British Crime Fiction

When decades-old human bones are discovered beneath the old glasshouse behind Foxglove & Hemlock, the local florist, DS Harriet March and DI Ben Taylor find themselves digging into Raven's Edge's murky past. As a frosty wind whips down the cobblestoned lanes of the village, the two detectives feel an ominous chill that has nothing to do with the weather… The discovery coincides with the arrival of enigmatic novelist Iris Evergreen at Raven's Hollow, a gothic monstrosity of a mansion that's been sitting empty for years.

With his partner away on a honeymoon, Yorkshire detective Andrew Dalziel tries to beat the blues by taking a vacation of his own. But after getting caught in a torrential rain and running into a funeral procession, he winds up accompanying a crowd of upper-class mourners to a crumbling country house. Dalziel isn't known for his elegant manners, but he has bigger problems than not fitting in: The owner of the home has died under unusual circumstances, and soon more bodies are turning up.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

When young girls start to disappear, newly arrived prison psychologist Saskia Monet is called in to assist Detective Inspector Winter Labey. But Saskia has secrets of her own—ones that give her a unique insight into the mind of a criminal… As a fourth child disappears, a chilling ransom note arrives, along with wooden flutes left at each crime scene—echoing the haunting tale of the Pied Piper. Saskia is convinced the kidnapper's motives run deeper than they are letting on, but can she persuade Winter to trust her instincts before it's too late?

An early-morning jogger is murdered in Hyde Park. It's the center of London, but no one saw him enter the park, no one saw him die. He carries no identification, only a water-logged phone. As the pieces unravel, it's clear that the dead man had a history of deception. Is the murderer one of those that loved him? Or was it someone with a vengeance? It's proving difficult for DCI Isaac Cook and his team at Challis Street Homicide to find the guilty person—not that they'll cease to search for the truth, not even after one suspect confesses.

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

While visiting his old friend Flambeau, Father Brown attempts to explain to an inquisitive American the 'secret' of his detective method, by means of eight stories of crime, murder, and obsession, including: a poet accused of the murder of a magistrate; stolen jewels and stolen fish; a theatre manager dead in a locked room; a mourner shut away in a castle; and the case of the worst crime in the world.

Dorothy Martin isn’t overly enthusiastic when her husband, retired police detective Alan Nesbitt, invites her to accompany him to a conference in Cambridge, picturing cramped student accommodation. But St. Stephen’s turns out to be recently renovated, and, bolstered by ensuite facilities, Dorothy is looking forward to exploring the historic and beautiful city. It is not long, though, before disaster strikes. Lost in the maze of college buildings, Dorothy stumbles into a laboratory—and is shocked to find what looks like a pool of blood on the floor.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

She looked like she’d drifted off to sleep, curled up in her white dress, blonde hair floating in the breeze. They called it the Angel Murder. Eighteen-year-old Angelica Brock is found dead at a local beauty spot, dressed in a pure white nightgown, her white-blonde hair arranged around her. For years her death is a mystery, her killer the one who got away for a whole generation of police.

Twelve-year-olds Lizzie Sancho and Dido Belle are from different worlds – Lizzie lives in Westminster in her dad’s tea shop, while Belle is an heiress being brought up by her aunt and uncle at grand Kenwood House – but they both share a love of solving mysteries. And after saving Lizzie’s father from attempted murder surely there is no threat too dangerous for the detective duo?

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

Dorothy Martin’s husband, Alan Nesbitt, is heavily involved in the complex and lengthy process of choosing a new bishop for Sherebury Cathedral. The very day that the short list is announced publicly, one of the candidates is found murdered in his own church. With a long list of possible suspects, including Alan himself, Dorothy and Alan start to delve into the history of the victim, hoping to find some clue to a motive for murder. Then a second candidate is found dead, and the case becomes very complicated indeed. Who is murdering England’s clergymen and why …?

When an armed man massacres several people in central London, Claudine witnesses the whole thing. To her horror, one of the victims is her brother, Jethro. Riven by grief, Claudine retreats to the house in the Fens where she and Jethro grew up. When the police contact her, she is left reeling when they tell her Jethro orchestrated the attack. Why would a gentle, if troubled, middle-aged man cause such bloodshed – and why would he include himself in the list of victims? Claudine finds herself down a rabbit hole of mystery, caught up in Jethro's research on a medieval cult.

Inspired by the author’s own experience, The Vicar introduces Terry Nolan, an MI5 operative who, when he discovers his cover is blown and millions of lives are at stake, will do whatever it takes to stop enemy forces. Terry Nolan, an off-the-books MI5 operative known as the Vicar, has been officially dead for the past thirty years. But when Nolan is attacked in Boston, it becomes clear his cover is blown. Even worse, his Parishioners—the network of spies who work under the Vicar—have all been compromised.

Chloe Todd believes her baby daughter is sleeping peacefully in her pram in the back garden. She lifts away the blanket to check on her – and gasps in shock. Chloe's neighbor calls the police. But all is not as it seems . . . Chloe Todd is in a loveless marriage. Her husband a villain who works for a man called Dean Rawlins. Rawlins has been missing for a year. Det Superintendent Hedley Sharp arrested Rawlins just before he went missing. Something he's had to live with. Hedley is suspicious but his inspector is on Chloe's side – a bone of contention throughout the investigation.

Who killed Danute Zukas, a twenty-three-year-old Lithuanian woman, in July, 2014? In Wiltshire, England, the Crime Review Team investigates cold cases and has successfully resolved more than a dozen. Headed by former police detective Gus Freeman, the team uses old witness statements plus fresh clues to start the hunt again. Danute Zukas arrived in Bath, England, in March, 2011, worked in a late-night bar, and was well liked and happy. Then in April, 2012, she quit her job and disappeared.

CASE FILE #18–June 2008. Katherine Alford was found dead in her car at a local beauty spot. The devoted mother had received an urgent phone call late in the evening, and asked a neighbor to babysit for ten minutes. She never returned. Gus Freeman and his team uncover failings in the initial police investigation, but every eyewitness they re-interview can’t offer fresh clues, they only add to the mystery. Who did Katherine dash out of the house to meet?

Kendal Guthrie could start an argument in an empty room, but who killed him, and why? The Crime Review Team was formed in Wiltshire, England, to investigate old cold cases. Headed by Gus Freeman, the team has successfully solved several cases, using old witness statements plus fresh clues. Kendal Guthrie argued with five people in a remote country pub on the night he died. How could the killer have reached Guthrie’s farm ahead of him that night? It seemed impossible. Gus Freeman believes that distance, time, and locations are the key to solving the mystery.

In Wiltshire, England, the Crime Review Team headed by Gus Freeman was formed to investigate cold cases. Freeman and his team have successfully solved several cases, using old witness statements plus fresh clues. After delving into Marion Reeves’s past, Gus Freeman confronts a group of wealthy people who are desperate to hide the truth. Each witness interview provides another missing piece of the jigsaw. Can Freeman complete the picture and unmask the killer?