Celebrity Culture

In this witty, absurd, and surprisingly moving memoir-in-essays, comedian Alison Leiby unpacks the multitudes women are told to be—and the joy of refusing to pick just one. Have you ever frozen when someone asks, "So, tell me about yourself?" If so, take a page from I'm a Lot. Alison Leiby...

First as a journalist and then a publicist at Warner Brothers Records for nearly twenty years, Barbara Charone has experienced, first-hand, the changes in the cultural landscape. Access All Areas is a personal, insightful and humorous memoir packed with stories of being on the cultural frontline, from first writing press releases on a typewriter driven by Tip Ex, then as a press officer for heavy metal bands taking the bus up to Donnington Festival with coffee, croissants and the much more popular sulfate.

Between 1994 and 1997, James Brown's loaded magazine became the the must-buy and must-be-in publication of the decade. It won every award going, year after year, and came to define not only its audience but also a generation. Bright, loud, funny, provocative, ambitious and careless, loaded was read from the barracks of Afghanistan to the England dressing room at Euro '96. It captured a hedonistic lifestyle of alcohol, cocaine and more. The last great hurrah before the end of the century.

Es war Anfang der Sechziger, als plötzlich vier junge Männer aus dem Nichts erschienen und die Welt radikal veränderten. Sie begeisterten die Jugend nicht nur mit einer völlig neuen Musik, nein, sie stellten mit ihrer frischen Unbekümmertheit auch erstmals die Arroganz der Obrigkeit total infrage. Daraufhin begannen existenzielle und schmerzhafteste Kämpfe zwischen der Jugend und der Erwachsenenwelt. Rainer Lange, Jahrgang 1949, zählte zu den dennoch Glücklichen, die diese Epoche hautnah miterleben durften.

“Whatever you have read or heard about me through articles or gossip, forget it. I am nothing like that Warren Beatty. I am nothing like what you have read.” —Warren Beatty Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the...

The most compelling figures in the Warner Bros. story are the sagacious Mo Ostin and the unlikely crew of hippies, eccentrics, and enlightened execs who were the first in the music business to read the generational writing on the wall in the mid-1960s. By recruiting outsider artists and allowing them to make the music they wanted, Ostin and his staff transformed an out-of-touch company into the voice of a generation. Along the way, they revolutionized the music industry and, within just a few years, created the most successful record label in the history of the American music industry.

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

As he finds himself within spitting distance of middle age, journalist Eric Spitznagel feels acutely the loss of...something. Freedom? Maybe. Coolness? Could be. The records he sold in a financial pinch? Definitely. To find out for sure, he sets out on a quest to find the original vinyl artifacts from his past. Not just copies. The exact same records.

What is a starf*cker? However you define it, Matthew Rettenmund, author of the acclaimed novel Boy Culture and the popular blog BoyCulture.com, readily admits to being one. The ultimate pop-culture enthusiast, he has been obsessed with celebrities ever since he was born. This hilarious, sexy memoir (arranged by memes) documents Rettenmund's affection - in the case of Madonna, it's pure mania - for movie, television, and music personalities.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

Look out for Julie's new book, The Almost Legendary Morris Sisters. From bestselling author Julie Klam comes a lively and engaging exploration of celebrity: why celebrities fascinate us, what it means to be famous today, and why celebrities are so important. “When I was young I was convinced...

"Document sonore brut, nous avons choisi de ne pas remonter en studio cette conversation d'Arletty avec Marc Laudelout, afin de restituer le plus fidèlement possible la fraîcheur et l'authenticité de la rencontre entre le journaliste et la grande actrice - mythique s'il en est - de l'âge d'or du cinéma français. Marc Laudelout réussit avec perfection à nous faire partager une Arletty intime, généreuse, pleine d'esprit."

In this never-before-published memoir from the files of The Walt Disney Archives, Disney Legend Jimmy Johnson (1917-1976) takes you from his beginnings as a studio gofer during the days of Snow White and the Seven Dwarfs to the opening of Walt Disney World Resort. Johnson relates dozens of personal anecdotes with famous celebrities, beloved artists, and, of course, Walt and Roy Disney.

Drawing on new research and enlivened by Touré's unique pop-cultural fluency, I Would Die 4 U relies on surprising and in-depth interviews with Prince's band members, former girlfriends, musicologists, and even Bible scholars to deconstruct the artist's life and work. Prince's baby boomer status allowed him to play a wise older brother to the latchkey kids of Generation X. Defying traditional categories of race, gender, and sexuality, he nonetheless presented a very traditional conception of religion and God in his music.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

In A New America, Tommy Mottola explores the societal and cultural impact the Latino community and its music has had on America by sharing behind-the-scenes stories from his own life and his connection to the Latin sound throughout the decades - from his initial fascination with Latin music which started with Puente, to the mainstream success of Ritchie Valens, to the groove-laden guitar wizardry of Carlos Santana. >But A New America is more than a story about music and musicians. It is the story of a culture that continues to grow and influence America.

Technology insider Alice Marwick contends in this insightful book, “Web 2.0” only encouraged a preoccupation with status and attention. Her original research - which includes conversations. Marwick analyzes status-building techniques - such as self-branding, micro-celebrity, and life-streaming - to show that Web 2.0 did not provide a cultural revolution, but only furthered inequality and reinforced traditional social stratification, demarcated by race, class, and gender.

This audiobook profiles the hottest rock 'n roll women, spanning the 1960s to current times - from Janis Joplin, Suzi Quatro and Chrissie Hynde to Courtney Love and Pink. With perceptive biographies and in-depth music critiques, author Alison Stieven-Taylor gives an up-close and personal look at the experiences, adventures, and musical passions of these extraordinary and talented women whose wild vocals and on-stage antics have made them rock 'n roll legends.

In Going Back to T-Town, Ernie’s daughter, Carmen Fields, tells a story of success, disappointment, and perseverance, extending from the early jazz era to the 1960s. This is an enlightening account of how this talented musician and businessman navigated the hurdles of racial segregation during the Jim Crow era.

“Nowhere near famous but still infamous,” Psalm One is a legend to rap nerds, scholars, and “heads,” and has gone on to work with the brightest names in rap and have her work celebrated and taught around the globe. In Her Word Is Bond, Psalm One tells her own story, from growing up in Englewood, Chicago through her life as a chemist, teacher, and legendary rapper. Intrinsically feminist, this story is a celebration of the life and career of one artist who blazed the trail for women in hip hop.