Classic Adaptation

Set in 12th-century England, with colourful descriptions of medieval life and adventures, "Ivanhoe" is a realistic and vibrant story set in a kingdom torn asunder by the hatred between Saxons and Normans. Richard the Lionheart is headed home from the Third Crusade to reclaim his throne. Amid the heat of a tournament, King Richard comes to the aid of another crusader who has returned in disguise. Wilfred of Ivanhoe also seeks to recover a lost heritage - and the hand of Lady Rowena, "a rose of loveliness, and a jewel of wealth; the fairest among a thousand."

This audiobook for children is a brand-new version of Hans Christian Andersen's "Snow Queen". It is at once exciting, enchanting, and educational - an ideal fairy tale to listen to as a bedtime story over several evenings! It is the perfect story to capture a child's imagination while at the same time it offers a perfect starting point in the world of classic literature for children.

Sir Michael Morpurgo retells two of Shakespeare’s best-loved plays, The Winter’s Tale and The Tempest, in this stunning audio collection in association with the RSC, featuring readings by members of the Royal Shakespeare Company and Michael himself. Translating these iconic plays into thrilling prose, the nation’s favourite storyteller preserves all the imaginative genius and spark of the originals, while bringing a contemporary and vibrant voice to their retelling.

Little Mary Lennox is a bad-tempered, disagreeable child. When her parents die in India, she is sent back to England to live with her uncle in a big, lonely, old house. There is nothing to do all day except walk in the gardens – and watch the robin flying over the high walls of the secret garden . . . which has been locked for ten years. And no one has the key. An Oxford Bookworms Library reader for learners of English, adapted from the Frances Hodgson Burnett original by Clare West.

She calls herself Calexa Rose Dunhill - names taken from the grim surroundings where she awoke, bruised and bloody, with no memory of who she is, how she got there, or who left her for dead. She has made the cemetery her home, living in a crypt and avoiding human contact. But Calexa can’t hide from the dead - and because she can see spirits, they can’t hide from her. Then one night, Calexa spies a group of teenagers vandalizing a grave - and watches in horror as they commit murder.

When a handsome young man begins to court Catherine Sloper, she feels she is very lucky. She is a quiet, gentle girl, but neither beautiful nor clever; no one had ever admired her before, or come to the front parlour of her home in Washington Square to whisper soft words of love to her. But in New York in the 1840s young ladies are not free to marry where they please. Catherine must have her father’s permission, and Dr Sloper is a rich man.

"The moment I first met you, I noticed your pride, your sense of superiority, and your selfish disdain for the feelings of others. You are the last man in the world whom I could ever be persuaded to marry," said Elizabeth Bennet. And so Elizabeth rejects the proud Mr Darcy. Can nothing overcome her prejudice against him? This famous novel by Jane Austen is full of wise and humorous observation of the people and manners of her times.

A pretty young girl has to leave home to make money for her family. She is clever and a good worker; but she is uneducated and does not know the cruel ways of the world. So, when a rich young man says he loves her, she is careful - but not careful enough. He is persuasive, and she is overwhelmed. It is not her fault, but the world says it is.... An Oxford Bookworms Library reader for learners of English, adapted from the Thomas Hardy original by Clare West.

Sometimes the Dashwood girls do not seem like sisters. Elinor is all calmness and reason, and can be relied upon for practical, common sense opinions. Marianne, on the other hand, is all sensibility, full of passionate and romantic feeling. She has no time for dull common sense - or for middle-aged men of 35, long past the age of marriage. True love can only be felt by the young, of course. And if your heart is broken at the age of 17, how can you ever expect to recover from the passionate misery that fills your life, waking and sleeping?

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

When Black Beauty is trained to carry a rider on his back, or to pull a carriage behind him, he finds it hard at first. But he is lucky - his first home is a good one, where his owners are kind people, who would never be cruel to a horse. But in the 19th century many people were cruel to their horses, whipping them and beating them, and using them like machines until they dropped dead. Black Beauty soon finds this out, and as he describes his life, he has many terrible stories to tell.

Suddenly, there was a high voice screaming in the darkness: "Pieces of eight! Pieces of eight! Pieces of eight!" It was Long John Silver’s parrot, Captain Flint! I turned to run . . .’But young Jim Hawkins does not escape from the pirates this time. Will he and his friends find the treasure before the pirates do? Will they escape from the island, and sail back to England with a ship full of gold?

You are walking through the streets of London. It is getting dark and you want to get home quickly. You enter a narrow side-street. Everything is quiet, but as you pass the door of a large, windowless building, you hear a key turning in the lock. A man comes out and looks at you. You have never seen him before, but you realize immediately that he hates you. You are shocked to discover, also, that you hate him. Who is this man that everybody hates?

’Please, Mr Murdstone! Don’t beat me! I’ve tried to learn my lessons, really I have, sir!’ sobs David. Although he is only eight years old, Mr Murdstone does beat him, and David is so frightened that he bites his cruel stepfather’s hand. For that, he is kept locked in his room for five days and nights, and nobody is allowed to speak to him. As David grows up, he learns that life is full of trouble and misery and cruelty. But he also finds laughter and kindness, trust and friendship . . . and love.

Jane Eyre is alone in the world. Disliked by her aunt’s family, she is sent away to school. Here she learns that a young girl, with neither money nor family to support her, can expect little from the world. She survives, but she wants more from life than simply to survive: she wants respect, and love. When she goes to work for Mr Rochester, she hopes she has found both at once. But the sound of strange laughter, late at night, behind a locked door, warns her that her troubles are only beginning.

London in the 1830s was no place to be if you were a hungry 10-year-old boy, an orphan without friends or family, with no home to go to, and only a penny in your pocket to buy a piece of bread.But Oliver Twist finds some friends – Fagin, the Artful Dodger, and Charley Bates. They give him food and shelter, and play games with him, but it is not until some days later that Oliver finds out what kind of friends they are and what kind of ’games’ they play. An Oxford Bookworms Library reader for learners of English, adapted from the Charles Dickens original by Richard Rogers.

The Marquis lay there, like stone, with a knife pushed into his heart. On his chest lay a piece of paper, with the words: Drive him fast to the grave. This is from JACQUES. ’The French Revolution brings terror and death to many people. But even in these troubled times people can still love and be kind. They can be generous and true-hearted . . . and brave. An Oxford Bookworms Library reader for learners of English, adapted from the Charles Dickens original by Ralph Mowat.

The wind is strong on the Yorkshire moors. There are few trees, and fewer houses, to block its path. There is one house, however, that does not hide from the wind. It stands out from the hill and challenges the wind to do its worst. The house is called Wuthering Heights. When Mr Earnshaw brings a strange, small, dark child back home to Wuthering Heights, it seems he has opened his doors to trouble. He has invited in something that, like the wind, is safer kept out of the house.

In this sleep story, we follow the adventures of Mr. Toad as he plans his great escape after being imprisoned for stealing a motorcar.

An unplanned murder during a bank robbery has another sheriff on the trail of those on the lam.