British Police

Billie-Rose's bloodstained body is found in the kitchen of her ground-floor flat. She's been strangled to death, there's a deep laceration to her upper thigh, and a wooden chess-piece grasped tightly in her hand. Daubed on the wall in Billie-Rose's own blood is a strange symbol: a bishop's mitre. All Detective Jack MacIntosh can think is: He's back. Four years earlier, four young women were also strangled to death in their own homes, the same deep wound to the thigh, the same weird symbol scrawled on the wall. The work of the killer they call the Bishop. Is he back to kill again?

It's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow. So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot. The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights. This case will be the making of him...or the breaking.

When Detective Mark Turpin is assigned the task of investigating the death of a local businessman, the case is first thought to be one of accidental drowning. Until a bullet hole is found where the victim fell into the River Thames. Then a number of graves are unearthed at a disused airfield site being redeveloped by the dead man, exposing a horrific secret and plunging Mark into one of the darkest investigations of his career. After two more bodies are discovered amongst the burnt-out ruins of a building on a nearby industrial estate, Mark realises that a serial killer is at large.

When the body of a teenage boy is found in the River Witham, it falls to DI Freya Bloom and her team to raise the truth from the depths. The boy, nicknamed Simple Simon, was a troubled soul. But when Bloom digs deeper into Simon’s life, she discovers that not only was he the victim of a viscous cyber bullying attack, but also suffered sexual abuse. Was his death a shocking teenage suicide, or does somebody have a terrible secret to hide? With four potential suspects in the firing line, and guilt in every one of their eyes, Bloom must make some difficult choices.

There's a secret, that much is certain, but who knows? The missing actress? The executive producer, his eavesdropping assistant? Or the actor who portrayed her fictional brother on the Soap Opera? DCI Isaac Cook of the Murder Investigation Team at Challis Street Police Station in London is searching for the missing woman. Why has he been taken away from more important crimes to search for the woman? It's not the first time she's gone missing, and why does everyone assume she's been murdered?

For five long years, Detective Barnes has been hunting the killer of the person he cared about the most. Now, the one man who could have revealed the truth is dead. His charred and blackened body is all that remains in his burnt-out flat. A week later, a desperate, emaciated young woman hammers on the door of a late-night convenience store. She speaks no English—but it’s clear that she’s terrified—and running for her life. It's only Barnes who connects the two events. He and his new boss, Superintendent Samson Kane, team up to uncover the truth.

When Constable Evan Evans and his new fiancée decide to travel south from home in Llanfair, Wales, to visit his mother in Swansea, they're not expecting the disturbing news that greets them on their arrival: the young thug convicted of murdering Evan's father several years earlier is suspected of murder once again.

For LA producer Larry Brooker, this is the movie that could bring the fortune that has so long eluded him.... For rock superstar, Gaia, desperate to be taken seriously as an actor, this is the role that could get her an Oscar nomination.... For the City of Brighton and Hove, the publicity value of a major Hollywood movie being filmed on location, about the city's greatest love story - between King George IV and Maria Fitzherbert - is incalculable.

DCI Lesley Clarke is back in Dorset, and her world has turned upside down. One of the people she's closest to is to under arrest for the murder of DCI Mackie and a body has been found in the remote lighthouse at Portland Bill. And not just any body, but the body of someone she investigated before moving to Dorset. Can Lesley win the trust of the close-knit Portland community and find the killer? And can DI Zoe Finch of the West Midlands force help her track down potential suspects?

DI Kate Young is on leave. She’s the force’s best detective, but her bosses know she’s under pressure, on medication and overcoming trauma. So after her bad judgement call leads to a narrowly averted public disaster, they’re sure all she needs is a rest. But when Staffordshire Police summon her back to work on a murder case, it’s a harder, more suspicious Kate Young who returns. With a new ruthlessness, she sets about tracking down a clinical, calculating serial killer who is torturing victims and leaving clues to taunt the police.

Returning to work after an extended leave of absence, Detective Constable Hazel Best's first task is to shadow TV historian Oliver Ford, who has arrived in Norbold to open a new museum. What should have been a routine assignment takes a decidedly dramatic turn, however, when Hazel saves Ford from a murderous attack that would appear to be an act of jihad. But why would someone fly thousands of miles to firebomb an obscure little museum in a quiet English village? Hazel can't help but think that there's something more to this case than meets the eye.

Alison Willetts has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel, but she is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer's made his first mistake. Then DI Tom Thorne discovers the horrifying truth: it isn't Alison who is the mistake, it's the three women already dead. Thorne must find a killer whose agenda is disturbingly unique, and Alison, the one person who holds the key to the killer's identity, is unable to say anything....

DI Kate Young has known for years that her boss, Superintendent John Dickson, is a violent and evil man. But when she finally confronts him and accidentally shoots and kills him, she’s forced to cover her tracks before anyone can pin his death on her. With revelations about his corruption soon to become public knowledge, Kate sets up a trail of evidence to make it seem that Dickson has conveniently vanished… But Kate knows the corruption doesn’t end with Dickson.

The CID's Andrew Dalziel prefers simple killers. Not a crackpot who fancies himself Hamlet and taunts authorities with lofty quotes from the Bard. Dubbed the Yorkshire Choker, he's already taken three lives in four weeks and promises more tragedy to come. To help nab the serial strangler, Peter Pascoe has enlisted the help of linguistics professors, psychologists, and psychics-all of it nonsense to the grounded Dalziel.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

In the bleak countryside around Blithfield Reservoir, a serial murderer and rapist is leaving a trail of bloodshed. His savage calling card: the word ‘MINE’ carved into each of his victims. DI Kate Young struggles to get the case moving - even when one of the team’s own investigators is found dead in a dumpster. But Kate is battling her own demons. Obsessed with exposing Superintendent John Dickson and convinced there’s a conspiracy running deep in the force, she no longer knows who to trust.

You are Dead is the 11th thrilling crime novel in Peter James' Roy Grace series, narrated by Daniel Weyman. They were marked for death. The last words Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified mobile phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then she screams and the phone goes dead.

TV presenter and all-round car nut Ant Anstead takes the listener on a journey that mirrors the development of the motor car itself from a stuttering 20mph annoyance that scared everyone's horses to 150mph pursuits with aerial support and sophisticated electronic tracking. The British Police Force's relationship with the car started with the chasing of pioneer speeding motorists, who were often caught by policemen on bicycles.

Eight-year-old Leila Smith has seen and heard things that no child should ever have to. On the Hawthorn Estate, where she lives, she often stays out in the playground long after the other children have left, just so she can avoid her own home for longer. But what Leila doesn't know is that someone has been watching her. One day, she disappears without a trace. The police search start a nationwide search, but it's as if Leila has vanished into thin air. Who kidnapped her? What do they want? Will she return home safe and sound, or is she lost forever?

A brutally murdered husband. An abused wife who wanted him gone for good...Did the wealthy widow arrange his death - and can a disgraced detective discover the truth? "Your husband is dead". Lorraine Rowe receives the news from an anonymous killer threatening her too - unless she pays an inflated fee for her estranged partner’s murder. Overwhelmed by fear and indecision, Lorraine struggles to survive as her carefully constructed life of lies begins to unravel.