British Police Procedural

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

When the body of a teenage boy is found in the River Witham, it falls to DI Freya Bloom and her team to raise the truth from the depths. The boy, nicknamed Simple Simon, was a troubled soul. But when Bloom digs deeper into Simon’s life, she discovers that not only was he the victim of a viscous cyber bullying attack, but also suffered sexual abuse. Was his death a shocking teenage suicide, or does somebody have a terrible secret to hide? With four potential suspects in the firing line, and guilt in every one of their eyes, Bloom must make some difficult choices.

Ending his secondment to London’s Met Police, Roy Grace gets a tip-off about a county lines drugs mastermind operating out of Brighton. On his first day back in his old job in Sussex, he is called to a seemingly senseless murder. Separately, Meg Magellan finally has her life back together, five years after the car crash that killed her husband and their son. Her daughter, Laura, now 18, is on her gap year travelling in South America with a friend, and Meg misses her badly. Laura is all she has in the world....

Detective Inspector Thomas Lynley, the eighth earl of Asherton, has brought to Howenstow, his family home, the young woman he has asked to be his bride. But the savage murder of a local journalist is the catalyst for a lethal series of events that shatters the calm of a picturesque Cornwall village and embroils Lynley and St. James in a case far outside their jurisdiction - and a little too close to home.

DCI Lesley Clarke is back in Dorset, and her world has turned upside down. One of the people she's closest to is to under arrest for the murder of DCI Mackie and a body has been found in the remote lighthouse at Portland Bill. And not just any body, but the body of someone she investigated before moving to Dorset. Can Lesley win the trust of the close-knit Portland community and find the killer? And can DI Zoe Finch of the West Midlands force help her track down potential suspects?

There's a secret, that much is certain, but who knows? The missing actress? The executive producer, his eavesdropping assistant? Or the actor who portrayed her fictional brother on the Soap Opera? DCI Isaac Cook of the Murder Investigation Team at Challis Street Police Station in London is searching for the missing woman. Why has he been taken away from more important crimes to search for the woman? It's not the first time she's gone missing, and why does everyone assume she's been murdered?

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

Eight-year-old Leila Smith has seen and heard things that no child should ever have to. On the Hawthorn Estate, where she lives, she often stays out in the playground long after the other children have left, just so she can avoid her own home for longer. But what Leila doesn't know is that someone has been watching her. One day, she disappears without a trace. The police search start a nationwide search, but it's as if Leila has vanished into thin air. Who kidnapped her? What do they want? Will she return home safe and sound, or is she lost forever?

For LA producer Larry Brooker, this is the movie that could bring the fortune that has so long eluded him.... For rock superstar, Gaia, desperate to be taken seriously as an actor, this is the role that could get her an Oscar nomination.... For the City of Brighton and Hove, the publicity value of a major Hollywood movie being filmed on location, about the city's greatest love story - between King George IV and Maria Fitzherbert - is incalculable.

It's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow. So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot. The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights. This case will be the making of him...or the breaking.

After the horrors of their last case, DCI Kett and the rest of Norfolk Constabulary’s Extreme Crime Task Force are in need of a break. And that’s just what they think they’re getting when Superintendent Clare takes them on a team building exercise in the middle of a quiet Norfolk village. But what was supposed to be a weekend of recovery and fun soon becomes something much more sinister, when two local men turn up dead—poisoned by a horrific new designer drug nicknamed Jaw Breaker.

When Constable Evan Evans and his new fiancée decide to travel south from home in Llanfair, Wales, to visit his mother in Swansea, they're not expecting the disturbing news that greets them on their arrival: the young thug convicted of murdering Evan's father several years earlier is suspected of murder once again.

The Rise is a gleaming residential tower, newly constructed from steel and blackened glass, that stands on some of London’s most prestigious real estate. Looming imposingly over Hyde Park, only multi-millionaires need apply for one of its sumptuous apartments. But when the young night concierge is found murdered in the building’s lobby, the elite residents quickly find their gilded lifestyles under unwelcome police scrutiny.

In the bleak countryside around Blithfield Reservoir, a serial murderer and rapist is leaving a trail of bloodshed. His savage calling card: the word ‘MINE’ carved into each of his victims. DI Kate Young struggles to get the case moving - even when one of the team’s own investigators is found dead in a dumpster. But Kate is battling her own demons. Obsessed with exposing Superintendent John Dickson and convinced there’s a conspiracy running deep in the force, she no longer knows who to trust.

The CID's Andrew Dalziel prefers simple killers. Not a crackpot who fancies himself Hamlet and taunts authorities with lofty quotes from the Bard. Dubbed the Yorkshire Choker, he's already taken three lives in four weeks and promises more tragedy to come. To help nab the serial strangler, Peter Pascoe has enlisted the help of linguistics professors, psychologists, and psychics-all of it nonsense to the grounded Dalziel.

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

Returning to work after an extended leave of absence, Detective Constable Hazel Best's first task is to shadow TV historian Oliver Ford, who has arrived in Norbold to open a new museum. What should have been a routine assignment takes a decidedly dramatic turn, however, when Hazel saves Ford from a murderous attack that would appear to be an act of jihad. But why would someone fly thousands of miles to firebomb an obscure little museum in a quiet English village? Hazel can't help but think that there's something more to this case than meets the eye.

What's playing at the Calliope Club may draw a furtive crowd, but as far as the CID's Andrew Dalziel can tell it's all perfectly legal. His partner, Peter Pascoe, begs to differ. From what he hears, an actress's violent ordeal on film looked all too real. When she turns up unharmed, it appears his suspicions were wrong . . . if Andrew and Peter can trust what they see. Because if this dirty business is well and good, why has the film in question vanished? Why has the theater been set ablaze? And why has its proprietor been beaten to death?