British Crime

Detective Mary Hume stares at the crime scene in confusion. She's in an empty flat. Peeling wallpaper. A bloodstained chair in the middle of the room. But no body. Her sergeant hands her a burner phone. On it is a video clip. It shows a woman. Tied to the chair in the flat, a carving knife pressed to her throat. Placed in the woman's lap is a piece of cardboard. Written on it in blood-red is one word: DEADTOWN.

In today’s world where meeting people for sex can happen with a simple click on your phone, a new type of gay sex called Party N Play or Chemsex has become all the rage. Several young gay men were being found dead, appearing to have overdosed in a city church yard in east London. Soon a popular 41-year-old, Stephen Port, who had appeared on Celebrity Chef UK, would be arrested and charged with four of the young men’s murders by overdosing them with GBH, the date-rape drug.

When decades-old human bones are discovered beneath the old glasshouse behind Foxglove & Hemlock, the local florist, DS Harriet March and DI Ben Taylor find themselves digging into Raven's Edge's murky past. As a frosty wind whips down the cobblestoned lanes of the village, the two detectives feel an ominous chill that has nothing to do with the weather… The discovery coincides with the arrival of enigmatic novelist Iris Evergreen at Raven's Hollow, a gothic monstrosity of a mansion that's been sitting empty for years.

After a woman's body is found in a local beauty spot, her heart surgically removed, D.I. Andy Ross and his team are called in to investigate. But this time, they face a criminal mastermind unlike any they have before, who soon becomes known as The Doctor. All evidence points to romantic connections between the killer and his prey, with an eerie lullaby left playing on an old tape recorder next to the victims.

If Alison Girling, former principal of England's Holm Coultram College, died in an avalanche in Austria, why has her skeleton been unearthed on campus? While no love is lost between conservative detective Andrew Dalziel and the entirety of Liberal Arts, his attention to the grim discovery must be paid. But when he and Peter Pascoe scour the ivory tower for answers, they discover that the shady faculty and creepy student body have more to bury than just one corpse. Try two-and counting.

1979. Leading businesswoman Rebecca is struggling to build healthy relationships. Her on off partner is a philandering police officer, part of the team chasing the Yorkshire Ripper who’s striking terror across the county. Then Rebecca meets Larry, the charming American, with a troubled past. And then of course there’s Mervyn, the creepy journalist who’s desperate for a girlfriend and willing to do anything to keep her in his life. With three very different men craving her attention, and a serial killer on the loose, Rebecca finds herself in a twisted game of cat and mouse.

It's Alys Pugh's birthday and her mates are organizing a little surprise for her. When she doesn't show up, they realize something's wrong. Later, her body is found in the cold waters of Llyn y Fan. On searching Alys' house, detectives discover an array of seaside objects and suspect they are some sort of message left by the killer. With everyone seemingly harboring a secret, tempers fray and suspicion grows. And when similar trinkets are found in another of their houses, those underlying tensions bubble to the surface. Then someone else in the group is killed.

Georgina Drake’s job photographing beautiful Hartington Hall takes a dramatic turn when she enters the ancient ice house to find the lady of the manor dead on the floor. The second wife of the irascible owner of the hall, Karen Berry had plenty of enemies. Her death could have been an accident, but when Georgina hears how Karen had argued with her husband, alienated her two step-daughters, and fired the long-standing housekeeper for theft, she’s not convinced.

While visiting his old friend Flambeau, Father Brown attempts to explain to an inquisitive American the 'secret' of his detective method, by means of eight stories of crime, murder, and obsession, including: a poet accused of the murder of a magistrate; stolen jewels and stolen fish; a theatre manager dead in a locked room; a mourner shut away in a castle; and the case of the worst crime in the world.

The woman in white—surreal artist Damaris Gethin—has invited a select group to the opening of her exhibit Artist in Crime, held in the eerie subterranean Hades Gallery. As costumed models reenact famously violent deaths, the artist herself portrays Marie Antoinette on the day of her execution, complete with a guillotine on the stage. It's not a prop; within ten minutes of Rachel's promise to solve Damaris's future murder, the artist slips her neck into the collar of the device and the very real blade sends her head rolling at the feet of her horrified audience.

Susan Grey’s fiftieth birthday party promised to be a talked-about event—an over-the-top extravagant gathering of a hundred guests at her sprawling Georgian home. But it would be talked about for all the wrong reasons… From an escalated argument to the disappearance of an expensive piece of jewelry, the party was quickly spiraling out of control. But the worst was yet to come—Susan suffered a horrific fall down the grand staircase. Was it an accident, or was she pushed? For DI Grace Roth, relegated to desk duty, this could be a high-profile case and a chance to redeem herself.

As criminal gangs rampage unchecked across London, a secretive elite squad begins a campaign of action, delivering the guilty to the cops – along with all the evidence they need for a conviction. But when innocent people are shot after the vigilante crew blunders into a major police operation – Detective Rick Turner among the unintended victims – it’s clear they must be stopped. Rick’s brother Sam might be able to help, but he’s a fugitive from the law himself, on nobody’s side but his own.

A family outing to Tattershall Castle comes to a chilling end when eleven-year-old Tommy Burton disappears without a trace in broad daylight. All that remains in his place is a small blue teddy bear. DS Karen Hart and her team are called in to investigate the unusual circumstances—but for DI Morgan the crime scene is eerily familiar.

It's the end of the summer season in the harbour town of Estepona. The holiday makers are heading home, leaving the British expats to reclaim their little corner of paradise. Among them is art restorer Astrid Swift's estranged father. She's sailed into town to reunite with him but has instead been tasked with catching an internet troll who's been threatening his wife online. Soon Astrid is entwined in the lives of these expats, from the boozy local heckler to the socially awkward beachcomber. And then she discovers a body in the bunker of the golf course.

Will's a nice guy. So when he takes a shortcut to the tube station after a few beers with his mates from work, he steps out of the way of the fellow who's staggering towards him. But he—deliberately—moves back into his path. They knock each other as they pass. Moments later, one man is dead and another's life is changed forever. Or is it? There are no CCTV cameras. There was no one else in the out-of-the-way alley. Maybe the world doesn't have to end for Will after all. But there's always someone watching, and Will's life is about to implode.

When Dorothy Martin goes to France—alone because Alan is stuck back home in Sherebury with a broken ankle—she worries about her ability to get along in a language she barely speaks, and in a country she hasn’t seen for over fifty years. But by the time Alan joins her a week later, Dorothy has found herself embroiled in one mystery after another: a woman drowning in quicksand; a man suffering a near-fatal fall in the abbey at Mont Saint Michel; and a missing American archaeologist—all seemingly connected to a monk named Abelard who has been dead for almost nine hundred years.

When Dorothy Martin and her husband, retired police detective Alan Nesbitt, decide to visit the beautiful island of Alderney in the English Channel, they hope for a pleasant, peaceful holiday. It’s not to be. Taking a walk on their very first day, they discover a body, apparently the victim of an unfortunate accident, on a precipitous hill path.

Dorothy Martin isn’t overly enthusiastic when her husband, retired police detective Alan Nesbitt, invites her to accompany him to a conference in Cambridge, picturing cramped student accommodation. But St. Stephen’s turns out to be recently renovated, and, bolstered by ensuite facilities, Dorothy is looking forward to exploring the historic and beautiful city. It is not long, though, before disaster strikes. Lost in the maze of college buildings, Dorothy stumbles into a laboratory—and is shocked to find what looks like a pool of blood on the floor.

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

Killing Goldfinger charts the extraordinary rise and spectacular bullet-riddled fall of John Palmer, the richest, most powerful criminal ever to have emerged from the modern British underworld. Palmer earned his nickname Goldfinger after smelting (in his back garden) tens of millions of pounds worth of stolen gold bullion from the 20th century's most lucrative heist; the Brink's-Mat robbery. Palmer then used his share of the millions to become the vicious overlord of a vast illegal timeshare property empire in Tenerife.