British Police Procedural

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

DCI Kate Young never meant to shoot Superintendent John Dickson at the reservoir that night—even if, as a scheming corrupt cop and head of the shady syndicate, he probably had it coming. But now Kate has photographic evidence that someone else knows her terrible secret… Tormented by guilt and the voices of the dead, Kate is desperate to unmask the rest of the corrupt officers before her own sins catch up with her. When DI Harriet Khatri, awaiting trial for the murder of Kate’s mentor, claims she was framed by Dickson’s syndicate, Kate reluctantly agrees to help in the hope of finding answers.

Detective Joe Lazarus works for the Dying Squad, solving crimes the living police can't. When the Generation Killer starts wiping out Manchester's innocents, Joe and his new partner Bits have mere hours to catch the murderer. A young woman's life depends on it. Joe's former partner Daisy-May has her own problems. Children are going missing in the afterlife, and she's the only one who seems to care. Her investigation uncovers a conspiracy so vast, it threatens both the living and the dead.

Nigella Parker has a deep-rooted fear of fire and a talent for solving arson cases. When a charred figure is found beside Sir Christopher Wren’s Monument to the Great Fire of London, Nigella is dragged into a case pitting her against a murderous artist creating sculptures using burnt flesh. Nigella partners with Colm O’Leary of Scotland Yard to track the arsonist. The pair are more than colleagues. But their past isn’t the only buried history as they race to connect the dots between an antique nail and a long-forgotten architect dwarfed by the life's work of Sir Christopher Wren.

Ten-year-old Ethan Clarke's disappearance gripped the nation. Just as his parents are starting to piece together a life 'after Ethan', their world is ripped apart once more when their daughter, Robin, disappears in almost identical circumstances. They've lost two children within a decade...and now doubts about their innocence are setting in.

Ward and Nowak are assigned to investigate a death outside Keighley and when the pathology report arrives, more than a few eyebrows are raised. As more victims drop, Ward realises he’s onto a serial killer with a list to hit. Only this one is so insidious, their tracks are nigh impossible to trace. Ward has to find the culprit. As if that’s not enough, a breakthrough on the Varga caseload delivers a target of such high value Ward will do anything to set this one in his crosshairs. The only trouble is Ward’s not done with Varga yet...and Varga’s not done with Ward.

When DI Allie Shenton is called out to a murder suicide, it quickly becomes clear that it's a double slaying, and there is a killer on the loose. The bodies are found in a property owned by local entrepreneur/drug dealer Kenny Webb. Several young women are staying there, they are refusing to talk and one of them is missing. While she waits on forensic evidence, Allie decides to do what she does best. She takes to the community to see who will talk. Right now, she's the only one who can get answers. But then a third murder rattles everyone.

An early-morning jogger is murdered in Hyde Park. It's the center of London, but no one saw him enter the park, no one saw him die. He carries no identification, only a water-logged phone. As the pieces unravel, it's clear that the dead man had a history of deception. Is the murderer one of those that loved him? Or was it someone with a vengeance? It's proving difficult for DCI Isaac Cook and his team at Challis Street Homicide to find the guilty person—not that they'll cease to search for the truth, not even after one suspect confesses.

A group of children play. Not far away, in the ditch on the other side of the farmyard, the body of a young woman. The nearby village hides as many secrets as the community at the farm, a disparate group of people looking for an alternative to their previous torturous lives. Their leader, idealistic and benevolent, espouses love and kindness, and somebody's not following his dictate. The second death, an old woman, seems unrelated to the first, but is it? Is it part of the tangled web that connects the farm to the village?

Seven years ago, Thomas Frost was arrested for the murders of five women in the Manchester area, and Detective Sergeant Blake Harte was the officer in charge of his arrest, saving the life of Kerry Nightingale in the process. Now, Frost has promised that Kerry was never safe, and she'll be dead within a few days. Sure enough, somehow, Kerry is found dead in her top floor apartment - a place that was being guarded by Blake and the apartment's security. How is it possible for Kerry to have been murdered in her apartment when nobody could have gotten in or out?

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

When young girls start to disappear, newly arrived prison psychologist Saskia Monet is called in to assist Detective Inspector Winter Labey. But Saskia has secrets of her own—ones that give her a unique insight into the mind of a criminal… As a fourth child disappears, a chilling ransom note arrives, along with wooden flutes left at each crime scene—echoing the haunting tale of the Pied Piper. Saskia is convinced the kidnapper's motives run deeper than they are letting on, but can she persuade Winter to trust her instincts before it's too late?

Forensic entomologist Dr Vanessa Marwood isn't in Sydney for the sights. She's hunting for answers - and Detective Finn Harper, renowned cult expert might have them. His expertise could be the key to exposing a shadowy organisation with ties to Vanessa's hometown and the glittering elite of New York. But a few days into her stay, a shocking crime rocks New South Wales - seven bodies are found in an abandoned warehouse, cocooned in expensive Muga silk. It's macabre and ritualistic, and everything points to the insect-obsessed cult Finn has made it his life's work to bring down.

Early one morning, DS Robin Butler is summoned to a crime scene. Not as a policeman, but as best friend to renowned meteorologist, Dr Finn Mason. The morning after studying an enormous storm, Finn has locked himself in a van. Bloodied, confused, and with no memory of how he came to be there. And alongside him - a dead body.

Retired policeman turned killer Jeffrey Brandt has gone underground. He is even living something like a normal life in North Wales. He killed to make society stand up and take notice. It did. His crimes are notorious. So infamous, in fact, that someone wants to emulate him. How will Brandt react to a copycat killer? Will he be flattered, or disturbed that someone wants to steal his limelight? Crucially, for investigating officer DSI Stella Johnson, the new spate of murders might offer an opportunity to finally bring Brandt to justice.

On a cold Manchester night, Victor Mitchum and his loyal-ish dog witness something they were never meant to see. Living on the streets has made Victor good at watching people—which is exactly why private investigator Kasper Dąbrowski recruits him to help find a missing woman. But as Victor watches from the shadows, he realises he has stumbled into something far more dangerous. Working alongside Kasper and his sister, Victor discovers he’s not just tracking kidnappers—he’s watching killers. And now they know someone is watching them.

Melissa couldn’t be happier that summer has arrived. She’s delighted to have her mother back by her side, and she is extending her beloved Hawthorn Cottage so her new family can live together. Meanwhile, Melissa’s mother, Sylvia, is back in good health and enjoying a brief stay at a stately retirement home. She loves getting to know the residents, until first a dog and then his owner are both found dead in the dining room. Like mother, like daughter, Sylvia decides to do a little investigating of her own.

DI Andy Horton – a Harley-riding maverick with a nose for trouble and a knack for uncovering the truth – is back in this twisty murder mystery! Supposedly on holiday, Horton can't resist the lure of flashing blue lights at Portsmouth Historic Dockyard. There, he finds the body of naval historian Dr. Douglas Spalding. His boss is quick to dismiss it as suicide, but Horton's gut says otherwise. When a second body turns up in eerily similar circumstances, Horton knows this is no coincidence. With his superiors unwilling to act, he risks his career to dig deeper.

A young woman is found dead in the village church. Shot through the heart with a crossbow. She thought she was safe there, but they found her in the end. DI Jemima Huxley thought Leighton Meadow was a safe place to raise her adopted ten-year-old son. But this is a village with many hidden secrets. And this case is hitting really close to home. The victim turns out to be a Czech student who went missing on a night out in Prague. How did she end up dead in a Welsh church?

Detective Mary Hume stares at the crime scene in confusion. She's in an empty flat. Peeling wallpaper. A bloodstained chair in the middle of the room. But no body. Her sergeant hands her a burner phone. On it is a video clip. It shows a woman. Tied to the chair in the flat, a carving knife pressed to her throat. Placed in the woman's lap is a piece of cardboard. Written on it in blood-red is one word: DEADTOWN.