British Women Detectives

When DI Allie Shenton is called out to a murder suicide, it quickly becomes clear that it's a double slaying, and there is a killer on the loose. The bodies are found in a property owned by local entrepreneur/drug dealer Kenny Webb. Several young women are staying there, they are refusing to talk and one of them is missing. While she waits on forensic evidence, Allie decides to do what she does best. She takes to the community to see who will talk. Right now, she's the only one who can get answers. But then a third murder rattles everyone.

Lord Francis and Lady Ottilia Fanshawe have suffered a devastating blow. With Ottilia sunk deep into a depression, Francis is desperate to get his beloved wife back. So when he hears about a murder at the seaside town of Weymouth, an idea starts to form.... A young girl's body has been discovered, laid out in an open coffin, surrounded by candles. The staged scene, and the fact that the victim was a member of a theatrical troupe, suggests one of her colleagues is the killer. Knowing Ottilia's sharp intuition and penchant for solving mysteries, Francis brings her to the murder site.

1792, England: Lord Francis and Lady Ottilia Fanshawe are on their way home when their coach comes to a sudden stop. A woman is standing in the middle of the road - covered in blood. The woman refuses to speak but on further investigation they find the body of a man hidden in the woods. Ottilia insists on bringing the woman home to find out what occurred. But the more she finds out the more complicated the case becomes....

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

When homeless man Bobby Stover insists his friend’s suicide was really murder, DI Sheridan Holler is sceptical—until she uncovers a series of deaths, all of them in Liverpool, all ruled as suicides, that suddenly look like anything but. The killings span years, each one chillingly staged, the truth buried beneath an illusion of despair. This murderer is following a mysterious pattern—and there seems to be no end in sight.

If someone was in your house, you’d know...wouldn’t you? But the Hunter family are deaf, and don’t hear a thing when a shocking crime takes place in the middle of the night. Instead, they wake up to their worst nightmare: the murder of their daughter. The police call Paige Northwood to the scene to interpret for the witnesses. They’re in shock, but Paige senses the Hunters are hiding something. One by one, people from Paige’s community start to fall under suspicion. But who would kill a little girl? Was it an intruder? Or was the murderer closer to home?

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

When three wife beaters are themselves found beaten to death, DC Maggie Jamieson knows she is facing her toughest case yet. The police suspect that Probation Officer Lucy Sherwood - who is connected to all three victims - is hiding a dark secret. Then a fourth domestic abuser is brutally murdered. And he is Lucy’s husband. Now the police are running out of time, but can Maggie really believe her friend Lucy is a cold-blooded killer?

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

Lady Ottilia and Lord Francis Fanshawe are holidaying in Tunbridge Wells when they stumble across the scene of a horrific accident. While visiting the High Rocks, a local tourist spot, a young woman falls to her death from the top of the climb. It soon becomes clear that the woman is linked to the infamous Dowager Viscountess Lady Wem - an indomitable matriarch visiting Tunbridge with her extended family. The young woman was at the center of a scandal - Lady Wem's grandson, Daniel, eloped with her three years prior.

The new audiobook from Sunday Times number-one best seller Martina Cole sees the return of her iconic heroine DCI Kate Burrows. If you liked The Ladykiller you'll love Damaged. When the bodies of missing schoolgirls start turning up, former DCI Kate Burrows is dragged out of retirement. A new Grantley serial killer is in town and DCI Annie Carr turns to Kate for help.

A bomb threat at Middlehampton’s Powerhouse music venue sends DS Kat Ballantyne spiralling into a nightmare—her husband and son are inside. As the city reels in terror, Kat fights to keep her family safe while being pulled into another deadly case that may well be connected… A journalist investigating a controversial football club takeover makes a chilling 999 call before collapsing. Hours later, he’s dead. His apparent murder marks the beginning of a dangerous trail of corruption leading to a foreign royal family. Or is the killer closer to home?

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

A young boy walks into a police station in France. He claims to be Carl Meagan - a missing child from Sheffield whose name is still whispered as a warning to kids who stay out after dark. On her way home from the supermarket, nine-year-old Keeley Armitage vanishes without trace. Her family is overcome with shock and DCI Matilda Darke can’t help but focus on memories of the Carl Meagan case that almost ruined her career.