British Fiction

Since her move to the country, Melissa Craig has become firmly established in village life. So, when one of the older residents fails to show up for a drinks party, Melissa goes to check on her. What she finds chills her to the bone: Her dear neighbor has been murdered, and the killer has painted a hideous smile onto her face. Melissa soon realizes that the death in her village bears the same trademark as a series of recent murders in the Cotswolds.

Melissa Craig is struggling with her new novel, so when the invitation arrives to visit a nearby country house for some writing time, she decides a bit of peace and quiet is just what she needs. The house is everything she could have hoped for, even if the staff do seem rather unsettled. She has barely unpacked when the owner of the house persuades Melissa to investigate some threatening notes he has received. But before she can do any digging, he is found murdered in his own orchard.

Meredith Mitchell's old friend Sally Caswell and her scientist husband have moved from London to the quiet of Oxfordshire, but find nothing but trouble. Quarrels between the moody scientist and an eccentric neighbour; goats in the backyard, and a letter bomb in the mail all add to malice, mystery, and murder—and another case for Meredith and her police inspector friend Alan Markby to solve.

The most fearsome enemy he ever faced. Of all the enemies that our hero has shrunk away from, there was one he feared above them all. By his own admission they gave him nightmares into his dotage. It was not the French, the Spanish, the Americans, or the Mexicans. It was not even the more exotic adversaries such as the Iroquois, Mahratta, or Zulus. While they could all make his guts churn anxiously, the foe that really put him off his lunch were the Ashanti.

Alex-Li Tandem sells autographs. A small blip in a huge worldwide network of desire, his business is to hunt for names on paper, collect them, sell them, and occasionally fake them - all to give the people what they want: a little piece of Fame. But what does Alex want? Only the return of his father, the reinstatement of some kind of all-powerful, benevolent God-type figure, the end of religion, something for his headache, three different girls, infinite grace, and the rare autograph of '40s movie actress Kitty Alexander. With fries.

Joe Dobson left his wife and kids when his young girlfriend, Nina, discovered she was pregnant. Now he feels like a cliche and Nina feels like a drudge, swapping her wild nights out with friends for mild nights in wiping baby sick off the carpet. So when Joe announces that he's booked a week's luxury holiday in Italy, Nina is thrilled - until she realises Joe's kids, Saul and Tabitha, are coming along for the ride.

Jem Jago is back at work with her antique books, and spending her weekends exploring her new home - the windswept Isles of Scilly - in her little sailboat, 'Bellatrix'. She’s really starting to settle into island life. Unfortunately, murder in the Scillies is not as rare as some of her manuscripts. In Tatteredly’s second-hand bookstore, she discovers the body of beautiful Gina Marrak. Poking around the scene of the crime, Jem finds an unusual book, which leads her down an unlikely path.

Rachel Holley has always dreamed of a wedding - the white dress, the fairy tale, and, of course, the happily-ever-after. But when her fiancé breaks it off the night before, claiming she doesn’t love him, Rachel’s fairy tale ends in ashes. Homeless, hopeless, and feeling like her life has been completely derailed, Rachel must start over in all sorts of ways - and hold her head up high in the fishbowl of her tiny village.

Steph Williams is excited to get her hands stuck into her latest gardening project. This time, she's been commissioned by Lady Clara of Ashford Manor to restore the stately gardens to their former glory. But the estate is suddenly thrown into chaos when a dead body is discovered in one of the rooms. The police rule it as suicide, though Steph's convinced they're barking up the wrong tree. For she knows the deceased better than they do and it could only be one thing: murder. And if the police won't listen to her, then Steph will have to investigate the case herself.

There's a secret, that much is certain, but who knows? The missing actress? The executive producer, his eavesdropping assistant? Or the actor who portrayed her fictional brother on the Soap Opera? DCI Isaac Cook of the Murder Investigation Team at Challis Street Police Station in London is searching for the missing woman. Why has he been taken away from more important crimes to search for the woman? It's not the first time she's gone missing, and why does everyone assume she's been murdered?

When Constable Evan Evans and his new fiancée decide to travel south from home in Llanfair, Wales, to visit his mother in Swansea, they're not expecting the disturbing news that greets them on their arrival: the young thug convicted of murdering Evan's father several years earlier is suspected of murder once again.

Nine-year-old Samuel lives alone in a once-great estate in Surrey with the family’s housekeeper, Ruth. His father is dead, and his mother has been abroad for months, purportedly tending to her late husband’s faltering business. She left one night while Samuel was sleeping. Beyond her sporadic postcards, Samuel hears nothing from his mother. Samuel’s life is otherwise regulated by Ruth, who runs the house with an iron fist. As rumors in town begin to swirl, Samuel wonders whether something more sinister is afoot. Perhaps his mother did not leave but was murdered - by Ruth.

Salisbury, 1226. A mysterious poacher claims to be a long-lost heir - to a man found crushed by his own cart wheel. Ela Longespée is determined to find the truth, even though the king has coldly appointed another sheriff in her place. Ela takes pity on the man - an injured knight who once saved her husband’s life - and convinces the sheriff to release him from jail while she investigates. Will it turn out to be a deadly mistake?

Sparkly and charming Natalie Fincher has it all—a handsome new husband, a fixer-upper cottage of her dreams, and the opportunity to tour with the musical she’s spent years writing. But when her husband suddenly dies, all her hopes and dreams instantly disappear. Two and a half years later, Natalie is still lost. She works, sleeps (well, as much as the sexually frustrated village foxes will allow), and sees friends just often enough to allay their worries, but her life is empty. And she can only bring herself to play music at a London train station’s public piano.

Faced with financial ruin and the loss of her good name, Rose Chadwick decides to make a new start for herself and her young daughter Hannah in the rough-and-tumble gold rush town of Barkerville, British Columbia. However, making a new life is not so easy when it’s built on lies. Viscount Harrison St. John knows he’s expected to marry well to bolster his family fortunes. Instead, he leaves England to pursue riches in the gold fields of a town in the wilds of Canada. Will dark secrets from Rose’s past keep them apart? Or will they find love, happiness, and a new life together?

Elinor Noel—Nory for short—is quite content running her secondhand bookshop in London. Forever torn between her working-class upbringing and her classmates’ extravagant lifestyles at the posh private school she attended on scholarship, Nory has finally figured out how to keep both at equal distance. So when two of her oldest friends invite their whole gang to spend the time leading up to their wedding together at the castle near their old school, Nory must prepare herself for an emotionally complicated few days.

It's New Year's Eve and the stage is set for a lavish party in one of Edinburgh's best postcodes. It's a moment for old friends to set the past to rights-and move on. The night sky is alive with fireworks and the champagne is flowing. But the celebration fails to materialize. Because someone at this party is going to die tonight. Midnight approaches and the countdown begins—but it seems one of the guests doesn't want a resolution. They want revenge.

When Dinah Brooke's second novel, Lord Jim at Home, was first published in 1973, it was described as "squalid and startling," "nastily horrific," and a "monstrous parody" of upper-middle class English life. It is the story of Giles Trenchard, who grows up isolated in an atmosphere of privilege and hidden violence; who goes to war, and returns; and then, one day—like the hero of Joseph Conrad's classic Lord Jim—commits an act that calls his past, his character, his whole world into question.

As a favor to her rock journalist boyfriend, Thai-boxing, rock-and-roll private detective Kate Brannigan agrees to track down a missing song-writer Moira Pollock, a search that takes her into some of the seediest parts of Leeds and Bradford. But little does she realize that finding Moira is only a prelude to murder. Juggling her other cases, including a search to uncover the source of counterfeit luxury goods, Brannigan finds herself for the first time on the trail of a killer.

Young, ardent Dorothea Brooke defies her sister by wedding the much older Reverend Edward Casaubon, blindly hoping to assist in his scholarly pursuits. Tertius Lydgate, a progressive doctor, new and unwelcome in provincial Middlemarch, is charmed into marriage with the selfish and shallow Rosamond Vincy, a disastrous mismatch of his own. Soon blatant stubbornness, unruly jealousy, blind idealism, and calculated blackmail threaten to upend the Midlands village and lay waste to happy endings.