a case where every turn reminds her of her childhood and her missing sister. When she’s partnered with DI Joe Swift, a man with more ghosts than people in his past, O’Malley has to make the hardest decision of her life. Save a stranger. Or save herself.

Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet, and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future duchess of Worthington.

When a local man is brutally murdered in his home library, Kate and Nathan are brought in to find the killer. But this was no ordinary library. Filled with books on the occult, it’s clear that they were after something. Something that was not in the library. Something that they’re willing to kill for. With the clock ticking, Kate and Nathan must find the killers or the item they were after, before they kill again.

A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn’t feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation.

A body is found floating in the local beauty spot known as Silent Pool. When DCI Jon Pilgrim and his team are brought in, they soon discover foul play. She was murdered. The woman belonged to a local aristocratic family that was gathering at the family’s estate. Jon investigates with his partner, Kate, and soon discovers secrets and rivalries. The victim was the family's black sheep. No one liked her; they all have a motive.